NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Condolences pour in for SA rapper Bravo Le Roux

26 Jan 2026 - 08:41

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South Africans are mourning the passing on of local rapper Bravo Le Roux, who passed away in Switzerland on 22 January. He was 30.

The late Bravo Le Roux.

The cause of death had not been disclosed at the time of publication.

The news about his death was confirmed on social media by Bravo Le Roux’s family, which asked for privacy and thanked the public for their support: “During this profoundly difficult time, we ask that Bravo’s family, friends and loved ones be granted privacy and space to grieve. We also ask that fans and the public remember him for his contributions, his artistry and the joy that he brought to many.”

Bravo Le Roux’s wife, DJ Snab, shared a message on social media. She wrote: “With a heavy but loving heart, I share that my husband has passed away. The past days have been overwhelming, and I needed time to grieve and to be strong for our daughter. Thank you for the love, patience and kindness shown to us. We will always carry him in our hearts.”

Tributes have since been paid by government officials, industry bodies and fellow artists. Minister of Sport, Arts and Culture Gayton McKenzie said in a statement: “Bravo Le Roux did not create for attention alone. He created to reflect life as it is, to speak to young people where they are, and to remind them that their stories matter. He showed that talent from our townships can stand confidently on any stage, without losing its identity.”

The Southern African Music Rights Organisation (SAMRO) also expressed its condolences, saying: “SAMRO is saddened by the passing of Bravo Le Roux, a beloved young South African music creator. Bravo Le Roux was a proud ambassador of his community and a source of inspiration to emerging artists. His music resonated with authenticity, passion, and courage, leaving a lasting legacy among fans and peers alike. SAMRO extends its heartfelt condolences family, friends, and the broader music community.”

Rapper Priddy Ugly said, “I’m lost for words, sincere condolences to the family and loved ones. Rest in Power.” Spotify Africa wrote: “Your beautiful spirit filled our ears with music and our hearts with love. Rest in Peace Bravo Le Roux.”

Music distribution service SOL Distro said: “We are deeply saddened by the passing of Bravo Le Roux and extend our sincere condolences to his family, loved ones and fans.”

Born and raised in Khayelitsha, Cape Town, Bravo Le Roux built his career from local community performances to national recognition. His music drew on multiple languages and cultural influences, reflecting the lived experiences, resilience and aspirations of young South Africans.

He released several projects during his career, including ‘NdinguTa Bravo Kuwe’, ‘The Rise of Istrato’, ‘International Gubevu’, ‘Igazi’, ‘Iinyembezi’ and ‘Nombilo’. His work earned him multiple awards at the Rise Up Music Awards and nominations at the South African Hip Hop Awards. He also achieved commercial success, including a gold-certified single.

Bravo Le Roux is survived by his wife and daughter.

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