NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

flag-img

Johannesburg, South Africa

In operation since:

2007

Contact person:

Femi Koya

BIO

Femi Koya is a Nigerian Afrobeat musician based in Johannesburg, South Africa.

He is a composer, performer, versatile saxophonist and dynamic vocalist. Femi Koya is the new face of the African Renaissance, combining West African highlife and jazz as well as South African and Sofiatown-inspired sounds. His music is a rich blend of deep and sultry Afrobeat and contemporary groove. He is urban and urbane. His life’s journey - a story of migration from the West to the South - resonates in his music, which creates a conscious dialogue between West African and South African sounds. This musical fusion demonstrates the path to a new and culturally integrated Africa in which a common heritage is reinforced to meet the needs of today's world. His quest is for African unity at a time when he believes Africa should claim its rightful and proud place in the world.

Femi Koya’s debut album 'Just in Newtown' is evidence of the rich melodies that result from this fusion. Through his versatility on the saxophone, he breathes new life into African world music. 'Iba meaning 'homage' is the title of Femi Koya’s second album, which was released in August 2015. The 'Iba' album also calls for African unity and makes a plea for human rights to be respected. The album also celebrates Africa’s love of life with infectious dance numbers that bring fans to their feet. His latest album, 'Village Afrobeat', was released in April 2018 and its songs depict nature, fertility, rituals, change of seasons and traditions essential to village life. The album tells stories and tales of what happens in villages as well as fables. He revisited a few songs on his latest EP 'Ori Mi' and the single 'Iba' in 2019

His musical influences include Fela Kuti, Bob Marley, Manu Dibango, Hugh Masekela, Baaba Maal and John Coltrane.
He has shared the stage with Youssou N’dour and Yvonne Chaka Chaka at the CAF Awards in Lagos and with John Legend during his first South African tour in Cape Town. He performed alongside the king of juju music, Sunny Ade, at the Glo launch in the Republic of Benin. Other colourful festivals have felt Femi Koya's acrobatic music, where he performed alongside Wynton Marsalis, Oliver Mtukudzi, Habib Koite, Salif Keita and Baaba Maal. He has recorded with Simphiwe Dana, Pops Mohamed, Yvonne Chaka Chaka, and worked with Baaba Maal, Angelique Kidjo and Wizkid, among many others.

Other events where Femi Koya has laid his mark include, Joy of Jazz festival Johannesburg, Jazz on the lake JHB, Arts Alive Johannesburg, Oppikopi Festival Northam, Mieliepop Festival Lothair, Bushfire Festival Swaziland, Park Acoustics Pretoria, Nubian Music Fest Rustenburg, Africa Day Festival Johannesburg, Zakifo Durban, Capital Craft Beer Festival Pretoria, Rum Festival Johannesburg, Rocking the Daises Cape Town, Smoking the Dragon Festival KZN, National Festival Grahamstown, Plettenburg Art Festival and Homecoming African Festival September.

Femi Koya sees himself as part of the new Africa on the move, where home is not just one place but a multiplicity of places and influences. He believes that Africa will have its true homecoming when people see themselves as first and foremost African. Until then he will continue to make music suggestive of this homecoming and what the future holds if Africans unite. It is, he says, our destiny.

Photos

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media