NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Emmanuel Jal

Emmanuel Jal

Solo artists
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Profile added by Stanley Gazemba on 16 Sep 2014

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South Sudan

In operation since:

2012

Contact person:

Emmanuel Jal

BIO

Emmanuel Jal has won worldwide acclaim for his unique style of hip hop with its message of peace and reconciliation born out of his experiences as a child soldier in Sudan. His music can be heard alongside Coldplay, Gorillaz, and Radiohead on the fundraising ‘Warchild - Help a Day in the Life’ album, as well as in three ER episodes, the National Geographic documentary God Grew Tired of Us, and more recently in the feature film Blood Diamond starring Leonardo DiCaprio. He also featured on John Lennons ‘Instant Karma: The Amnesty International Campaign to Save Darfur’ amongst the likes of U2, REM and Lenny Kravitz.

Emmanuel Jal was born in war-torn Sudan, and while he doesn’t know exactly when, he believes it was in the early 1980s. He was taken from his family home in 1987 when he was six or seven years old, and sent to fight with the rebel army in Sudan’s bloody civil war. For nearly five years, he was a 'child warrior,' put into battle carrying an AK-47 that was taller than he was.

By the time he was 13, he was a veteran of two civil wars and had seen hundreds of his fellow child soldiers reduced to taking unspeakable measures as they struggled to survive on the killing fields of Southern Sudan. After a series of harrowing events, he was rescued by a British aid worker (Emma McCune) who smuggled him into Nairobi to raise him as her own.

To help ease the pain of what he had experienced, Emmanuel started singing. In 2005, he released his first album, Gua ('peace' in his native Nuer tongue), with the title track broadcast across Africa over the BBC and becoming a number one hit in Kenya. Gua also earned him a spot on Bob Geldof’s “Live 8″ concert in the UK.

Jal performed at Nelson Mandela’s 90th birthday celebrations in Hyde Park, London, June 08, he shared a stage with Alicia Keys, Annie Lennox, Damien Marley and Stephen Marley at the Black Ball in London in July 08 and also addressed delegates at the UN in New York in the same month. Jal has also performed with Razorlight, Supergrass, and Faithless in Europe.

Jal has a full-length documentary on his life and times which has been touring the film festival circuit. It premiered at the Berlinale festival this year, and won the Cadillac audience choice award at the Tribeca film festival. His autobiography was published by St. Martin’s Press in 2009. His new album ‘Warchild’ was released in 2008 on the Sonic360 label (distribution by ADA Global) with additional production and mix by Neal Pogue, (Outkast, Talib Kweli, Pharohae Monch).

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