NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Zeritu Kebede

Zeritu Kebede

Solo artists
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Profile added by Stanley Gazemba on 17 Jul 2015

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Addis Ababa, Ethiopia

Contact person:

Zeritu Kebede

BIO

Born and raised in Addis Ababa, Zeritu is a true Addis native. Her father was an architect and her mother chose to be a housewife. Zeritu has two younger siblings as well as older step-siblings from her father’s first marriage and previous relationships. Her parents valued the importance of school and Zeritu divided her time between home and school. Growing up, Zeritu wasn’t allowed to do much besides study. Visiting her grandparents was a fun escape from the strict household of her parents and they were a great influence in Zeritu’s life, giving her a broader taste of Ethiopian society.

Zeritu fell in love with music at an early age. Her parents were great music lovers and had a diverse collection that included Ethiopian and American artists. Zeritu began to explore the collection, discovering amazing artists and different styles and sounds. It was through this collection that Zeritu realized she wanted to be a singer. She began to sing at school in her music classes and starting writing her own music. Zeritu had many favorite musicians at this time, but says Celine Dion was the one that played a pivotal role in her musical development.

During these years, Zeritu decided to keep her singing ambitions to herself as she knew that it would not be accepted by society as a career. Her singing debut came in eighth grade, where she performed at a parent’s day event with the Yared Music School students’ band. It was the first time her parents saw her perform and they were proud.

Zeritu began her career in music, singing with The Express Band. She released her first album Zeritu in 2005.Zeritu decided to take her music on ‘Guzo Zeritu’, a national tour across Ethiopia, an unusual step in the pop music culture of Ethiopia.
She overcame many obstacles to bring her vision to reality and gained the gratitude of her fans and the admiration of fellow artists. Zeritu personally financed her national tour, bringing an all-star quality to each of her performances. After her Ethiopian tour, she took her music on tour to the United States and Europe.

As a musician, Zeritu doesn’t like to be categorized or labeled. Her music is a reflection of her life and experiences and she doesn’t identify it with one particular genre or style. Since the release of her album, Zeritu has collaborated with several bands and artists recording songs and performing locally and internationally. She has worked in a variety of different musical styles, from rock, funk, acoustics to jazz. Zeritu may just be ready for her second album and while we can be sure that there will be similarities to the first album, there will also be exciting additions that reflect her continuing journey.

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Music

Zeritu Kebede Remix 1

Dance Ethiopia 2012
08:13

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