NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Tlale Makhene

Solo artists
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Soweto, South Africa

In operation since:

1992

Contact person:

Tlale Makhene

BIO

Tlale Makhene is one of South Africa’s most remarkable drumming talents. Highly regarded by musicians and musical fans alike, he has been featured in and produced more than 300 jazz and world music albums and is a much sought after indigenous music teacher, musical director, session musician and performer.

Many refer to Tlale as “The Groove Master” because of his amazing skill and concepts around polyrhythmic/melodic music. His workshops encompass rhythm and body percussion for beginners, intermediate and master classes.

Through the many workshops that Tlale held and attended, he came across a group of three Danish drummers known as Drums Across. They had been recruiting drummers in the country and naturally, Tlale came highly recommended for the group.

Starting in Guinea, the group travelled around Africa looking for talent to work with. He was invited to perform, acquire more skill in contemporary musicology with them in Denmark for three months. This afforded him an opportunity to collaborate with John Sund, Yasser Pino, Rune Thorsteinsson (pianist), Carsten D among many others. His work ethic permeates without him having to blow his own horn. Tlale went on and performed with the Copehagen Rhythmic Conservatory Big Band and taught rhythmic workshops in Copenhagen as part of a cultural exchange program. Subsequently Tlale then recorded 6 tracks for his album in Denmark before completing the project in South Africa. The rest of the tracks were recorded at SABC studios in Johannesburg. Produced by Africa Mkhize (husband to Zenzeke Makeba – Miriam Makeba’s grand daughter), the album is a far cry from simply a drumming album – it is a celebration of musical styles. A fusion of raw talent and honed skills, blending with the traditional elements that make these songs some of the best loved around.

Gentle, focused and extremely wise for his years, he renders his listeners, students and colleagues calm with his confident, soft-spoken voice.
His spiritual album, The Ascension of the Enlightened, is a sincere offering from a truly enlightened man. Born in Soweto, Tlale moved to Swaziland at a young age and began drumming at the age of four. The album was nominated and won the MTN South African Music Award for Best contemporary Album. He was contending this category with established artists such as Hugh Masekela, Paul Hanmer, Water + Lights and Themba Mkhize.

Highlights Prior to 2011
• Toured nationally with Keiko Matsui (Japan) as well as performing in her album called MOYO, where he got to work with Derrick Nakamoto who has been a long time producer for Keiko Matsui.
• He also performed with Pharaoh Sanders Corrine Bailey (U.K), Angelique Kidjo (Benin), Jamalia (U.K) during the 46664 concerts.
• Tlale was part of a performance at a World Economic Forum in an Ensemble led by Caiphus Semenya and directed by Quincy Jones. Other members of that ensemble were Arturo Sandoval, Bashiri Johnson, Branford Marsalis, Louis Nash and Herbie Hancock.
• On 14th November 2009 he was the music director of the Tihlabani Awards in Swaziland.
• In the same year directed the Zone6 Soccer Games (LOC) in Swaziland.
• On the 30th November 2009 he further directed the entertainment for the Coca-Cola World Cup Trophy viewing in Swaziland at the Mavuso Trade Center.
• In 2010 he produced and directed the jazz festival for the SwaziExpo with artists such as McCoy Mrubata, Paul Hanmer, Simphiwe Dana, Flo D, and Shannon Modday. On that occasion he put together a mix of Swaziland’s rhythm section and South African artists to create a level where both artists from South Africa and Swaziland could exchange cultures and feed from each other.
• Tlale Makhene together with Kasietainment choreographed a piece in the 2010 King Mswasti III’s birthday party where Tlale further directed an Arts and Culture Vocal ensemble and lead it on percussions.
• He directed the launch of the Zone 6 Soccer Games and the Coca Cola World Cup Tour in Swaziland at the Mavuso Trade Center
“My ancestors remain close by to guide and protect me as long as I honour them and respect people”
Highlights 2011
• Defying Time Improvisation Workshop with world renowned visual artist William Kentridge
• Jazz Foundation South Africa, Melodie Jazz concert with Yusuf Latif and Rufus Reed
• Glow/Caf Football of the Year Awards in Ghana
• Concert with Moreira Changisa in Maputo, Mozambique
• Album launch and performance with Indigenous Ensemble in Malawi
• African leadership network, Ethiopia
• Launch of Sports Awards by Department of Sports, Arts, Culture and Recreation
Highlights 2012
• Cape Town International Jazz Festival (28-31 March)
• Musical Director and mentor for the Sibikwa African Indigenous Orchestra, January – August
• More Jazz Series Festival, Maputo, Mozambique – hosted by Moreira Chonguica featuring Najee (April)
• “Refuse the Hour” tour with William Kentridge:
1. Frascati Theatre 18 and 19 June (Amsterdam)
2. Municipal Theatre 7-13 July (Avignon France)
3. Argentina Theatre 14 – 18 November (Rome)
Makhene is currently working with William Kentridge on Refuse The Hour. Also working with Johnny Clegg and toured with him on his North American Tour and France Tour in 2016. Working with Moreira Chonguica on his Inaugural MoreJazz Series and still continue working with him in various shows with him. Makhene has played his music at the Orbit Bistro and Music and other music venues. He just recently released a single titled ‘Song For Khethiwe’ and will subsequently be followed by an album titled ‘SwaziGold’. He has been working with Philip Miller. Currently producing Bham Ntabeni's album. Also produced SwaziGold, his album. Makhene has also written music for Takalani Sesame(SA). Two of his songs have been featured on television ‘Ubuhle’ on Asanda Bham was featured in a campaign for Women's day in 2014 on SABC and ‘Angilalanga’ still continues to play on Izwi Labantu on SABC.

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