NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

10 questions for gospel singer Luigi Maclean

21 Jul 2020 - 13:09

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Luigi Maclean is a gospel musician from Ghana. Since guesting on mentor and label boss Joe Mettle’s ‘Bo Noo Ni’ in 2017, he has gained widespread praise for his touching vocal delivery and inspirational take on life.

Luigi Maclean.

The singer went on to release two singles, the first of which earned him a Best Male Vocalist of the Year nomination at the 2019 Vodafone Ghana Music Awards. With a growing list of successful collaborations and high-profile stage appearances, Maclean is also gaining a reputation as the emerging face of gospel in the country.

Maclean recently spoke to Music in Africa about a number of topics, including his latest single ‘Oguama’, the impact of the COVID-19 pandemic on his career, and the value of mentorship to artists.

MUSIC IN AFRICA: You're widely labelled as the emerging face of gospel music in Ghana. What do you make of this?

LUIGI MACLEAN: It's humbling to hear such comments because I'm just a young man who is doing what he loves and enjoying every bit of his journey. It inspires me as well because I know people are paying attention, so I have to give out my all.

Aside from Joe Mettle, whom you refer to as a mentor, who else influences your music?

Joe Mettle has been my greatest influence yet, but there are things I've picked from other gospel greats I've listened to over the years, like Darlene Zschech, the late Danny Nettey, Don Moen and Nathaniel Bassey among others.

What are the primary themes you seek to explore with your music?

The main aim is to reach people with the love of God. The message of my music is built on the Word of God with the tone of voice that constantly encourages, conveys hope and builds faith.

You recently released your sophomore song featuring MOG. How has the reception been so far?

It's been overwhelming and the support and love has been awesome. What gives me fulfilment in all of this is the messages I get from random people, telling me how the song helped them in their lowest moments. Nothing beats the joy I get from knowing my music is making a positive impact.

How far along are you with regard to your debut album?

The recording process has started for a few of the songs.

Though still relatively new in the industry, you've already secured Ghana Music Awards nomination and performed on a number of big stages across the country. How essential are milestones like this for a blooming musician such as yourself?

In my opinion milestones like these are good. Personally, it’s given me exposure and introduced me to a wider audience.

How has the COVID-19 pandemic affected your vocation?

The pandemic has affected most sectors, if not all. Music events and live shows couldn't take place. However, there are a few positives from this pandemic, like how people took advantage of this to build their online presence. For me, I got to write some new music and learnt new things. Thankfully things are getting back to normal.

The COVID-19 crisis has seen an increase in the volume of music releases by artists. How soon can we expect new material?

I released new music recently and I'm doing unplugged sessions of some of my favourite songs on YouTube for now. There will be another single out before the album comes out.

Presumably, Joe Mettle will feature on your album. Who else would you like to work with?

There's this dream of having a song with one of the veteran gospel icons I grew up listening to. All of that will happen in due time.

For the emerging artist, the Ghanaian music scene, which is highly competitive, can be intimidating. What has been your experience since you began doing music professionally?

The experience for me has been an interesting one. I love music so I'm enjoying the journey and making the best out of both the good and the bad that comes with it. I'm really grateful for the support of Joe Mettle who has literally held my hands and is walking me through the course.

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