NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Tlokwe Sehume

Tlokwe Sehume

Solo artists
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Pretoria, South Africa

In operation since:

1975

Contact person:

Tlokwe Sehume

Contact:

0826324202

BIO

One of SouthAfrica ' most conceptual of musical artists and composers is undoubtedly Tlokwe Sehume. The SAMA award winning musician and performer was born in Pretoria/Tshwane, the  fourth in a family of six siblings

His music is spiritual witrh a thrust on indigenous African classical culture.Tlokwe studied Musicology at the University of South Africa

He says of his music - Mmino wa Thaba- Music of the mountains - 'music of the day before yesterday for a people of the day after tomorrow'

Composer, Producer, Director, Cultural historian, Teacher, Performer, Vocalist and multi instrumentalist par excellence. He combines his compositional and musical art skillswith the natural talent that is showcasedthrough his playing of a myriad of indigenous African classical instrumnents that include mbira, mvet (A Cameroonian chordophone) lekope (jaw harp) , meropa ya Afrika, percussion,  he also delves into some guitar playing, flute, keyboards - all instrumnental in bringing his socially aware messages to life , through song Influences for Tlokwe's work stem from his motherland which is Africa

His first two albums, Naga ya Fsa and BaUtlwile, spawned hits that reached the very core of humankind, songs with handsome depth and flowing rhytms - These caught the attention of the South African Music Awards , with Naga ya Fsa winning a SAMA award and Ba Utlwile getting three nominations 

On the Producer, Director and Arranger front ,Tlokwe has a long term project which he calls Medu Nakeng, a 150 piece ensemble of both rural village musical art practitioners and his band , Medu- wherein the rural village musicians including The Xun, (San people) , Bapedi with their music of Kiba (male) and Makgakgasa(female), Batswana, (Pina ya Setswana), vha-Venda with Tshikona (male) and Malende and Tshigombela(female), vha-Tsonga both male and female groups , Phuthi ya Bokone(a group of traditional healers) and a group from Rwanda singing in Kinya-Rwanda, all dancing to the same music simultaneously but in their different respective dance styles Medu Nakeng is not only a multicultural and multi-lingual research based project, but it is one of its kind in the whole entire South Africa , the continent and the world

Another of Tlokwe's conceptions is the 35piece 'Village Square' which is a marriage between musical art, spoken word and movement 

Tlokwe has performed and collaborated with some of the high- profile musicians in the country including McCoy Mrubata, Zim Mgqawana, Pops Mohamed, Hugh Masekela, Lefifi Tladi , Vusi Mahlasela among others

His other albums include Mmino wa Thaba, Serunya , the epic Medu Nakeng, and two international recordings , one in Koln , Germany and the other in Oslo, Norway which are still to be released.

He has toured and performed internationally in countries including India in cities like(new Delhi , Mumbai , Chandenagore), Cameroon in Yaounde, Hungary in Budapest at the Vigado, Germany ((Koln , Berlin) Norway in Oslo, Italy in Roma, France among others.

Collaborated with Peru 's Lady of song, Susanna Baca, Celio de Carvalio from Brazil on percussions and berimbau . Shared the stage with Mutabaruka from Jamaica

Was invited by the Lincoln Center in New York for a performance with Jazz at The Lincoln Center Orchestra that includes Wynton Marsalis

Was also invited by Kahil El Zabar of The Ethnic Heritage Ensemble fame

Tlokwe also teaches Arts & Culture in the country to craft indigenous African classical instruments

 

Contact Details

email:   [email protected]

             [email protected]

mobile:  +27 82 632 4202 

              +27 82 872 9718 

 

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