NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Fendika with Melaku Belay
Fendika with Melaku Belay

Fendika with Melaku Belay

Bands /groups, Clubs
linkedin

Profile added by Stanley Gazemba on 22 Sep 2015

Claim this profile

flag-img

Addis Ababa, Ethiopia

In operation since:

2008

Contact person:

Fendika with Melaku Belay

BIO

Fendika, a troupe of the most accomplished azmari musicians and dancers from Addis Ababa, draws deeply from the well of Ethiopia’s bardic tradition while adding creative movements and sounds that revitalize their ancient artistic forms. Passionately committed to the preservation and development of traditional culture, group leader and dancer Melaku Belay has established two traditional performing groups – the smaller elite group Fendika and the 12-member Ethiocolor.

Fendika features seven performers – two dancers, two singers, and instruments including kebero drums, masenko (a one-stringed bowed fiddle), and krar (a five- or six-stringed lyre). Founded in 2009 by Melaku Belay, Ethiopia’s leading dancer and a respected cultural ambassador, the ensemble is based at Melaku’s renowned music club Fendika Azmari Bet in the Kazanchis neighborhood of Addis Ababa. In Ethiopian culture, an azmari bet is a traditional house of music where people come to be entertained, informed, and sometimes playfully insulted by the azmari who serve as current events commentators while they dance, sing, and play for tips.

Melaku is a virtuoso interpreter of eskista, a traditional Ethiopian trance dance of athletic shoulder movements that presage hip hop movements of breaking and popping. Now a renowned cultural ambassador and the founding president of the Ethiopian Dance Association (est. 2018), Melaku grew up as a street kid, learning many regional dances of Ethiopia through participation in religious festivals such as Timqat, folk ceremonies, and everyday activities in Addis Ababa and the countryside where music and dance are a vital part of cultural and spiritual expression. Melaku has traveled throughout Ethiopia to learn the dance traditions of the country’s 80 tribal groups. He has also brought dancers and musicians from remote rural areas to Addis Ababa to showcase their work. The musicians and dancers of Fendika present a cultural journey starting in the highlands of Tigray, Wollo, Gonder, and Gojam, also including dances from the Somali and Afar regions and southern Ethiopian dance forms from the Gurage, Wolaita, and Konso traditions.

In 2011 Melaku won the Alliance Ethio-Francaise (Addis Ababa) award for dance excellence. In 2015 he was named as a Chevalier dans l’Ordre des Arts et des Lettres, in recognition of his exceptional artistic career, by the French Ministry of Culture and Communications - an extremely prestigious honor. In 2016, Melaku was nominated, along Mulatu Astadke and Samuel Yirga, for the nationwide DireTube Award for introducing Ethiopian music to the world. In 2017, Melaku received a globally competitive grant from UNESCO’s International Fund for the Promotion of Culture, to produce an azmari music festival in Addis Ababa. And in 2018, Melaku was one of the top three nominees for Ethiopia’s Person of the Year Award, in the category of Bringing Global Recognition for Ethiopia.

Melaku and Fendika also extend their base of tradition to new areas of musical exploration, developing strong performance partnerships with Ethiopian jazz bands Addis Acoustic Project and the US-based Debo Band, as well as international groups such as Le Baroque Nomade, Ukandanz, Akalé Wubé, Arat Kilo, and especially European punk band The Ex. The group has performed with legendary Ethiopian singer Mahmoud Ahmed and begena player Alemu Aga, while Melaku has collaborated with Éthiopiques founder Francis Falceto, Italian musicians Saba Anglana and Debora Petrina, Italian saxophonist Enzo Favata, among many others. Fendika has appeared in Scandinavia, France, Spain, Mali, Tanzania, Holland, Belgium, Germany, Italy, the Czech Republic, Austria, Qatar, India and United Arab Emirates; they rocked the Roskilde Festival in Denmark in July 2014, earning a rave review. Members of the group toured the US in 2011, 2012, and 2013 with stops at the Lowell and Richmond Folk Festivals, the International Festival of Arts and Ideas, and Kennedy Center as well as Lincoln Center where their performance received great acclaim from the New York Times. Ethiocolor performed as a showcase band at the prestigious Womex Festival in October 2014 and toured Europe twice during 2015 with The Ex, returning to Germany and Scandinavia in August 2015. Fendika/Ethiocolor performed in Israel for the Jerusalem Sacred Music festival in September 2015. The group was a highlight at globalFEST, the premier world music showcase in New York, in January 2016. Later that year in August and September, they returned to the US for a 14-city tour. In November 2016, Fendika also toured Europe with the Ex. In 2017, Fendika was invited to perform at the African Music Festival in Tel Aviv (January), Israel, Glatt and Verkehrt Festival in Austria (July), and the UNESCO-Katara Cultural Diversity Festival in Doha, Qatar (October). 2018 so far has seen Fendika at World Sacred Spirit Festival, Jodhpur, India (February) and Barzakh Festival, Abu Dhabi, UAE (February/March), and a 12-city tour of the USA. In April 2018 Melaku shared the stage with the legendary Mahmoud Ahmed and Girma Beyene at Banlieuse Bleues Festival in Paris. In 2019, Fendika went on a European tour with the Ex in celebration of the latter’s 40th anniversary.

Fendika has compiled three CDs of their music: Addis Tradition (2013), Ethiocolor (2014) produced by Selam Sounds, and Birabiro (2016) by Terp Records. The video Ethiocolor 360◦ was selected as one of the top 15 of 2015 by OkayAfrica. Roots World selected Birabiro as their Music of the Month for August 2017.

Fendika performances run from 45 minutes to 1 hour 15 minutes, depending on the venue requirements. Their show builds in sonic and dance intensity, often culminating in an exciting interaction as Fendika members invite the audience to join the dance. Fendika is deeply committed to engagement and interaction with the audience. They love to offer workshops for all ages before or after performances, to teach their dance steps, musical notes, rhythms, and the history and background of Ethiopian traditional music and dance. Fendika has experience from festivals of the US and UAE as well as in educational programs in France in participating in “World Sounds” or “World Dance” workshops on stage, featuring musicians from several cultures who demonstrate their art and then exchange and collaborate resulting in a group performance on stage. They are also very skilled at participating in panel discussions on topics such as the role of tradition in contemporary culture, also inviting questions and observations from the audience.

Fendika members:
Melaku Belay, dance; Emebet Woldetsdik , dance; Meselu Abebaye, kebero drums; Sentayehu Tadesse, krar; Habtamu Yeshambel, masenko; Robel Solomon, bass krar; Wude Tesfaw, vocals; Elias Ahmed, vocals

For more information see:
https://fendika.org/fendika-touring-index
https://www.reverbnation.com/melakubelay
https://www.youtube.com/user/melakufendika/videos
https://www.youtube.com/channel/UCJc3N9Lk-0hxZMDIw1_fqqw/featured?view_as=subscriber
[email protected]

Discography
2013 Melaku’s Fendika – Addis Tradition. Self-produced music CD
2014 Ethiocolor. Selam Productions, music CD review: http://www.mixedworldmusic.com/recensies/?id=952
2015 Lale Guma/Addis Hum. 7 inch single; Terp Records
2016 Melothesia Aethiopica –XVIII-21. Le Baroque Nomade collaboration with Fendika. CD, 8 tracks
2016 Birabiro. Terp Records, music CD.

Filmography
2007 Dancing Addis Ababa. Itsushi Kawase. UNESCO/Norway Funds-in-Trust Project
2009 Under African Skies. BBC documentary
2010 Le Baroque Nomade en Ethiopie: À La Recontre Des Azmaris. Gregoire Mercade. Kanjil/Cogitoergovideo
2011 Ahun. Zeleman Productions and Melaku Belay
2013 Random Acts BBC Channel 4. Mango Films, Chris Pencacowski
Review: http://www.afropop.org/11777/glorious-video-from-addis-ababa-ethiopia/
2013 Ethiopian TV feature about Melaku Belay
2014 Jamming Addis. Outremer Films 2014; 80 mins.
2014 Melaku. Ammanuel Communications; 70 mins., a documentary with commentary from prominent musicians and musicologists.
2015 Ethiocolor 360. Selam Productions and Stocktown Films. Africa’s first 360 degree video
2017 Addis Fortune interview with Melaku Belay, https://www.youtube.com/watch?v=Y7qjeGQX-3o
2017 Ethiopian Broadcast Corporation interview with Melaku Belay, https://www.youtube.com/watch?v=G3AdhWET_G4
2018 ENN Entertainment interview with Melaku Belay, January 27
2018 ENA.GOV.ET interview with Melaku Belay, May 1
2018 ETV interview with Melaku Belay, June https://www.youtube.com/watch?time_continue=99&v=Njr0aAjmL8A
2018 Linkup Addis, “Closeup-Interview with Melaku Belay,” by Kidus Tamiru, December 1
https://linkupaddis.com/closeup-interview-with-melaku-belay/?fbclid=IwAR0UoiFkqZB6Ze7qBdYjkrON1aCimRWeNSxyH0YHdTBvBU7jY_zKNXXoreE
2019 BBC interview with Melaku Belay: “The Comeback of Ethiopia’s Satirical Singers,” February 4
https://www.bbc.co.uk/programmes/p06zx41p?ocid=socialflow_facebook&fbclid=IwAR2nh2plLBri8ZoP53-1kt-5rYd6dxIeYz_fjPx1XWkVDQv7BvFoBVU8rx4

Photos

No photos available

Music

03 Lewoy Lewoy (Wollo)

Melaku Fendika
05:09

Videos

Coming soon

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media