NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kilele Summit 2026 set for Nairobi with international, regional music line-up

05 Jan 2026 - 12:42

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The third edition of the Kilele Summit is scheduled to take place in Nairobi from 23 to 28 February 2026, bringing together musicians, technologists, and culture workers from across East Africa and beyond. Known for its blend of music, art, and culture, the summit features a combination of performances, workshops, installations, and panel discussions.

Ugandan artist Kampire will perform at the event.

The 2026 edition adopts the theme Sound and Solidarity, focusing on collaborations across generations, locations, and technologies. The summit aims to explore new creative approaches and foster dialogue within the regional and international music community.

One of the highlighted projects is the Embodied Archives Residency and Performance, supported by Pro Helvetia Johannesburg, the Swiss Arts Council. The residency will see Swiss musician Mehmet Aslan collaborate with Kenyan multi-disciplinary artist Jim Chuchu to explore the body as an evolutionary archive through sound, movement, voice, and collective performance. The project will culminate in a new work premiered at Kilele.

Another feature is the Kilele Residency with South African artist Mxshi Mo, who will collaborate with the Instrument Makers Lab team to develop new, accessible instruments. He will also participate in panels and perform at the final showcase. Last year, a short documentary about Mxshi Mo, highlighting his journey as a visually impaired electronic music artist, received wide acclaim from audiences.

The summit will also host UK music producer Martin ‘Youth’ Glover, who has worked with artists including Paul McCartney, Pink Floyd, Crowded House, and The Verve. Youth will lead a Producers Masterclass at AMP Africa Studios and participate in conference sessions, in addition to performing a DJ set.

The Pwani Tapes Residency will see musicians from Mombasa’s Mbwana Radio collaborate with a Nairobi-based producer to create and record four tracks over five days. The residency also includes a panel discussion on the ethics of re-releasing music that was previously unavailable, supported by the Braid Fund under the Santuri East Africa/Pwani Tapes project.

The Instrument Makers Lab, returning for its second year, will run for two weeks and focus on accessibility in hardware and instrument design. The 2025 edition saw projects such as a xylophone made from skateboards come to fruition.

Frequency Shift, a community radio initiative, will develop a public-facing multimedia platform featuring storytelling, live performances, immersive media, and DJ sets. Participating organisations include Calotropis Radio, Black Rhino Virtual Reality, and Creatives Garage.

Confirmed performers for Kilele 2026 include Jessica Aslan (UK), Mehmet Aslan (Switzerland), Marko Ciciliani (Croatia), Jim Chuchu (Kenya), Kampire (Uganda), Sammy Karugu & Basile Huguenin-Virchaux (Kenya/Switzerland), Mau From Nowhere (Kenya), Mina (UK), Mizizi Ensemble (Kenya/Australia/Norway), Mxshi Mo (South Africa), R_R_ (Latvia), Maganda Shakul (Uganda), Sisson and Maiko (Tanzania), and Youth (UK). More performers will be announced later January.

The summit will also host music technology workshops, featuring international companies such as Ableton, ADAM Audio, Bitwig, Novation, and Focusrite, providing opportunities for local creators to engage with global innovations.

Kilele 2026 is supported by cultural organisations including EUNIC, Danish Cultural Institute, Pro Helvetia Johannesburg, and the Braid Fund, with collaborations from BRVR, Munyu, Creatives Garage, and COSMOS/Le Guess Who?. The summit’s home base will be The Mall in Westlands, with additional undisclosed locations hosting special events.

Over half of the summit’s programme is shaped by submissions from the local and international community, promising a diverse line-up of artists and activities when the full schedule is released in January 2026.

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