NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Sandton, South Africa

In operation since:

2009

Contact person:

Vimbs Mavimbs

Contact:

0766461419

BIO

ABOUT

Thembinkosi Mavimbela alias Vimbs Mavimbs is a prolific double bassist, composer, bandleader, producer, musical director. He has played on some of the most iconic albums and has written & performed in prestigious concert halls alongside exceptional musicians.

ORIGIN

Mavimbs was born in Swalala, a rural village outside of Mbombela. His passion for music began in primary school where he grew fond of the guitar sound from listening to records. It was only in early high school when his interest in music became prominent and was determined to start the process of learning. The lack of resources and musical infrastructures resulted into a postponement in his passion to pursue his dream. His high schooling was completed at Hazyview Comprehensive School where his subjects were in the electrical engineering field. He spent most of his teen years listening to records intensely, not knowing that was the beginning of his musical ear enhancement.

EDUCATION

He began his musical career at the University of the Witwatersrand where his initial training took off under the tutorship of Bheki Khoza, Prof. Jeanne Zaidel-Rudolph, Prof. Malcom Nay, Dr. Jonathan Crossley & Prof. Carlo Mombelli. He simultaneously attended extra classes at the Welcome Soweto School of Music (WESSOM), a community centre in Pimville, Soweto. This is where he began to play the double bass. He initially did not receive any formal training but was privileged to have mentors such as Leon Bosch, Lex Futshane who recognised his potential and offered guidance. He attended music courses such as the MIAGI Youth Orchestra camps, JPO carded-ship, National Youth Jazz Festival and many more that were instrumental in his development. He graduated with a double major in Composition and Performance.

ORCHESTRAL EXPERIENCE

He gives his most influential attributes to the MIAGI Youth Orchestra (Music Is A Great Investment) who were instrumental in shaping his orchestral experience. He was a member of the South African Youth Orchestra (SANYO), Johannesburg Symphony Orchestra (JSO). Professionally he has worked with the Johannesburg Philharmonic Orchestra (JPO), Cape Philharmonic Orchestra (CPO) and many small ensembles. He has travelled locally and abroad to the Konzerthaus, Elbphilharmonie, Concertgebouw and many more

JAZZ EXPERIENCE

Mavimbs has worked in the jazz fraternity with some iconic musicians such as Dr. Abdullah Ibrahim on the Ekaya Big Band Tour in South Africa. The late Hugh Masekela, Sibongile Khumalo, Zim Ngqawana. He has been in the jazz scene for the past 14 years working with the likes of Dr. Nduduzo Makhathini, Marcus Wyatt, McCoy Mrubata, Feya Faku, Tumi Mogorosi, Asher Gamedze, Bokani Dyer and many more. He has worked with some iconic Afro-Jazz musicians such as Simphiwe Dana, Msaki, Gabi Motuba, Spha Mdlalose, Mandisi Dyantis just to name a few.

COLLABORATIONS & PRODUCTION

Longstanding collaborator Slindile Mthembu whom they have put work together starting with Milked Voice in 2016, Igama (2020), Re-mebering (2020) & Old Soul Waiting (2022). Mavimbs has conceptual work called Basslexia (2021) which explores the merger of Western instruments with the African practice and forming a dialogue. He has produced a South African reimagination of prolific works from the African repertoire with Dj Kenzhero & Tha_Muzik called What’s Wrong With Grooving.

ALBUMS APPEARANCE

TUMI MOGOGROSI: PROJECT ELO
MCCOY MRUBATA: BRA SKAP VOL: 2
MCCOY MRUBATA: BRA SKAP VOL: 3
MSAKI: ZANELISA: HOW THE WATER MOVES MSAKI: PLATINUMB HEART OPEN

ASHER GAMEDZE: DIALECTIC SOUL
ASHER GAMEDZE: TURBULENCE AND PULSES
SIBUSISO MASH MASHILOANE: ROTHA
GABI MOTUBA: TEFIT: GODDES OF CREATION
SIMPHIWE DANA: LIVE AT THE LYRIC THEATRE
SIMPHIWE DANA: SYMPHONY EXPERIENCE
SPHA MDLALOSE: INDLEL’ EYEKHAYA
ZARCIA: THERAPHY
BILLY MONAMA: REBOUNCE
INDWE: INDWE
LOOKOUT KID: COLLIDE
DJ KENZHERO & THA_MUZIK : WHAT’S WRONG WITH GROOVIN?

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