NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Samba Mapangala & Orchestra Virunga
Samba Mapangala & Orchestra Virunga

Samba Mapangala & Orchestra Virunga

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Profile added by Stanley Gazemba on 01 Oct 2014

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Washington, United States

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Samba Mapangala & Orchestra Virunga

BIO

When 20-year-old singer Samba Mapangala boarded the riverboat for Kisangani in 1975, little did he know where it would really be taking him. The young vocalist, one of a quartet of singers in the Kinshasa dance band Saka Saka, was heading with his mates for a tour of Eastern Zaire. Soukous was all the rage then, and Congolese dance bands were in great demand. When a better offer came to play in Kampala, Uganda two months later, the group eagerly grabbed it, and when a chance arose to record their music in Kenya, they did not hesitate, hightailing it to Nairobi's well-equipped studios to make their first record, ‘Lokoki.’ Rechristened L'Orchestre Les Kinois, they established their reputation in Nairobi, playing at the Uhuru Park nightclub and recording many more hit rumba Lingala songs. Samba’s beautiful high tenor voice became the main attraction, along with sweet group harmonies and exciting dance routines.

When Les Kinois broke up in 1981, Samba formed Orchestra Virunga (named after a volcanic mountain range in central Africa). In the highly competitive East African music scene, Virunga quickly became the region's most popular band. No one could touch them for the unequivocal excellence of their front line of singers, performing a constant string of hot dance hits for over 12 years at Nairobi’s leading nightclubs, Starlight Club and Garden Square. The ensuing international acclaim for their greatest hit, ‘Malako,’ secured the brilliant future and now-legendary status that Samba could not even imagine when he took that first fateful step onto the deck of the Zaire River ferry.

Samba Mapangala and Virunga first toured the U.K. in 1991, playing 23 concerts and causing a terrific buzz, followed by many more tours of North America and Europe. Since leaving Kenya to settle in the United States in 1997, Samba has continued to perform internationally at festivals and concert halls throughout Africa, Europe and North America.

Virunga's music is an innovative mix of the best rumba and soukous from Congo, infused with earthier Kenyan and Tanzanian styles. Samba composes and sings in both Lingala and Kiswahili. The lyrics, often containing advice or social commentary, are charming and instructive, the melodies delightful, the arrangements exuberant. His astounding voice has been described as ‘melting in the ears.’ Nick Hasted, in The Independent (UK), proclaimed following a recent appearance at the prestigious WOMAD festival: ‘Pure balm, he makes you wonder again why African music still awaits its Marley moment of global breakthrough.’

Samba's audience is very broad, loyal and international, comprising fans of East African, Congolese and world music, and his reputation as an exciting performer, composer and sublime vocalist is well established. He is a polished professional, conscientious and very easy to work with. His latest recordings, video clips, biography, touring history, photos, promotional materials, press clips and reviews, stage plot and tech rider can be provided on request.

Photos

Music

Samba Mapangala - Marina

DigitalEntertainment
04:40

Christmas by Samba Mapangala & Orch. Les Kinois (approx. 1981)

Virunga Mgmt
09:16

Les Gorilles des Montagnes by Samba Mapangala for World Wildlife Fund

Virunga Mgmt
03:32

Kache- Prince Youlou Mabiala

rumbalicious
08:16

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