NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Neil Gonsalves
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Durban, South Africa

In operation since:

1994

Contact person:

Neil Gonsalves

BIO

Neil Gonsalves is a South African Jazz/World Beat pianist, composer, band leader & educator. His music takes it's influence from the rich diversity of cultural life that characterizes his homeland, the beautiful seaside city of Durban, in the province of KwaZulu-Natal on the east coast of Africa. His formal jazz training under Prof Darius Brubeck at the University of Natal, gave him the opportunity to be mentored by fellow students, Feya Faku and Lex Futshane among others and created opportunities for apprenticeship with local jazz stalwarts Sandile Shange, Gerald Sloan and George Mari. There was also opportunity for intercultural music making with groups like Indo-Fusion outfit, Mosaic, with whom Neil performed at the National Arts festival in Grahamstown for the 1st time. He has participated at the National Arts Festival many times subsequently, primarily as a performer and teacher at the National Youth Jazz festival.

Neil has long been the first-call piano player in Durban for visiting jazz musicians such as the late, great Winston Mankunku Ngozi and Robbie Jansen. He is still called upon as a sideman, most recently by McCoy Mrubata, Khaya Mahlangu, Salim Washington and Ernest Dawkins, with whom he performed at the Chicago Jazz festival in 2014 in Dawkins’s Mandela tribute.

Neil’s recording debut as a band leader came in the year 2000 with his band, Tonk. The music on the album features mainly compositions from his Masters recital the year before. By this time, Neil had become a full-time lecturer in the music program at Technikon Natal, which had become a real hotspot for a music education that embraced local popular music, as well as jazz. Bheki Mseleku, Busi Mhlongo, the Cameroonian drummer, Brice Wassy were part of this scene as well and and Neil had the benefit of further apprenticeship in their bands. It is at this time that Neil was recruited to join the Johnny Clegg band, a seminal experience that would see Neil travel the globe for the next 4 years, performing Johnny’s unique brand of Zulu pop music. So it is that African music, especially Zulu and Xhosa music is central to Neil’s concept of music making.

It is ironic then that his debut album as a solo artist in 2006 titled North Facing is recorded with young Swedish jazz musicians in Gothenburg., North Facing delivered “a distinct home-town township feel, extrapolations from local dance tunes and shebeen specials given an edge by the introduction of sophisticated Euro techniques and Gonsalves' sense of humour.”( Jazz Eye, 23/04/08); a feeling true to his artistry as expressed by Blue Note’s first South African jazz artist, Nduduzo Makhathini and colleague Jonathon Eato;

“Gonsalves brings a beautiful continuation to a lot of jazz music developed in South Africa.”, in many, ways invoking “the spirit of home and its histories, whilst also allowing the listener space to think about what tomorrow might look like.”
South African jazz cultures and the archive: the playlist
by Jonathan Eato and Nduduzo Makhathini
20 June 2018

Currently, Neil is lecturer in jazz studies at the University of KwaZulu Natal and also serves as the director for the Centre for Jazz and Popular Music (CJPM) at the UKZN. He oversees the concert programming and seeks out extra-curricular activities and opportunities for the Jazz and Popular music students at UKZN. A highlight of this activity was a 3-year exchange program with the Jazz department at Virginia Commonwealth University in Richmond, VA in the US. This program included numerous joint performances and various other jazz and jazz education activities at UKZN and VCU, culminating in a CD release titled Leap of Faith in 2013.

Neil’s interest in other music and dance forms continues in his collaboration with colleague and flamenco maestro, Demi Fernandez. The duo project also spawned a CD release, Latinfluence(2013) as well as tours to Mozambique and the Eastern Cape to promote the recording. Since then, Neil has become a regular feature with the Linda Vargas Dance Company, where he has featured as pianist, and excitingly as composer as well in their annual shows. A highlight of this activity was the 35th anniversary concert of the company, recorded live at the Elizabeth Sneddon theatre in 2018. He is also a long-time associate of Durban-based Jazz/R&B/gospel singer/songwriter, Natalie Rungan and appears on her 2020 release, “Caught in the Middle”. The lead up to the recording involved a series of socially -distanced online concerts recorded as part of the concert series of The Playhouse theatre, the National Arts Festival, and the Seabrooke theatre.

Neil continues to compose prolifically as evidenced in the debut performance of Rites, Rights and Riots(2016), excerpts from 2 open-ended song cycles F(r)ee Fall and Scenes from a Wedding, inspired by student uprisings and travels for a series of family weddings, respectively. This set against the backdrop of Trump’s wall, BREXIT, gun violence in the United States, #Blacklivesmatter, and Elon Musk’s self-driving cars and mission to realise human life on Mars. Neil’s forthcoming trio release, Blessings and Blues features newer compositions inspired by the milestone of turning 50 and the accompanying reflections and dreams.

The Piano Passion Project is also the brainchild of Neil Gonsalves. It is a multi-generational, legacy project involving pianists, composers and educators whose musical lineage ties to Prof. Darius Brubeck, who started the first jazz program on the African continent at the University of Natal in 1983. The project has yielded a number of concerts, and two live recordings, Piano Passion(2018), recorded at Howard College theatre, Piano Passion Vol.II(2020), recorded at the Centre for Jazz and Popular in 2017. Neil features as one of the 1st-generation pianists in the Howard College recording, and the pianists in the CJPM recording are all his former students.

Neil has remained creative during the global pandemic and uploads new music regularly to his YouTube channel. He also recorded Concert for One, a freely-improvised solo piano record released in April 2020.

“Social distance is a genuine opportunity to recenter, refocus, rejuvenate, repent, remember and to return to ourselves. This album of improvised music is of the journey within, the yearning to reconnect. Please give it a spin(an old analog term) and let’s reunite in music.”
Neil Gonsalves

He has been busy with the machinations of releasing a new record, and Blessings and Blues is due for release in March, 2021.

Pianist, composer and teacher Neil Gonsalves is something of a quiet storm himself. Apparently mild mannered and soft-spoken, he is an artist who channels his energetic capacity and emotional observations through his music.”
Jazz Eye, 23/04/08

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