NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Ghana: Top 11 albums of 2017

05 Jan 2018 - 10:03

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By Gabriel Myers Hansen

2017 was a good year for music made by Ghanaian musicians. Some of the country's big stars, including Stonebwoy and Sarkodie, released albums. Some relatively new artists made also made a splash in the industry. Below, a list of 11 of the best albums made by Ghanaian artists. 

MzVee's DaaVee released one of Ghana's best albums in 2017.

Artist: Trigmatic
Album: Melodies Awakening the Inactive Conscience (M.A.T.I.C)

Trigmatic enjoyed immense success with his 2010 single 'My Life', and has received multiple awards since. A genius across genres, he has yet to attain celebrity truly fitting of his talent.

Highlights of this project, his first album in six years, include the Stonebwoy-assisted 'Gbedu', and 'Motromodwo' (featuring A.I). That last song, unapologetic highlife founded on rich percussion and horns is, without question, one of the finest Ghanaian records published in recent years. The album, his fourth solo project after Stains on a Cloth (2007), Permanent Stains (2010), and SOUL-u-TIONS (2011) also features Sarkodie, E.L, Stonebwoy, A.I, Orezi, Jupitar, Krissy O and Skales.

Get M.A.T.I.C here

Artist: Akan
Album: Onipa Akoma

A-Level rapper Akan’s Onipa Akoma album took two years to make. It is also his debut. Running over with astoundingly mature language, dexterity with Twi and compelling storytelling, this project ranks not only among the most groundbreaking bodies of work by a Ghanaian this year, but also in all of hiplife history. It has already being compared to the greatest of all hiplife albums, 1999's Pae Mu Ka by Obrafour.

Formerly going by the showbiz name Quabena Shy, Akan is among the most relevant of young voices in Ghana today, courting comparison with such hiplife elders as Okomfour Kwadee, Obrafour, Sarkodie and veteran producer Da'Hammer.

Get Onipa Akoma here

Artist: Becca
Album: Unveiling

The release of Becca's third studio album Unveiling coincided with her tenth anniversary of coming into the music industry. The beloved songstress is among Ghana's biggest female exports, securing collaborations with top names as MI, Mr. Eazi, 2Baba, M.I, Ice Prince, Bisa KDei, Uhuru, Hugh Masekela among others.

With Unveiling, Becca (Rebecca Akosua Acheampong) once again stakes a bold claim for the female constituency in a male-dominated terrain. A catalogue primarily consisting palatable love songs compiled over 13 months, Unveiling ranks among highly commercial albums of 2017, and features guest appearances from Bisa KDei, Patoranking, Mr. Eazi, Kofi Kanata, Joyce Blessing and Ice Prince. Highlights from the record include Hw3 and Beshiwo (both featuring Bisa KDei), You & I, and Na Wash (featuring Patoranking).

Buy Unveiling here

Artist: Fancy Gadam
Album: Mujahid

2017 saw Tamale-based Fancy Gadam (Ahmed Mujahid Bello) finally cement himself in mainstream Ghanaian music. With his Gadam Nation tour, the energetic singer has gone ahead to prove why he deserved to be named the VGMA's Best New Artist ahead of Medikal, Eugy, Rudebwoy Ranking and Article Wan, filling up arenas in major cities across the country, and more than impressing in high-profile shows.

The launch of Mujahid (his third album) at the Tamale Sports Stadium was witnessed by over 18 000 patrons. 'Total Cheat', off the record and featuring rap icon Sarkodie, was a bona fide 2017 hit, rubbing shoulders with efforts from Stonebwoy, Shatta Wale, KiDi, Kuami Eugene, Patapaa, and Ebony.

Buy Mujahid here

Artist: Joe Mettle
Album: God of Miracles

God of Miracles is the fourth album reigning VGMA Artist of the Year Joe Mettle has released since launching his solo career in 2007. Comprising 13 songs, the live recording features guests Nathaniel Bassey, Akesse Brempong, Ohemaa Mercy, Kingz Kid and protege Luigi Maclean.

The impact of the album, via the leading single 'Bo Noo Ni', cannot be questioned. That single has been viewed over 1 000 000 times on YouTube. It was important for Joe Mettle to have released an album of this quality in the year he won the most coveted music award in the land. If not for nothing, to silence critics, prove that he's not one to rest on his laurels, and most of all, keep Ghanaian gospel in the conversation.

Buy God of Miracles here

Artist: Sarkodie
Album: Highest

Sarkodie’s fifth album after Makye (2009), Rapperholic (2012), Sarkology (2014), and Mary (2015) has the rapper proclaim himself as the foremost name in Ghanaian music. As much a rap album as it is melodic (something made possible by the layered approach of a typical Jayso production), Highest engages deeply personal themes and explores new creative terrain by recruiting unlikely collaborators as Victoria Kimani, Moelogo, Praiz, Korede Bello, Jesse Jagz and Bobii Lewis among others.

There may not be a “massive hit” on the album, at least judging by the standard of the rapper who made such songs as 'You Go Kill Me', 'Pon The Ting' and 'Adonai', but all songs on there require repeated play to fully engage with and properly appreciate –which is how albums should be consumed anyway.

Buy Highest here

Artist: Ebony Reigns
Album: BONYFIED

Just 20, sultry Dancehall/Afropop singer Ebony Reigns has had a tremendous 2017, netting a fine percentage of hits last year saw, as well as mounting nearly all major concert platforms over the period.

Ebony's debut album BONYFIED consists 16 songs, and bears her main hits of 2017: 'Poison', 'Sponsor', 'Date Your Fada', 'Hustle', and 'Maame Hwɛ', as well as old gold like 'Dancefloor', 'Kupe', and 'Turn on the Light'. She is widely tipped to win Artist of the Year at next year’s Vodafone Ghana Music Awards.

Artist: Stonebwoy
Album: Epistles of Mama (EOM)

BET winner Stonebwoy looks to reach new frontiers with Epistles of Mama, his recently-released 4th project. His ambition is evident in the collaborations he secured for the album: Sean Paul, Chronixx, Sarkodie, Pressure, I Octane, Efya, Vanessa Bling, Joey B, Kabaka Pyramid, etc.

Released in honour of his late mother Catherine Satekla, the double-album, but for two songs referencing his mum, is hardly related to motherhood. EOM is a strategy to establish himself as a proper international brand. The album is unsurprisingly great, dripping with infectious choruses and melody. It was highly-anticipated throughout the year, and was well worth the wait.

Buy Epistles of Mama here

Artist: Kwabena Kwabena
Album: Ahyese

Sonically, ace highlife musician and trusted love doctor Kwabena Kwabena still reigns in Ghana. Even if his own love story has been characterized with successive failures, his songs have served as nectar to many. Ahyese goes back to the very beginning, which is what the album translates to from Twi.

At a tidy 9 songs, the project brings his solo albums to five. The album was led with 3 well-received singles: 'Tuamudaa', 'Siwagedem', and 'Adansie' (ft. rapper M.anifest).

Artist: Blakk Rasta
Album: Kuchoko Revolution

Blakk Rasta's Kuchoko Revolution was considered for the 60th Grammy Awards. That's how important the firebrand reggae musician/ radio man's project is.

The 13-track album follows Rasta Shrine (2000), More Fyah (2002), Ganja Minister (2004), Natty Bongo (2006), Naked Wire (2008), Voice of the Afrikan Rebel (2009) and Born Dread (2011). It is crafted over indigenous instruments as the Kologo, xylophone, talking drums (dondo), jimbe, Africa Foot percussion, jinbe, cow horns etc, and rendered over 6 different languages: English, Dagbani, Hausa, Arabic, Ndebele and Jamaican Patois.

Kuchoko Revolution navigates religion, history, love, and his special brand of reggae, Kuchoko.

Buy Kuchoko Revolution here

Artist: MzVee
Album: DaaVee

The third album from two-time BET honouree MzVee (Vera Hamenoo-Kpeda), DaaVee makes the beloved chanteuse one of Ghana's most consistent modern performers. A class act across genres, the singer serves a a potpourri of Afropop, hiplife, R& B, and dancehall on the record.

DaaVee consists 12 songs, and features collaboration from Black Prophet, Article Wan, Kuami Eugene, Ko-jo Cue, and Lyrical. Aside being a decent commercial effort, it also proved a mighty springboard for Kuami Eugene, who has since his appearance on 'Rewind', grown into his own hit-dispatching man. MzVee, 25, has released two other albums, 2014's Re-Vee-Lation and 2015's Verified.

Get DaaVee here

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