NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

News

Appel à candidatures : bourse de mobilité pour artistes et professionnel·le·s de la culture

06 Fév 2026 - 10:44

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A call for applications has been launched for a mobility grant to support individual artists and cultural professionals in sub-Saharan Africa and Europe. This grant is part of the Sub-Saharan Africa, Connect & Create component of the Africa-Europe Cultural Partnerships program, implemented by the Goethe-Institut in partnership with Expertise France and the Institut français.

The deadline for submitting applications is March 15th.

Une attention particulière sera portée aux candidatures des femmes et des praticien·ne·s culturelles émergent·e·s.

Program overview

Total program budget: €8 million
Duration: 42 months (2025–2028)
Objective: to foster dialogue, cooperation and peer learning between African and European cultural actors
Emphasis on co-creation, professional exchanges and partnerships on an equal footing

Target audiences

Artists and cultural professionals from sub-Saharan Africa and the European Union, with particular attention to:

  • emerging practitioners

  • women

  • people with disabilities

Mobility grant scheme

Objective and scope

Support for short-term professional mobility, primarily within sub-Saharan Africa.
Secondarily, support for mobility between sub-Saharan Africa and Europe.
European applicants must have an established partnership with an African partner.
African applicants travelling to Europe must have an established European partner.

Goals

Strengthening peer learning and professional networks;
enabling research, co-creation and collaborative artistic projects;
fostering access to new markets, audiences and professional contexts;
building sustainable intra-continental and intercontinental cultural partnerships

Stock market information

Maximum amount per mobility: €4,000 (approximately $4,700)
Approximate number of scholarships available: 60
Coverage: physical mobility only

Geographical orientation:

  • Priority: Sub-Saharan Africa to Sub-Saharan Africa (Africa to Africa)

  • Secondary: Sub-Saharan Africa to Europe

Key Dates

Call for applications opens: January 2026
Application deadline: March 15, 2026 (23:59 CAT)
Evaluation and notification: March 16 to May 8, 2026
Contracting and integration: May 11 to June 5, 2026
Eligible mobility start date: from June 1, 2026
Mobility period: June 2026 to June 2027

Eligibility criteria

Eligible candidates

  • Be at least 18 years old

  • To be an artist or cultural professional on an individual basis

  • Disciplines involved:

    • Music

    • Visual Arts

    • Performing Arts

    • Literature

    • Cinema and media arts

    • Cultural Heritage

    • Design, architecture and fashion

  • Currently based in sub-Saharan Africa or the European Union

  • Being able to demonstrate an existing partnership in the destination country

  • To be able to demonstrate a clear professional objective aligned with the program's objectives

Ineligible candidates

  • People under 18 years of age

  • Employees or immediate family members of the Goethe-Institut, Expertise France, the French Institute or the European Commission

  • Entities subject to EU restrictive measures

  • Applicants previously excluded from EU-funded projects

Application type

Individual applications only.
Applications from multiple people involved in the same activity will be evaluated separately.
Group or ensemble mobility is not supported under this scheme.

Eligible activities

Artistic and professional development
; research on cultural heritage, ecosystems and artistic practices;
co-creation or co-development with international partners;
participation in residencies, mentorships or structured learning programs;
development of international professional relationships;
cultural exchanges and networking
; participation in exhibitions, residencies or cultural events;
participation or performance at conferences and festivals;
strengthening of professional skills and training.

Budgetary framework

Eligible costs

  • Travel (plane ticket, train ticket or other transport)

  • Visa and insurance fees (actual costs)

  • Accommodation and meals via pre-calculated packages

Travel packages

  • Intra-continental travel (Sub-Saharan Africa): €1,500

  • Intercontinental travel (Africa–Europe): €1,000

Additional support (on request)

  • Family support (e.g., childcare costs)

  • Support for disability and accessibility

  • Support for sustainable mobility (green transport)

Budgetary conditions

  • All sources of funding must be declared.

  • Budgets exceeding €4,000 (excluding approved additional support) will be excluded.

  • Any additional funding must be declared to remain within the scholarship limit.

Application process

How to apply:
Applications must be submitted via the Goethe Application Portal (GAP).
Language: English (supporting documents must include English translations).

Required documents

  • Portfolio or work samples

  • CV or professional biography

  • Confirmation of mobility activity (e.g., invitation letter or registration)

  • Project timeline

  • Copy of a valid passport

  • Budget completed according to the provided template

Optional documents

  • Letters of support

  • Additional links to the portfolio

  • Documentation of previous collaborations

Support and information

General inquiries should be sent by email to: [email protected]

See the original call for proposals here.

Disclaimer: Opportunities posted on this platform are offered by external organizers. While Music In Africa strives to share accurate and up-to-date calls for proposals, it is not responsible for the organization, management, or implementation of the associated events or programs.

This article was originally published in English.

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