NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Diamond Platnumz and Charlotte Dipanda win big at 2015 AFRIMA

16 Nov 2015 - 11:20

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Tanzania’s Diamond Platnumz was the big winner at the 2015 All Africa Music Awards, held 15 November at the Eko Hotel and Suites, Lagos, Nigeria. The singer, who also won at the MTV Africa Music Awards earlier this year, picked up three awards including a win in the event’s most prized category, Artist of the Year. Cameroon’s Charlotte Dipanda won three awards as well. She appeared stunned at her second award for the night and by the announcement of her third had gone off to bed.

Diamond Platnumz, Artist of the Year, 2015 AFRIMA

The event began minutes past 8pm, a couple of hours behind its advertised schedule, and was anchored by DNG, ‘East Africa’s number 1 hype-man’, and Ivorian actress Aurelie Eliam. The duo treated the crowd to a few exchanges, DNG speaking English and Eliam French. A few attempts at Nigerian pidgin elicited laughs from the mostly Lagos crowd. They appeared to relish a particularly awful enunciation of a pidgin sentence by Eliam.

Cobhams Asuquo and Ladysmith Black Mambazo, first performers of the night, fared better. Their duets—Paul Simon’s 'Diamond on the Soles of her Shoes' and a brief rendition of LBM’s ‘Homeless’—went well with the crowd. Thereafter Asuquo handed the men of Ladysmith Black Mambazo’s a Lifetime Achievement Award. ‘The award,’ Asuquo said, was for the group’s effort at 'telling the African story authentically.' It was the night’s opening award.

Other awards followed, with Morocco sweeping the Northern regional categories through Ahmed Soutan and Manal. The symmetry of the regional prizes continued, as Cameroon through Stanley Enow and Dipanda took the Central African categories. 'Oh boy, I no come lagos come joke o,' Enow said. Nigeria’s Olamide and Yemi Alade won for West Africa. Neither took their awards personally as Alade was absent and Olamide was backstage, presumably in preparation for a later performance. South Africa’s Busiswa and Cassper Nyovest won the Southern African regional categories.

Most of the night’s performers were winners as well. Enow did two songs that has their roots in American hip-hop. Busiswa’s performance seemed to confirm a long standing truth: Every South African can dance.

Performances and awards went past as midnight drew nearer. The Pillar of Culture Award was the night’s most unusual as its winner politician and former Lagos governor Bola Ahmed Tinubu went on for several minutes giving a speech that was of unclear relevance to the night’s proceedings. If anyone was disappointed at the mention of his contributing only two culture activities—bringing Fela on Broadway, the musical to Lagos and Lagos’s Eyo Festival—to merit the award they didn’t show it. Instead chants of his nickname ‘Jagaban’ rented the air.

The ceremony came to a close with Diamond’s double win in the general category taking Artist of the Year and Song of the Year for ‘Nasema Nawe’. He performed afterwards, his dance moves well-coordinated and his co-dancers precise. The crowd cheered. They saved the biggest cheers for Nigeria’s Olamide. The Lagos audience loves him so much he conducted several lines from his repertoire in silence, watching the audience mouth words to his music.

The concluding bit of the near 4-hour award ceremony then became a tale of two men. Olamide got the love. Diamond Platnumz got the awards.


ARTIST OF THE YEAR

Diamond Platnumz

SONG OF THE YEAR

Diamond Platnumz – ‘Nasema Nawe’ featuring Khadijo Kopa

ALBUM OF THE YEAR

Charlotte Dipanda – “Elle n’a pas vu”

BEST ARTISTE IN AFRICA (RnB & Soul)

Praiz – Nigeria

BEST AFRICAN REGGAE, RAGGA & DANCEHALL

Stonebwoy – Ghana

BEST MALE ARTISTE: INSPIRATIONAL CATEGORY

Darey – Nigeria

BEST FEMALE ARTISTE: INSPIRATIONAL CATEGORY

Betty Akna – Equatorial Guinea

VIDEO OF THE YEAR

Wiyaala – Ghana

BEST ARTISTE IN AFRICAN POP

Vanessa Mdee – Tanzania

BEST ARTISTE IN AFRICAN HIP-HOP

Casper Nyovest – South Africa

BEST ARTISTE IN AFRICAN ELECTRO

Flavour – Nigeria

ENTERTAINMENT/MUSIC JOURNALIST OF THE YEAR

Oris Aigbokhaevbolo – Nigeria

PRODUCER OF THE YEAR

Sauti Sol and Cedric Kadenyi – Kenya

SONGWRITER OF THE YEAR IN AFRICA

Joseph Chameleone – Uganda

REVELATION OF THE YEAR IN AFRICA

Adekunle Gold – Nigeria

MOST PROMISING ARTISTE IN AFRICA

Kiss Daniel – Nigeria

BEST ARTISTE IN AFRICAN CONTEMPORARY

Charlotte Dipanda – Cameroon

BEST ARTISTE IN AFRICAN JAZZ

Kunle Ayo – Nigeria

BEST MALE ARTISTE IN WESTERN AFRICA

Olamide – Nigeria

BEST FEMALE ARTISTE IN WESTERN AFRICA

Yemi Alade – Nigeria

BEST ARTISTE IN AFRICAN ROCK

M’vula – Kenya

BEST AFRICAN GROUP

Sauti Sol – Kenya

BEST AFRICAN COLLABORATION

AKA and Burna Boy – (South Africa/Nigeria)

BEST FEMALE ARTISTE IN SOUTHERN AFRICA

Busiswa – South Africa

BEST MALE ARTISTE IN SOUTHERN AFRICA

Cassper Nyovest – South Africa

BEST FEMALE ARTISTE IN NORTHERN AFRICA

Manal – Morocco

BEST MALE ARTISTE IN NORTHERN AFRICA

Ahmed Soutan- Morocco

BEST FEMALE ARTISTE IN EASTERN AFRICA

Tsedenia – Ethiopia

BEST MALE ARTISTE IN EASTERN AFRICA

Diamond Platnumz- Tanzania

PILLAR OF CULTURE IN AFRICA

Bola Ahmed Tinubu - Nigeria

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