NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

All-star line-up for 17th Cape Town International Jazz Festival

14 Oct 2015 - 09:50

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The organisers of the 17th Cape Town International Jazz Festival (CTIJF) this week announced an exciting line-up of artists that are set to deliver an exceptional and unforgettable live music experience in 2016. This was the first artist announcement for the festival, popularly known as ‘Africa’s Grandest Gathering,’ that will take place on 1 and 2 April 2016 in Cape Town and is set to host more than 37 000 music-loving ‘Festinos’.

American star Angie Stone will headline the 2016 CTIJF.

International artists announced at the recent press conference held in Johannesburg include three-time Grammy-nominated soul songstress Angie Stone (USA); Grammy-nominated R&B trio SWV (USA); award-winning solo bassist Victor Wooten (USA); singer-songwriter, rapper and bassist Meshell Ndegeocello (USA); Grammy-nominated Afro-blues duo Amadou & Mariam (Mali); instrumental jazz trio BADBADNOTGOOD (Canada); tenor saxophonist Mark Turner (USA); jazz and R&B vocalist Lizz Wright (USA); santoor and classical artist Rahul Sharma (India) performing with jazz saxophonist George Brooks (USA) and jazz pianist Roberto ‘Solo Fonseca (Cuba); and supergroup Jazz Attack featuring Peter White, Rick Braun and Euge Groove (USA).

Shining a light on homegrown talent, the first South African artists announced for CTIJF 2016 include award-winning jazz pianist Afrika Mkhize ft. Eddie Parker (SA/UK); three-time SAMA winners Mafikizolo ft. Tsepo Tshola (Sankomota); top-selling local phenomenon Nathi with special guest Vusi Nova; rising songbird Tribute ‘Birdie’ Mboweni; SAMA-nominated pop sensation Muzart performing with award-winning hip-hop artist Khuli Chana; top young jazz bassist Benjamin Jephta and his Quintet; Mbokodo Award 'Women in Jazz' winner Thandi Ntuli; Cape Town favourites TopDog; and introducing the exciting new music experience of Tumi Mogorosi and Project ELO.

Executive Mayor Patricia De Lille said: “We are determined to build an inclusive city and that centres around creating a shared heritage. The Cape Town International Jazz Festival has become an institution which breaks down barriers and gives us the opportunity to celebrate our shared love of music, together. Every year it allows us to consolidate why Cape Town is becoming the events capital of Africa. Showcasing our local talent is also an integral part of displaying the role that the arts have to play in that regard.”

Minister of Arts & Culture, Mr Nathi Mthethwa had this to say in anticipation of next year’s festival: "Jazz is a means with which we tell our stories. Therefore, we welcome the first announcement of the artists who will grace the Cape Town International Jazz Festival with their presence to delight jazz lovers. We believe that events like the Cape Town International Jazz Festival, where the living legends of jazz rub shoulders with younger local artists, play an important role in providing for a cross pollination of knowledge, skills and talents. We are a nation who loves jazz music and our love of jazz is striving for interplay of individuality with the collective, which also characterizes our struggle for freedom and our efforts to achieve sustainable economic and social development in the present phase of our history. Jazz has grown in popularity over the years, bringing South Africans and the rest of the continent to this much-loved event. This festival creates a space for engagement and enjoyment, and also increases the economic contribution of the arts to the city of Cape Town."

Concluding the announcement proceedings, Festival Director Billy Domingo of espAfrika said: “We are proud to create an annual event that has the ability to speak to every demographic and music-lover on the continent. ‘Africa’s Grandest Gathering’ is an extraordinary experience and we will continue to provide our audience with just that. As always, our main objective is to create a platform where known and sometimes unknown artists share the same stage. Our festival has expanded greatly in recent years and there will always be a strong balance between South African artists and their international counterparts. This first announcement is just a taste of what’s in store for fans and with even more acts to be announced on November 24th we are sure CTIJF 2016 will be as always an unique and truly amazing experience.”

The CTIJF Sustainable Training & Development programme takes place in the lead-up to the festival and will launch four weeks prior. The programme will include workshops and masterclasses in photography, arts journalism and a dedicated Music & Career programme. Those interested in participating in these workshops are urged to register as soon as possible to avoid disappointment. For more details refer to the festival website (www.capetownjazzfest.com).

The CTIJF 2016 second artist announcement will be released on the 24 November. Tickets for the festival went on sale on 13 October 2015 at Computicket. Ticket cost R895 for a weekend pass (two days) and R590 for a day pass. Limited Rosies Stage tickets cost R30 per performance and will be available from 7 December.

Watch highlights from this year’s festival in the video below.

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