NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Kommanda Obbs.
Kommanda Obbs.

Kommanda Obbs.

Bands /groups, Record Labels
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Lesotho

In operation since:

2021

Contact person:

Kommanda Obbs.

BIO

Kommanda Obbs (the pioneer of Ts'epe) owes his humble beginnings to the dusty alleys of Maputsoe; a small but heavily populated border town in the Kingdom of Lesotho. Ts'epe, a musical sub-genre, was forged by hard living circumstances synonymous with modern day Africa. It is an artistic response to a tragic social condition as lived predominantly by people of African descent. Along with the social ills of the day, the ever ill-purposed social image impressed on most young African minds through commercial media & "foreign" modern popular culture innuendos, sold at the expense of true African cultural heritage appreciation, further exacerbates this gory cultural psycho social reality whose only result is to undermine true African identity.

Kommanda Obbs represents a rallying African voice speaking from a Sesotho platform to ignite a will to beat adversaries and to live life. His sound is embedded in the Sesotho heritage and is a deliberate acknowledgment by an African child that they are unashamedly African. His evolution is characterized by a yearning to revisit ancient Basotho customs and music. His latest single "Lokollang poho" featuring Kwesta is a classic example of the old authentically combined with the new as a means of cultural preservation. The Sesotho influenced bass and melodies in the song gives an idea of the direction Kommanda Obbs wants to take in his attempt to popularize authentic Sesotho culture. He has indeed evolved into a more rooted version of himself.

The RED of our blood, the GOLD of our pillaged minerals & the GREEN of our conquered lands are a kaleidoscope that shines prominently throughout his aesthetics and graphical composition. Kommanda Obbs discovered that he had a calling to be a musician from as early as his elementary school days. Ts’epe, founded by this Lion of Basotho as he is known to many, is fast becoming a movement to be reckoned with, as highlighted by the growing recognition Kommanda Obbs is relishing. Kommanda Obbs’ distinctive feature is his growling and melodic voice which is a trademark that his fans and the Ts’epe clan adulate. His deep voice combined with his hard-hitting and rhythmic lyricism do indeed emulate the sound of a bell. Hard-core, striking, commanding lyricism and stellar vocals best describe his sound.

Kommanda Obbs is steadily becoming a cultural export as he gains recognition in the continent. In October 2016, this musical gem released his debut EP KETEU (The Sound of The Bell) which landed him a nomination under the "One Africa" Category at the 16th Metro FM Music Awards. KETEU (The Sound of the Bell), the EP, affirmed Kommanda Obbs’ skillful mastery of fusing sounds from the Mountain Kingdom with urban contemporary Hip Hop groove. The EP features celebrated musicians such as Stogie T (Tumi from the Volume), Reason and Zakwe. In 2017. Kommanda Obbs was honoured to tour Southern Africa with the legendary Damien Marley. He has since graced stages at various acclaimed music festivals such as ZAKIFO, MACUFE, Back2TheCity, Bassline Africa Day Concert, Lesotho Tourism Festival (LETOFE), AZGO Festival and the Indian Ocean Music Market (IOMMA) in Reunion Island.

May 2018 saw the release of Kommanda Obbs’ self-titled debut album. This canon of work is an ode to his musical journey and a reflection on his quest to becoming a true Pan-African artist who dares to be different. The Kommanda Obbs album debunks musical stereotypes and accommodates listeners of all ages. This masterful piece of work has earned him a nomination under the "Rest of Africa" category at the 25th South African Music Awards in 2019 and this is an earnest accomplishment for the Basotho fraternity. The debut album has been endorsed by African music heavyweights such as chief lyricist "Proverb" alongside "Mapule" on a song titled "I’m Capable", the renowned Jazz musician "Bhudaza Mapefane" on a soulful song titled "Pina" and Nigerian singer-songwriter "Eme" features on the hit track "Hure" .Komamnda Obbs’ music carries a global and ethnocentric edge to it and is yet to reveal the incredible storyteller this Kommanda is.

Kommanda Obbs is currently working on a cross continental project in the form of an album which features artists from different regions of the world, which will be titled "MOEA" and features artists from Reunion Island, Kenya, UK, Lesotho, South Africa, Botswana among others.

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