NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Karen Devroop

Karen Devroop

Solo artists
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Pretoria, South Africa

In operation since:

2009

Contact person:

Karen Devroop

Contact:

012-4293344

BIO

Karén Devroop is South Africa’s leading saxophonist who has performed with most of South Africa’s leading jazz artists.

He has collaborated with an impressive list of artists from the US, Netherlands, Germany, Venezuela, Canada, Italy, Thailand, Brazil, Uruguay, Mexico, Mauritius and the Seychelles. Devroop has several live and studio recordings to his credit. As a soloist, he has performed with his jazz quartet in the US, Europe, Asia and South Africa. His most recent performances include the Kreol Festival (Seychelles), Virginia Arts Festival (USA), North Texas Jazz Festival (USA), Gretna Music Fest (USA), Amersfoort Jazz Festival (Netherlands), Taipei International Music Expo (Taiwan), Samui Latin and Jazz Festival (Thailand) and Unisa Jazz Festival (SA).

As a lead alto saxophonist, Devroop has performed/recorded with the Dallas Jazz Orchestra, Carroll Bailey Big Band, Marcus Wolfe Big Band and Unisa Big Band. He has appeared as a side stage act for Cedar Walton, Earth Wind and Fire, Jill Scott, Chicago and Queen Latifah. He recently completed the Battle of the Saxes tour, which included jazz saxophone, classical saxophone, jazz rhythm section and string quartet and the New York Round Midnight (SA) tour, which is a jazz theatre production for nine piece jazz ensemble, video, narration and set.

In 2020, he undertook the Sophiatown Jive tour which includes five saxes, rhythm section, narration, set and video. He is the founder and current director of the Unisa Big Band and Artistic Director of the Unisa Jazz Festival. The Unisa Big Band is the leading big band in South Africa comprised of South Africa’s leading jazz artists.

In addition to his small ensemble and big band work, he has recently performed as soloist with the Cape Town Philharmonic Orchestra, Sanremo Symphony Orchestra (Italy), Johannesburg Festival Orchestra, (South Africa), Orchestra del Teatro Traetta (Italy), Cape Town Philharmonic Orchestra and Unisa Symphony Orchestra performing jazz and classical works ranging from Astor Piazzolla and Pasquale la Rotella to South African jazz composers such as Abdullah Ibrahim and Miriam Makeba. Devroop’s most recent CD recording “The South African Jazz Songbook (2018)” features him with full orchestra and jazz rhythm section performing iconic South African jazz standards arranged for saxophone, full orchestra and jazz rhythm section. Devroop recently performed at the 2019 Starlight Classics concert alongside artists such as MICASA (South Africa’s leading house band) and RnB sensation Zoe Modiga while accompanied by the Cape Town Philharmonic Orchestra.

In March 2020, Devroop released his new album “Ancestral Home” (DMP Label) and embark on a tour of the USA, Thailand, Japan and Spain towards the end of the year. The tour will promote the works off the new album and he will also appear as jazz soloist with the Denver Symphony Orchestra (USA), Kazak National Symphony Orchestra (Kazakstan) and the Johannesburg Festival Orchestra (South Africa). He is one of the headline jazz artists for the KotorArt Festival in Montenegro.

In addition to concerts with orchestras, big bands and jazz ensembles, Devroop has also performed as woodwind specialist on Broadway productions such as Bye Bye Birdie that toured the Virginia Beach/Hampton Roads metro in the SA. Devroop’s debut recording “Reminiscing” (DMP Label 2010) received airplay in over 40 countries and track 4 peaked at no 4 on the jazz charts in Spain. His 2018 album release entitled 'The South African Jazz Songbook' was distributed to over 80 South African Embassies worldwide, featured on the “featured artist” list on South African Airways (all national and international routes) and hailed as the Best Album Release in 2018 by South African Tourism. Devroop is currently on the faculty of the University of South Africa in Pretoria South Africa.

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