NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Mmatema Moremi
Mmatema Moremi

Mmatema Moremi

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Johannesburg, South Africa

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Mmatema Moremi

BIO

Born on 26 February 1992, Mmatema Moremi is a South African singer and songwriter. She rose to fame in 2015 as the runner up on the eleventh season of South African Idols. She made history as the first artist to have been a contestant to host a one-woman show titled “Mmatema Moremi’s One Woman Show” at the South African State Theatre’s Opera Theatre as a solo artist with no opening acts. The theatre was filled to capacity. She was nominated earlier in the year at the Mzansi Christian Awards in two categories: Best Female Personality and Best Newcomer.

Mmatema was raised in Zebeidelia , Limpopo by Disego Moremi and Lucky Moraila. At five years old she would sing at the pre-school assembly during Morning Prayer sessions.

At that time she just enjoyed signing and had no idea that she was gifted with a voice that would go on to bless thousands of people in years to come.

It was only when she was attending Dereke Kobe Secondary School did people around her start telling her she could sing. At the age of 10 she hijacked a performing band and went onto the stage, took the microphone and sang to a live audience for the entire Zebediela community. Word spread and people started booking her for weddings, birthday celebrations and local events.

By the time she attended Matladi Secondary School she started experimenting with backtracks doing her own versions of her favourite artist songs.

Her parents were never keen on the idea of her pursing a singing career. Only when she got to tertiary and was out of the nest did she start pursuing music on a full time basis.

Whilst she was studying for her B-tech degree in Applied Languages/Linguistics at T.U.T (Tshwane University of Technology) she joined Reflex Raise however she would soon leave the choir, to join one of the more prominent Gospel choirs in Tshwane; Tshwane Gospel Choir.

In 2014 Tshwane Gospel Choir composed a song for 'Bring Back Our Girls' campaign. To send out a message to the Nigerian Embassy to help get the female students who were kidnapped from Government Secondary School in the town of Chibok in Borno State, Nigeria. Reasonability for the kidnapping was claimed by Boko Harem.

Speaking on Morning Live Sunday the 25 May on SABC; Mmatema said the highlight of being a part of the project was coming up with the harmonies and melodies that would touch people’s heart and encourage the nation to keep the girls in their prayers.

On 22 November 2015, Mmatema lost out of the ultimate prize of being named South African Idol. The Daily Sun would write a front page story with the headline “Our Idols was robbed!”

Even though she never won the competition she signed her first recording contract with Universal Music South Africa. Mmatema parted with Universal Music South Africa to pursue a career in gospel music through her company Mmatema Moremi Media Productions (Pty) Ltd.

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