NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

Kommanda Obbs.

Kommanda Obbs.

Bands /groups, Record Labels
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Lesotho

En service depuis :

2021

Personne de contact:

Kommanda Obbs.

BIO

Kommanda Obbs (the pioneer of Ts'epe) owes his humble beginnings to the dusty alleys of Maputsoe; a small but heavily populated border town in the Kingdom of Lesotho. Ts'epe, a musical sub-genre, was forged by hard living circumstances synonymous with modern day Africa. It is an artistic response to a tragic social condition as lived predominantly by people of African descent. Along with the social ills of the day, the ever ill-purposed social image impressed on most young African minds through commercial media & "foreign" modern popular culture innuendos, sold at the expense of true African cultural heritage appreciation, further exacerbates this gory cultural psycho social reality whose only result is to undermine true African identity.

Kommanda Obbs represents a rallying African voice speaking from a Sesotho platform to ignite a will to beat adversaries and to live life. His sound is embedded in the Sesotho heritage and is a deliberate acknowledgment by an African child that they are unashamedly African. His evolution is characterized by a yearning to revisit ancient Basotho customs and music. His latest single "Lokollang poho" featuring Kwesta is a classic example of the old authentically combined with the new as a means of cultural preservation. The Sesotho influenced bass and melodies in the song gives an idea of the direction Kommanda Obbs wants to take in his attempt to popularize authentic Sesotho culture. He has indeed evolved into a more rooted version of himself.

The RED of our blood, the GOLD of our pillaged minerals & the GREEN of our conquered lands are a kaleidoscope that shines prominently throughout his aesthetics and graphical composition. Kommanda Obbs discovered that he had a calling to be a musician from as early as his elementary school days. Ts’epe, founded by this Lion of Basotho as he is known to many, is fast becoming a movement to be reckoned with, as highlighted by the growing recognition Kommanda Obbs is relishing. Kommanda Obbs’ distinctive feature is his growling and melodic voice which is a trademark that his fans and the Ts’epe clan adulate. His deep voice combined with his hard-hitting and rhythmic lyricism do indeed emulate the sound of a bell. Hard-core, striking, commanding lyricism and stellar vocals best describe his sound.

Kommanda Obbs is steadily becoming a cultural export as he gains recognition in the continent. In October 2016, this musical gem released his debut EP KETEU (The Sound of The Bell) which landed him a nomination under the "One Africa" Category at the 16th Metro FM Music Awards. KETEU (The Sound of the Bell), the EP, affirmed Kommanda Obbs’ skillful mastery of fusing sounds from the Mountain Kingdom with urban contemporary Hip Hop groove. The EP features celebrated musicians such as Stogie T (Tumi from the Volume), Reason and Zakwe. In 2017. Kommanda Obbs was honoured to tour Southern Africa with the legendary Damien Marley. He has since graced stages at various acclaimed music festivals such as ZAKIFO, MACUFE, Back2TheCity, Bassline Africa Day Concert, Lesotho Tourism Festival (LETOFE), AZGO Festival and the Indian Ocean Music Market (IOMMA) in Reunion Island.

May 2018 saw the release of Kommanda Obbs’ self-titled debut album. This canon of work is an ode to his musical journey and a reflection on his quest to becoming a true Pan-African artist who dares to be different. The Kommanda Obbs album debunks musical stereotypes and accommodates listeners of all ages. This masterful piece of work has earned him a nomination under the "Rest of Africa" category at the 25th South African Music Awards in 2019 and this is an earnest accomplishment for the Basotho fraternity. The debut album has been endorsed by African music heavyweights such as chief lyricist "Proverb" alongside "Mapule" on a song titled "I’m Capable", the renowned Jazz musician "Bhudaza Mapefane" on a soulful song titled "Pina" and Nigerian singer-songwriter "Eme" features on the hit track "Hure" .Komamnda Obbs’ music carries a global and ethnocentric edge to it and is yet to reveal the incredible storyteller this Kommanda is.

Kommanda Obbs is currently working on a cross continental project in the form of an album which features artists from different regions of the world, which will be titled "MOEA" and features artists from Reunion Island, Kenya, UK, Lesotho, South Africa, Botswana among others.

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