NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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Playlist 8: Five new African reggae videos to check out

Accueil/Non classé/Playlist 8: Five new African reggae videos to check out

EAST AFRICA
Wahu Kagwi & Cindy Sanyu – ‘Yeye ‘ (Kenya / Uganda)

Two of East Africa’s favourite female artists, Wahu Kagwi from Kenya and Cindy Sanyu from Uganda, got fans talking with the release of their new collaborative effort ‘Yeye’. It’s is a fun and flirty song in which the two songstresses engage in ‘girl talk’ about a guy. While Cindy is a dancehall artist, Afro-pop singer Wahu proves her versatility and gives her fans her first offering since her last release back in July 2015. The song is light and danceable. Critics may find the video not particularly different from the many that are released, but it is commendable that two artists of different genres and different countries got together to release a song that will surely find a place in clubs. Directed by one of Kenya’s leading music video directors, J Blessing, the video is pleasing on the eye. The chemistry between Cindy and Wahu is undeniable, making the song a success.

[video:https://www.youtube.com/embed/txZsToWkTd0 autoplay:0]


SOUTHERN AFRICA
Queen Vee ft. Souljah Love – ‘Mari Mari’ Dope G – (Zimbabwe) 

Following the success of their 2015 collaboration ‘Thirsty’, former Miss Zimbabwe turned pop diva Queen Vee reunites with Zim-Dancehall star Souljah Luv for her latest single ‘Mari Mari’, an uptempo dancehall number. The video was officially launched on Channel O in late April and hit Youtube a few days later on 1 May. It quickly reached 100 000 views in just five days, and has since passed the 200 000 mark. Fans have hailed the high-quality video production as well as the catchy production. The song is released by local label United Nations of Africa (UNA) Entertainment, run by another leading figure in Zimbabwe’s thriving dancehall scene, Buffalo Souljah. The video was shot by Johannesburg-based production company Studio Space Pictures, who have also done videos for African heavyweights such as Ice Prince (‘Marry You’), Victoria Kimani (‘Show’) and South African stars like AKA, Cassper Nyovest and others.

[video:https://www.youtube.com/embed/uGJxs8EcWf8 autoplay:0]


WEST AFRICA – English
Stonebwoy ft. Kranium – ‘Talk to Me’ (Ghana)

‘Talk to Me’ by Ghanaian reggae-dancehall artist Stonebwoy is a love song, which ordinarily is a strange thing to contemplate for an artist that projects a squeaky clean, almost studious image – but then he has always had his love songs (perhaps the most clearly reggae of them being 2015’s ‘RudeBwoi Love’ featuring Juls). On ‘Talk to Me’ he drifts toward the dancehall side of the reggae-dancehall spectrum. For a different kind of artist, the song’s lyrical content (“Talk to me baby, I wan know what gwan inna your mind”) is an avenue for a steamy video. Stonebwoy, though, keeps his distance. The lyrics are suggestive (“woman, you are the chosen/Me a knock on the door…[you] open…I bring the fire, make it light up like a oven”) but hardly vulgar. His demeanour seems to infect Kranium, his partner on the song. Known for the raunchy track ‘Nobody Has to Know’, the Jamaican artist manages to subdue his basest instincts – that in itself is an achievement. When Stonebwoy is ready for his close-up shot (a requirement for the video of a song of this level of implied romance), he serves up a rather cute face; no smouldering stare from the man. In any other artist, this cuteness would be rather incongruous with the song, but with Stonebwoy’s image it seems about right: a certain cuteness has always been a part of the man’s appeal, that and his way with a tune.

[video:https://www.youtube.com/embed/NlLshRrw6Uo autoplay:0]


WEST AFRICA – French
Jah Verity​
– ‘Gnan Gbo’ (Burkina Faso)

Burkinabe reggae man Jah Verity (aka Etimbé Koffi Bernard), winner of the 2016 Marley d’Or prize for best reggae artist in Burkina Faso, dishes up a tasty mix reggae with an African sauce on his last track ‘Gnan Gbo’ . Jah Verity is a multi-talented artist and is open to diversity, wihle promoting tolerance and unity, values close to hearts of his roots reggae predecessors. Jah Verity has won the hearts of music lovers from Burkina Faso and rest of the the region through his unique style, voice, lyrics and melodies that reflect the best of Africa. To African music lovers he remains a model of linguistic integration that transcends borders to unite people through music.

[video:https://www.youtube.com/embed/fRWNqwf63SQ autoplay:0]


CENTRAL AFRICA
Lexxus Legal ft. Tiken Jah Fakoly – ‘Oser la paix’ (DRC/Ivory Coast)

‘Oser la paix’ (daring peace) is a cover of the track « Le temps de la paix” (Time for peace) released in 2006 in which John Goubald sang alongside Lexxus Legal. This time the Congolese rapper employs Ivorian reggae star Tiken Jah Fakoly, who sings in Lingala, one of the local languages ​​of the DRC. In ‘Oser la paix’, Lexxus and Tiken call for unity and peace in the DRC. « Congo, this country we are proud of, the time for reconciliation has now come, » Tiken sings in Lingala, which he learned while recording the song in studio. We also remember the Ivorian artist slipped in a few words about Kinshasa, capital of DRC, in his 2002 song ‘Franco’.

The video of the song was released in January 2016. The song is taken from Lexxus Legal’s new album titled Leop’Art. True to form, Lexxus Legal’s messages are focused on peace, elections, good governance and political life in general. When a reporter asked him why he doesn’t sing about love, in the sense of a relationship between a man and a woman, his answer was straightforward: « You want me to sing about love when my country is war-torn and has conflict of any kind! ». Clearly, his love for his country has more importance than everything. Together, Tiken Jah Fakoly and Lexxus Legal are revolutionary artists able to inspire a generation. Here hip-hop and reggae unite for a good cause, using  music to awaken consciousness.

[video:https://www.youtube.com/embed/tBVQOcT3VJY autoplay:0]


Watch our earlier video playlists by clicking on the links below:

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