NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Boomplay’s Tosin Sorinola gives key takeaways from Universal licensing deal

01 Apr 2021 - 12:22

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In what some would consider a monumental move, Africa’s leading music streaming service Boomplay in March expanded its licensing deal with Universal Music Group (UMG), pushing the label into 40 additional African markets. Such massive deals can be fruitful for hopeful artists and music listeners.

Tosin Sorinola.

Boomplay, which is one of the first music streaming services to begin operations in Africa, has witnessed tremendous growth in the thriving local music sector. Now with a firm foot in 47 countries, the company says it understands the market like no other, making it the best choice for a comprehensive African music experience.

The UMG agreement has been touted to offer artists more value by pulling in UMG’s African labels, which include Def Jam Africa as well as independent artists and labels distributed via Ingrooves and Electromode.

Music In Africa reached out to Boomplay Africa director of artist and media relations Tosin Sorinola to find out how musicians and subscribers will benefit from the deal. When we spoke to the exec in February 2020 while she was heading up the company’s marketing division, she was confident that the company had no serious competition in Africa from other streaming services. But the dynamic streaming landscape has since shifted, with Spotify’s aggressive foray in the region earlier this year.

MUSIC IN AFRICA: In recent reports, you suggested that the UMG expansion would afford Boomplay an ‘opportunity to help open up more music to our users and opportunities for artists in the new regions.’ Can you elaborate on these opportunities?

TOSIN SORINOLA: Working with partners such as UMG, who have over the years consistently elevated the international music industry, means that our African artists will now have access to some of the best musical talent such as other artists, producers, sound engineers and many more. In as much as it enhances UMG’s catalogue in the new markets, it sets a base for the African catalogue to grow through local, regional and international collaborations. It is also a plus for African artists because there is access to a larger market for their music consumption. There is a lot of untapped talent from these markets, and we are very optimistic and intentional about actualising the potential of the continent, and building a well-structured ecosystem for the industry.

Deezer, Apple Music and, more recently, Spotify have all strengthened their services on the continent. Why should musicians and listeners opt for Boomplay as their preferred music streaming platform?

As market leaders, through years of research and data collection, we understand the intricacies of what the market entails, such as artist and user demands, and as such we have a stronger positioning in understanding the scope of the industry and business. Our strength lies in our localised platform, having the largest catalogue of local African music, and enjoying strong partnerships with artists, local and international music labels and other industry stakeholders. In addition, we have a very competitive pricing structure, while also offering a free tier catalogue available for free download. This means our users have access to music both online and offline. We also have an in-app rewards feature, where users can get rewarded with an array of merchandise, by simply streaming and downloading their favourite music. Additionally, our app features a content production blog called Buzz that showcases the latest news in the entertainment industry. We continuously reiterate our commitment towards supporting the industry to unlock its full potential.

Does Boomplay have additional plans to bolster its presence in the new markets?

Definitely. We have only scratched the surface with the signing of then UMG licensing agreement. Africa is a continent that has immense talent, in addition to a rich cultural heritage. The fusion of this in the creative space brings about content that can transcend generations. In this landmark deal, Boomplay is the ‘African pot’, and our partners are the ingredients. When you add UMG, artists and other partners, the final product disseminated to our users is of top-notch quality. As a company, we affirm our utmost commitment towards playing a pivotal role in the industry, by offering our users access to more music and supporting more upcoming artists.

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