NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Cape Town, South Africa

In operation since:

2003

Contact person:

Cameron Ward

Contact:

0780349554

BIO

Cameron Ward is an artist from South Africa.

Before his death in January 2018, legendary South African music icon Hugh Masekela lauded guitarist Cameron Ward as “one of his favorite musicians.” A member of Masekela’s band since he was 21, Ward is now poised to establish himself as an international solo artist - with ambitions to one day take his place among the giants of South African music - like his mentor.

Already hailed as a crowd favorite with U.S. and European audiences for his showmanship and musical prowess, Ward honed and mastered his improvisational ideas, solo and vocal acumen, and rhythm guitar skills for nearly a decade playing sold-out jazz clubs and festivals worldwide alongside Masekela and his band. Music critics have called Ward “hands-down one of the most versatile musicians of his generation.”

Influenced by revered international guitarists Wes Montgomery, George Benson, Jonathan Butler and Jimmy Dludlu, to name a few, Ward, with his distinguished boyish features, grew up in the Lotus River area along the Cape Flats, in Cape Town, South Africa. Raised by a single mother, Ward said his mother shielded him from the street gangs with church. A drummer for Pentecostal Protestant Church Ottery, at age six, his mother later sent him to music school to study the piano.

After learning the piano, he formed a church band with his relatives called Cousins for Christ. Ward said he was stuck with a guitar because that was the only instrument left. “Little did I know that my love for guitar would grow,” Ward said.

At first self-taught, Ward met fellow South African guitarist Jimmy Dludlu, who was impressed enough to send him to study music full time for two years. Dludlu also bought Ward his first guitar.

After years working as a backing guitarist for a number of South African bands and artists, Masekela, who was looking for a fresh sound, held auditions. Ward was hired.

The young protégé headlined with Masekela at such venues as Carnegie Hall in New York, Yoshi’s Jazz Club in Oakland and The Hollywood Bowl in Los Angeles. Internationally, Ward has played in countless venues across Africa, and crisscrossed Europe, playing the Lugano Music Festival in Switzerland, the North Sea Jazz Festival in the Netherlands, the Montreal Jazz Festival, the Back to Black Jazz Festivals in London and Brazil, the famed Ronnie Scott’s Jazz Club in London and the Blue Note Jazz Club in Tokyo, Japan.

Ward 33,credits his church upbringing, faith and family, with his success, proclaiming, “I love the Lord. Without God, I am nothing.”

In 2016, he rearranged the traditional U.S. gospel anthem “Where He Leads Me” into a saucy and melodic African jazz tune. The song became a popular standard with Masekela’s band.

In December 2017, Ward released the DVD&CD combo, Cameron Ward, Live at the Orbit, his sophomore project further showcasing his diverse smooth Jazz, Afro Jazz/Afro Pop repertoire. Six musicians comprise The Cameron Ward Band.

Cameron Ward live @TheOrbit Album & DVD is available on all online stores & stores Nationwide.

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