NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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Maputo, Mozambique

En service depuis :

2016

Personne de contact:

TRKZ

BIO

Ailton José Matavela, was born in 1994 in Mozambique Maputo, where he was raised.

He got his degree of degree in Social Psychology and Work and he is currently devoted entirely to his music as a recording artist (singer, composer, beatmaker and producer). He has a potential to express his music through different platforms and in many different ways. As a self producer he has started to create his own music by collecting instruments and explore the sound of each instrument, inserting it inside the soundscape aesthetic he has built to his overall sound.

Ailton features a diverse musical background which explains the miscellaneous vibes on vibes on his rhythm and melodies. Lyrically, his contents are more inclined towards human nature and intimate social and intrapersonal relationships, leaning on to science and mythology, and other forms of interpreting the Universe through his art.

In the 1st semester of 2016, Ailton was part of the "Xiquitsi" Choir and Orchestra, where he had singing lessons with the Opera singer and lyrical singing teacher, Maria Rodrigues, and was one of the lead singers in his choir, registered as baritone but his role was Bass.

On the second half of 2016, Ailton signed to Kongoloti Records, having officially launched "Filhos da Terra" EP on the 23rd of November, this project was produced by Kevin Marrengule, also known as
"$ORR¥" (Dollars or Yens) / "Kae - Em".
And also collaborated with the founder and leader of the "Estúdio 5" and the Maputo Cinema Festival, Wilford Machili on his artwork cover and picture.

In September 2017, he had his 1st international act in one of the biggest urban festivals in Portugal, being one of the opening acts on the main stage for Festival Iminente, where he present his EP alongside a band of local musicians. And in October he took his talents to USA, at the Artoberfest in Moreno Valley, Southern California, performing a group of songs he had recorded during his trips across Europe and Northern America.

In November 2017, Ailton, alongside Nandele Maguni and Edwin "Tushimitsu" Amargar, launched on original score for an audiovisual and photomontage project called “Bits of Maputo”, produced by Ricardo Pinto Jorge, a very well known Mozambican Visual Artist, Painter and Pilot.
On the same year he also was part of the original score for the "90's Project" documentary produced by the young mozambican photographer, Iria Marina Chichava.

In June 2018, Ailton attended a 3-week long artistic residency at the Franco-Mozambican Cultural Centre with the founder of "340ml" Tiago Correia-Paulo also known as "A Million Things" , a well known mozambican artist and producer. Which culminated in the project ”Continuadores".
Continuadores is a musical/audiovisual project that expresses itseft by paying a nostalgic homage to the early formative years of Mozambique as a young and recently independent nation. And it's inspired by the poetic responsibility continuously transmitted by Samora Machel, and aimed at the Children of the Revolution.

In July 2018, Ailton also created an independent artistic residency for two weeks, which made him the co-founder, producer and member of the "Cantinho das Cores" trio, alongside Nandele Maguni (Beatmaker, DJ and Producer) and Auro "May Mbira" Meireles (Builder, player, teacher and collector of mozambican traditional instruments; singer and also composer). It's an ode to the Mozambican traditional and electronic music, with a mix of "Marrabenta" and "Pandza" with a Contemporary/ Indie sound.
They had a regional tour in December 2018 through Akum Agency as a support band for Urban Village, a south african alternative band. They performed together in Maputo (MZ) Soweto (SA), Manzini (eSwatini) and Nelspruit (SA).

On the present day, Ailton's focusing on his new solo album entitled "Storytellers", which is marks the evolution of Trkz as a Multi-Instrumentalist and producer. This time using a new language (English) and a new sound aesthetic that pretty much describes what he believes to be his musical identity. Putting him one step closer to his long time goal to create his own genre and promote the alternative and experimental music scene in his homeland.

Ailton believes that through Music and Arts, it's possible to inspire youth to remain faithful to their beliefs and to follow their dreams.

For Ailton, Music has been a huge therapeutic tool from a day-to-day basis, he believes that he and others can achieve Inner Peace and develop intrapersonal connections that are a huge catalyser for stress and the war we all live inside of us.

Photos

Musique

Rancho Tape

Trkz
21:46

Marracuene (ao Amanhecer).mp3

Trkz
02:42

The Rain

Trkz
01:49

Love Games

Trkz
02:21

Ivry sur-Seine

Trkz
02:25

Echoes of Normandie

Trkz
02:11

Belleville

Trkz
03:47

Ménilmontant

Trkz
02:41

Sambre et Meuse

Trkz
02:17

Buttes-Chaumont

Trkz
02:47

Rivières d'Eau Salée

Trkz
02:39

Bethlehem

Trkz
02:42

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