NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Nairobi, Kenya

In operation since:

2015

Contact person:

Kabeaushé

BIO

Born Kabochi Gitau, Kabeaushé is a Kenyan-born singer, rapper, producer and multidisciplinary artist whose work exists at the explosive intersection of experimental pop, performance art, electronic music and theatrical storytelling. Originally from Nairobi and now based in Berlin, Kabeaushé has become one of the most boundary-pushing voices emerging from Africa’s alternative music landscape, creating immersive sonic worlds that blur the lines between music, cinema, fashion and visual art.

Known for his raw stage presence, exaggerated aesthetics and emotionally charged performances, Kabeaushé crafts music that is both chaotic and deeply intentional. Drawing influence from genres as wide-ranging as hip-hop, rock, gospel, French baroque music, electronic experimentation and African popular music traditions like Lingala and Benga, his artistry thrives on contrast, tension and sensory overload. His sound has often been described as overwhelming in the best possible way, balancing beauty, discomfort, satire and vulnerability within one expansive creative universe.

At the centre of his recent work is the fictional character Herr Iggy, an egomaniacal ruler of the imagined Doerf Kingdom, whose rise and collapse unfolds across Kabeaushé’s sophomore album KABEAUSHÉ PRESENTS: IGGY SWAGGERING UNGRATEFUL INCESSANT LITTLE PEEEAAAAAAAA. Through cinematic storytelling inspired by German expressionist films, Stanley Kubrick dramas and theatrical live performance, Kabeaushé uses satire and spectacle to explore themes of power, identity, ego and human fragility.

Since beginning his musical journey in 2015, Kabeaushé has steadily built an international reputation through genre-defying releases and electrifying performances across Europe and Africa. He previously collaborated with Uganda’s influential Nyege Nyege collective and released The Coming Of Gaze through Hakuna Kulala before unveiling his critically acclaimed debut album Hold On To Deer Life, There’s A Black Boy Behind You! via Berlin’s Monkeytown Records. His work has also appeared in acclaimed television series including Queenie and How To Sell Drugs Online (Fast).

With performances at major festivals such as Reeperbahn Festival, Roskilde, Rock En Seine and The Great Escape, Kabeaushé continues to redefine what African alternative music can look and sound like. Equal parts pop disruptor, storyteller and performance architect, he represents a new generation of artists unafraid to challenge form, provoke emotion and turn music into a fully immersive experience.

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