NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

flag-img

KwaZulu, South Africa

In operation since:

1983

Contact person:

SVM

BIO

Sibusiso Victor Masondo was born and raised in Durban, and because of the nurturing influence of a musical family, knew at an early age that he wanted a career in music. His late father, Daniel was a minister and a guitarist, while his two elder brothers played bass guitar and the drums respectively, providing a strong influence on Victor's choice of a career in music.

While studying music at Natal University under Darius Brubeck, son of the legendary pianist Dave Brubeck, Victor, alongside his school and bandmates Zim Ngqawana, and Lulu Gontsana, caught the attention of legendary jazz musicians Max Roach and Clark Terry during one of the University Jazz Band's trips to the US.

After Graduation in 1987, Victor, with bass in hand, took advantage of an invitation to tour the U.S., Europe, and South Africa, with the South African band Friends First.

In 1990, after returning to South Africa from exile, Miriam Makeba made Victor an offer he could not refuse - to produce Mama Africa's first album at home. The recording featured Hugh Masekela, Nina Simone, and Dizzy Gillespie, which led to a tour in 1991 with Dizzy Gillespie and Miriam Makeba.

After the Dizzy Gillespie / Miriam Makeba tour of 1991, Victor was commissioned by the Sun City Group and others to Write, Arrange, and produce a song for AIDS Awareness which featured the biggest gathering of South African musicians like Lucky Dube, Jabu Khanyile, Tsepo Tshola, Cinema, Soul Brothers, Wendy Oldfield, Rebecca Malope and many others.

Between 1993 and 1996 Victor served as Musical Director for the "Shell Road to Fame" and witnessed the launching of the musical careers of artists like Rebecca Malope, Sharon D, Ringo, and many others. It was during this time that Victor became a member of the famed group Stimela with Ray Phiri.

Victor worked extensively across cultures in South Africa recording albums with many Artists like, Anton Goosen, Koos Kombuis, Nico Carstens, Laurika Rauch, who described him as a world-class citizen who slips in and out of every genre easily, Johannes “Bloudruk” Kerkorrel whom he also toured the Afrikaans music market a lot.

Victor's abilities as both a Songwriter and Producer caught the attention of the organizers of a U.S.-based Production Company and Warner Bros. Records in 1995. This led to Victor being invited to produce an album in celebration of the "new" South Africa. The album, 'A Place of Hope', featured Ladysmith Black Mambazo, Ray Phiri, George Duke, Gerald Albright, Sibongile Khumalo, Ian Herman, Nana Coyote, Gail Hamilton, Take 6, Al Jarreau, Sheila E, Chante Moore, Jeffrey Osborne, Tsepo Tshola, the late Wendy Mseleku, Hugh Masekela, Al MacKay, Bela Fleck, Victor Wooten, Roy Wooten (Future Man), and many other musicians from both the USA and South Africa. This project raised funds for the restoration of the famed Regina Mundi Church in Soweto.

In 1996 Victor received the Standard Bank Young Artist award which is given each year for high achievement and recognition for great contribution to the music industry. The award carries names such as Johnny Clegg, Sibongile Khumalo to name but a few internationally successful musicians.
Victor has also been among the few musicians who have been called to arrange and conduct the KZN Philharmonic Orchestra and also the Johannesburg-based JMI orchestra where he showcased his ability by conducting a classical concert doing Vivaldi’s concerto in D Major amongst other pieces.

In 2001 Victor produced an album for a respected Japanese singer, Tokiko Kato which led to touring Japan and recording more albums in Tokyo and the rest of the continent. This led to the endorsement by Yamaha where Victor has designed his 5 string fretless bass; he is the first South African to receive such an honor from such a big company in Japan. Currently, he is still touring Japan up to 2 or 3 times a year doing recordings, musical directing, and television concerts and shows.

In 2002 Victor produced Ringo Madlingozi's album "Radio Ntumba". This album has to date sold more than 245 000 copies
(Multi-Platinum) and has achieved number one status on a number of Radio Stations across South Africa. In 2004, the follow-up album to Ntumba(Baleka) was released to great reviews and is currently a big seller.

Victor has produced one of the country's most-loved singers, PJ Powers, for the record label Instinct Africaine, of which he is also director, released in November 2006.

In 2006, he got an invitation to arrange music in honor of Duke Ellington for the Duke Ellington Jazz festival held annually in Washington DC. He got to work with great highly acclaimed musicians like Roy Hargrove, and the United Nations Orchestra who was Dizzy Gillespie’s orchestra, which he called a great re-union.

Victor got an invitation to be the musical director for Miss World held in China, Miss South Africa, and Miss Teen South Africa as well. 2008 He got another invitation for the Nelson Mandela Tribute Birthday concert held in Johannesburg Stadium as a musical director working with the living legends Jonas Gwangwa and Dorothy Masuku. Victor has been invited again for the 2008 Miss World to be held in Johannesburg at the Convention Centre.

In 2009, Victor got yet another invitation to go back to Japan where he toured the country extensively with the well-known Japanese musician/singer and activist Tokiko Kato. Also, he recorded a few shows for Television while there. At the same time, he got an invitation to go back to Grahamstown for the Annual Jazz Festival where he worked with Sibongile Khumalo and also re-connected and performed with an old-time friend, Danilo Perez, whom he worked with in 1991 with the Legendary late Dizzy Gillespie.

In 2010, Victor got an invite to be the Music Director and Producer of the music for the Closing Ceremony for the World Cup. This is where he was working closely with the Grammy Award Winning Ladysmith Black Mambazo, Hhashi Elimhlophe, Zolani Mahola(Freshlyground) Nianell, Wouter Kellerman, Stoan, and many great South African musicians. At the same time, he served as Musical director for the Brenda Fassie Musical that got great reviews, directed by the legendary Actor Jerry Mofokeng. This time also he has been invited to Ivory Coast where he will be conducting a music business seminar for CISAC together with Rob Hooijer who used to work for SAMRO.
2011 Victor Masondo got invited to start on the 100 Year Centenary Celebrations of the ANC. The project was directed by James Ngcobo who is a respected Playwright and actor on prominent South African sitcoms and movies.
2012 Victor got invited back to Japan where he toured for a month and performed amongst other concerts on one of the biggest Music Festivals called the FUJI ROCK Festival which is done Annually with many international Artists. In the same year, he got an invitation to go to Berklee College of Music in Boston where he is part of a development of a New Music Curriculum.

In 2013, Victor got asked to direct music for the SAFTA’s Awards, South African Film and Television Awards ceremony which featured amongst others, a stunning performance opening by Pretty Yende who is a top classical singer who has worked with the best artists worldwide on both the Classical and Opera stages World-Wide. The other artists were Oskido, Professor and Uhuru, Mahotella Queens, Chiano Sky, Micasa, Ishmael to name a few. Also he did a great collaboration with a Legendary Gospel Musician, Chris Tomlin where he added African voices to a remake of his song, 'How Great is Our God'.

In 2014, he scored a movie that was Directed by Xolile Shabalala who is a renowned Actress who is also a great director as well. He then got another call from Roshene Singh to compose a song for an Educational project which was shot for a video featuring Stoan, Ziyon, HHP, Yvonne Chaka Chaka, PJ Powers, Verona Pillay, Duanne Arthur, Hhashi Elimhlophe, Ladysmith Black Mambazo, LeAnne Kristan Dlamini, Trevor Sampson, Hlubi Kwebulana and Mzikayifani Primary Children’s Choir, Zwai Bala, Sipho Hotstix Mabuse, and Maqhinga. The next work was with the Indigenous Games Festival which took place in Pretoria. He recently went to Durban to direct music for a Musical written by Joel Zuma called Music In The Air which was well attended with great reviews. The show is headed for Edinburgh Festival in 2015. He also just finished working on a song project for the Bill Gates Foundation with Yvonne Chaka Chaka. Now he is currently working on the SAFTA Awards for 2015 as Musical Director.

In 2015 to 2016, Victor pursued his life-long dream to honor Dr. Joseph Shabalala, founder of the World famous Ladysmith Black Mambazo who he regarded as one of his musical mentors. His dream was funded by LOTTO and the Tribute concert featured, Mbongeni Ngema, Dr. John Kani, Minister of Arts and Culture Nathi Mthethwa, Ladysmith Black Mambazo, Vusi Mahlasela, Kholwa Brothers, Hhashi Elimhlophe, and guest appearances by the Multiple Grammy Awarded Vocal Group Take 6, KwaMashu Christian Church Choir amongst others.

In 2017, Victor did a concert he regarded as a landmark called 21 Songs Celebrating, 21 songs that were landmarks in South Africa Cross-culturally. He featured Legends like Steve Kekana, Johnny Clegg, Sipho Mchunu, PJ Powers, Lemmy Special Mabaso, Mama Abigail Kubheka, Mama Dorothy Masuku, Soul Brothers, Kurt Darren, Sipho Mabuse, Ziyon, Micasa, Zwai Bala, Mahotella Queens, Jesse Clegg and so many more.

In 2018, Victor’s latest work includes writing a song for The Living Legends Project called “Time Out” which features the music icons of South African music like the late Mama Dorothy Masuku, Mama Abigail Kubheka, Paul Ditchcfield, Don Mattera, Mahotella Queens, Karen Zoid, Anton Goosen, Stella Khumalo, Faith Kekana, Zamo Mbutho, Fani Ntlama, McCoy Mrubata, Prince Lengoasa, Jabu Magubane and an Orchestra led by Kutlwano Masote.

In 2019, Victor has finished scoring a movie entitled OPUS directed by a young Award Winner Kgosana Monchusi that has made it to the Cannes film festival. Currently, he has embarked on a project called House-Jams aimed at honoring our living legends by visiting them at their homes and get to share their stories with the aim of living behind a rich legacy for the next generation.
The Standard Bank Awardees were assembled to perform at the Joy Of Jazz Festival where Victor together with Gloria Bosman, Mandla Mlangeni, Africa Mkhize performed which was one of the Festival highlights. As he said “It was a joy to be reunited with my fellow Awardees”
2020 Victor has released the first series called Legacy Tributes, this time honoring the Late Dr. Joseph Shabalala. Appearing are the Late Joe Mafela, The Late Ray Phiri, The Late Welcome Msomi. Also Dr. John Kani, Hhashi Elimhlophe, Take 6, Ladysmith Black Mambazo, Dr. Mbongeni Ngema, Dr. Thembi Mtshali, and Speakers include Mr. Nathi Mthethwa (Arts and Culture) and many creams of South African entertainers and government people.

Victor has also embarked on a project that will see the development and advancement of youth and rural communities in education and exposure of both knowledge and resources for the next generation.
Victor has finished recording his First Jazz Recording Album entitled As Promised, this album, as he said, has been in the making for a while and its time is now.

Photos

No photos available

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media