NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Ikati Esengxoweni
flag-img

Port Elizabeth, South Africa

In operation since:

2016

Contact person:

Ikati Esengxoweni

BIO

Ikati Esengxoweni is an Afrofuturistic duo from South Africa.

Its the rough translation of their name Ikati Esengxoweni, whose nucleus is the duo of composers Lark Wantu and Anam Manyati, two of the most productive talents to come out of South Africa of late.Accompanied by electronic sounds influenced by several elements including indigenous instruments, violin, bass, guitar and drums, the voices of Wantu and Manyati open a torrent of sounds and rhythms that proudly wear the DNA of their continent.” Primavera Sound Newsletter 2018

Upon their establishment in 2016, Ikati Esengxoweni, was handpicked by IMEXSA, Independent Music Exporters South Africa, to perform, network and attend business conferences specifically at Primavera and Midem in France in 2016. In 2018, the duo were specially requested by Primavera to return to Barcelona to perform at Primavera in 2018.
In December 2018, Ikati Esengxoweni won the Afro Punk Battle of the bands competition and in doing so were selected on the main stage at the APF in Johannesburg, alongside international artists like Thundercat, The Internet and Flying Lotus.

The duo has worked with BlackBrain Motion Pictures. Their unique sound featured as soundtracks to internationally acclaimed “Loving Thokoza” a movie that screened on South Africa’s DSTV Showmax. “Ookhokho Bethu” meaning “the ones that lived before us” was the song featured in the struggle movie. South African, National Television channel, Dstv 1Magic & Mzansi Magic’s, hit drama series, LOCKDOWN, featured, “Ting Ting”, one of Ikati Esengxoweni’s tracks, as a soundtrack in prison acting scenes in Season 2-5. Both television productions have gone on to win big at the South African Film and Television Awards (SAFTAs), scooping Best Made for TV Movie as well as Best Original Music or Score TV Drama. “The Cradle Of Humankind”, is the pair’s recent released song in languages such as Bamba, Swahili & IsiXhosa. Presently the track is Playlisted on multiple National Radio Stations. The track can be set as a Vodacom& MTN Callertune. The genre bending song is on all online stores, together with “Ting Ting” which can be found on the Lockdown Soundtrack, on Apple Music, Spotify as well as ALL Digital Platforms.

TV Appearances:
 BET AFRICA
 SELIMATHUNZI
 SABC 3
 BARCELONA CATALAN NEWS

Radio Interviews:
• MHLOBO WENENE FM
• RADIO 2000
• BARCELONA RADIO AFRICA MAGAZINE

Music

The Cradle Of Humankind

Ikati Esengxoweni
03:57

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media