NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Maputo, Mozambique

In operation since:

2016

Contact person:

TRKZ

BIO

Ailton José Matavela, was born in 1994 in Mozambique Maputo, where he was raised.

He got his degree of degree in Social Psychology and Work and he is currently devoted entirely to his music as a recording artist (singer, composer, beatmaker and producer). He has a potential to express his music through different platforms and in many different ways. As a self producer he has started to create his own music by collecting instruments and explore the sound of each instrument, inserting it inside the soundscape aesthetic he has built to his overall sound.

Ailton features a diverse musical background which explains the miscellaneous vibes on vibes on his rhythm and melodies. Lyrically, his contents are more inclined towards human nature and intimate social and intrapersonal relationships, leaning on to science and mythology, and other forms of interpreting the Universe through his art.

In the 1st semester of 2016, Ailton was part of the "Xiquitsi" Choir and Orchestra, where he had singing lessons with the Opera singer and lyrical singing teacher, Maria Rodrigues, and was one of the lead singers in his choir, registered as baritone but his role was Bass.

On the second half of 2016, Ailton signed to Kongoloti Records, having officially launched "Filhos da Terra" EP on the 23rd of November, this project was produced by Kevin Marrengule, also known as
"$ORR¥" (Dollars or Yens) / "Kae - Em".
And also collaborated with the founder and leader of the "Estúdio 5" and the Maputo Cinema Festival, Wilford Machili on his artwork cover and picture.

In September 2017, he had his 1st international act in one of the biggest urban festivals in Portugal, being one of the opening acts on the main stage for Festival Iminente, where he present his EP alongside a band of local musicians. And in October he took his talents to USA, at the Artoberfest in Moreno Valley, Southern California, performing a group of songs he had recorded during his trips across Europe and Northern America.

In November 2017, Ailton, alongside Nandele Maguni and Edwin "Tushimitsu" Amargar, launched on original score for an audiovisual and photomontage project called “Bits of Maputo”, produced by Ricardo Pinto Jorge, a very well known Mozambican Visual Artist, Painter and Pilot.
On the same year he also was part of the original score for the "90's Project" documentary produced by the young mozambican photographer, Iria Marina Chichava.

In June 2018, Ailton attended a 3-week long artistic residency at the Franco-Mozambican Cultural Centre with the founder of "340ml" Tiago Correia-Paulo also known as "A Million Things" , a well known mozambican artist and producer. Which culminated in the project ”Continuadores".
Continuadores is a musical/audiovisual project that expresses itseft by paying a nostalgic homage to the early formative years of Mozambique as a young and recently independent nation. And it's inspired by the poetic responsibility continuously transmitted by Samora Machel, and aimed at the Children of the Revolution.

In July 2018, Ailton also created an independent artistic residency for two weeks, which made him the co-founder, producer and member of the "Cantinho das Cores" trio, alongside Nandele Maguni (Beatmaker, DJ and Producer) and Auro "May Mbira" Meireles (Builder, player, teacher and collector of mozambican traditional instruments; singer and also composer). It's an ode to the Mozambican traditional and electronic music, with a mix of "Marrabenta" and "Pandza" with a Contemporary/ Indie sound.
They had a regional tour in December 2018 through Akum Agency as a support band for Urban Village, a south african alternative band. They performed together in Maputo (MZ) Soweto (SA), Manzini (eSwatini) and Nelspruit (SA).

On the present day, Ailton's focusing on his new solo album entitled "Storytellers", which is marks the evolution of Trkz as a Multi-Instrumentalist and producer. This time using a new language (English) and a new sound aesthetic that pretty much describes what he believes to be his musical identity. Putting him one step closer to his long time goal to create his own genre and promote the alternative and experimental music scene in his homeland.

Ailton believes that through Music and Arts, it's possible to inspire youth to remain faithful to their beliefs and to follow their dreams.

For Ailton, Music has been a huge therapeutic tool from a day-to-day basis, he believes that he and others can achieve Inner Peace and develop intrapersonal connections that are a huge catalyser for stress and the war we all live inside of us.

Photos

Music

Rancho Tape

Trkz
21:46

Marracuene (ao Amanhecer).mp3

Trkz
02:42

The Rain

Trkz
01:49

Love Games

Trkz
02:21

Ivry sur-Seine

Trkz
02:25

Echoes of Normandie

Trkz
02:11

Belleville

Trkz
03:47

Ménilmontant

Trkz
02:41

Sambre et Meuse

Trkz
02:17

Buttes-Chaumont

Trkz
02:47

Rivières d'Eau Salée

Trkz
02:39

Bethlehem

Trkz
02:42

Social Networks and Websites

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