NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Primary Wave closes $2.225bn music rights fund as royalty investment surges

29 Apr 2026 - 13:30

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Primary Wave Music has raised $2.225 billion in commitments for its fourth flagship music investment fund, surpassing both its $1.5 billion initial target and its $2 billion hard cap, the company said on 29 April.

President of Primary Wave IP Investment Management Bill Cisneros.

The fund, Primary Wave Music IP Fund 4, is the fourth consecutive oversubscribed vehicle launched by the company, which described it as the largest dedicated closed-end music royalties fund raised in the industry to date.

According to the company, the capital was raised from a global investor base that includes insurance firms, pension funds, endowments and large family offices. Primary Wave is also a strategic partner of Brookfield Asset Management.

The fundraising comes amid an expansion phase for the company, which has increasingly positioned itself as a major consolidator of music intellectual property.

In March, Primary Wave announced an agreement to acquire Kobalt, one of the world’s largest independent music publishing and technology platforms, from Francisco Partners. The deal, which includes investment from Brookfield, is expected to close in the third quarter of 2026.

The company said Fund 4 reflects “the deepening institutional recognition of music intellectual property (IP) as a differentiated and scalable asset class and specifically Primary Wave’s ability to partner with unique artists and enhance the value of those rights.”

Fund 4 has already deployed approximately $700 million across more than 65 single-artist catalogues. These include rights linked to The Notorious B.I.G., Village People, Neil Sedaka, Itzhak Perlman, Ric Ocasek, The Cars, Robert “Kool” Bell, Gilberto Gil, Thin Lizzy and Dave Brubeck.

Larry Mestel, chief executive of Primary Wave Music, said the result reinforced the company’s strategy.

“This fundraise validates both the platform we have built at Primary Wave and our conviction that an active, aggressive hands-on approach to marketing music is what drives superior long-term returns for our investors and growth in value to our artists,” he said.

Craig Noble, chief executive of Brookfield’s credit business, said the firm’s strategy had proven effective in attracting institutional capital.

“Primary Wave has built a category-defining platform in music IP, with a clear track record of sourcing, scaling, and enhancing high-quality assets,” he said. “The success of this fundraise reflects both the strength of their strategy and the growing role of music royalties within institutional portfolios.”

President of Primary Wave IP Investment Management, Bill Cisneros added: “We are thrilled with this exceptional result, and most importantly with the group of thought leading global institutional investors which has joined us in Fund 4.”

The latest fund marks a significant increase in scale for Primary Wave’s investment strategy. The company raised around $300 million for its first fund in 2016, followed by $500 million for its second fund in 2019. Its third fund, launched in 2021, was reportedly backed with approximately $800 million in capital.

Primary Wave’s model focuses on acquiring music rights and increasing their value through marketing, branding, synchronisation licensing, digital distribution, content development and live or experiential activations.

Its acquisition capacity was significantly expanded in 2022 through a $2 billion partnership with Brookfield Asset Management, which took a minority stake in the company and committed $1.7 billion to a permanent capital vehicle for music rights acquisitions. Brookfield manages more than $1 trillion in assets across infrastructure, energy, private equity, real estate and credit.

Founded in 2006 by Mestel, Primary Wave’s catalogue includes rights associated with artists such as Prince, Bob Marley, Whitney Houston, Stevie Nicks, James Brown, Smokey Robinson, Ray Charles, Def Leppard and Aerosmith. The company estimates its holdings include more than 1,000 Top 10 singles and over 400 number-one hits.

In recent years, the firm has expanded beyond catalogue acquisitions. It has invested in music financing platform RUN, which provides advances of up to $25 million, and has made strategic moves in international markets including Vietnam’s POPS Music and Brazil’s Nas Nuvens Music Group.

Fund 4 further extends Primary Wave’s position in the growing market for music rights, as institutional investors continue to increase exposure to royalties as an alternative asset class.

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