NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Daniel Nebiat

Daniel Nebiat

Solo artists
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Profile added by Stanley Gazemba on 21 Sep 2015

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Toronto, Canada

Contact person:

Daniel Nebiat

BIO

Nebiat was born and raised in Asmara, the capital of Eritrea. He picked up the krar at an early age, performing traditional songs and singing in his language, Tigrigna (the krar is a five or six-stringed instrument from Ethiopia and Eritrea). As a youth, not only was he immersed in traditional and contemporary music from his home, but he also listened to American pop, country and blues music.

Nebiat’s early musical talents were evident during the Hoya Hoye celebrations held around the New Year. He took part by singing traditional songs for his neighbors and with the money he collected was able to buy his first krar at the age of 12.

He had a strong desire to learn to play it, having watched other musicians perform. His mother, however, had different plans for Nebiat and after finding his krar at home she proceeded to break it in pieces and use it for firewood. The idea of him becoming a musician was not acceptable and she wanted him to study and choose a different profession.

Nebiat found a way to force a compromise during those early years.Working at his mother’s restaurant, he gave her an ultimatum that if she wanted him to continue to work for her then she must allow him to pursue his love of music. She reluctantly agreed. However as circumstances happened Nebiat did not play the krar again until he emigrated to Addis, the capital of Ethiopia at the age of 17. He completed his schooling there and during his stay he learned to play the krar from other skilled players.

Right from the start, while learning the proper tuning of the krar, Nebiat proved to his teachers that he had a natural gift for music. His first large public performance was in Nairobi, Kenya at the celebrations for the Eritrean referendum on independence from Ethiopia in 1994. He spent two years in Kenya before going to Canada in 1996.

Nebiat performed in 2006 at Glen Gould Theatre for CBC’s Onstage, at the “Horn of Africa” concert. He has performed at Afrofest, Afrikadey, Eritrean Cultural Day and Bana y’Afrique festivals. In 2007 Nebiat was the opening act for Seun Kuti & Egypt 80 at Harbourfront Centre.

Nebiat’s first CD recording ‘Hakimey” was released in August 2008 and features original and traditional Eritrean songs, sung in the Tigrinya language. The CD was well received. He has continued performing at several Eritrean and Ethiopian clubs in the city. He is in high demand performing at cultural events and weddings in his community across Canada and the U.S.

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