NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Grammys 2019: Africans dominate World Music category

10 Dec 2018 - 09:20

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The Recording Academy announced on Friday the nominees for the 61th edition of the Grammy Awards ahead of the big night at Staples Centre in Los Angeles on 10 February.

The Soweto Gospel Choir is one of four African acts nominated in the Best World Music Album category.

Four African acts are nominated in the Best World Music Album category. The nominees include the Soweto Gospel Choir (South Africa), Seun Kuti & Egypt 80 (Nigeria), Fatoumata Diawara (Mali) and Bombino (Niger). Russian group Yiddish Glory is the only act outside Africa nominated in the same category.

Meanwhile, Kendrick Lamar leads with eight nominations. He is followed by Drake who was nominated seven times. Boi-1da and Brandi Carlile received six nominations each. Carlile becomes the most nominated woman at the 2019 awards.

Cardi B, Childish Gambino, H.E.R., Lady Gaga, Maren Morris, Sounwave and Mike Bozzi also earned six nominations each.

Below is a partial list of the 2019 Grammy nominees. See the full list on the Grammy Awards official website.

Best World Music Album

  • Soweto Gospel Choir – Freedom
  • Bombino – Deran
  • Fatoumata Diawara – Fenfo
  • Seun Kuti & Egypt 80 – Black Times
  • Yiddish Glory – The Lost Songs of World War II

Album of the year

  • H.E.R. – H.E.R.
  • Brandie Carlile – By the Way, I Forgive You
  • Drake – Scorpion
  • Various Artists – Black Panther: The Album
  • Kacey Musgraves – Golden Hour
  • Post Malone – Beerbongs & Bentleys
  • Cardi B – Invasion of Privacy
  • Janelle Monáe – Dirty Computer

Record of the Year

  • Cardi B – ‘I Like It’
  • Brandi Carlile – ‘The Joke’
  • Childish Gambino – ‘This Is America’
  • Lady Gaga & Bradley Cooper – ‘Shallow’
  • Drake – ‘God's Plan’
  • Kendrick Lamar & SZA – ‘All the Stars’
  • Post Malone & 21 Savage – ‘Rockstar’
  • Zedd & Maren Morris – ‘The Middle’

Song of the Year

  • Kendrick Lamar & SZA – ‘All the Stars’
  • Ella Mai – ‘Boo'd Up’
  • Drake – ‘God's Plan’
  • Shawn Mendes – ‘In My Blood’
  • Brandy Carlile – ‘The Joke’
  • Zedd & Maren Morris – ‘The Middle’
  • Lady Gaga & Bradley Cooper – ‘Shallow’
  • Childish Gambino – ‘This Is America’

Best R&B Album

  • Toni Braxton – Sex and Cigarettes
  • Leon Bridges – Good Thing
  • Lalah Hathaway – Honestly
  • H.E.R. – H.E.R.
  • PJ Morton – Gumbo

Best New Artist

  • Chloe x Halle
  • Luke Combs
  • Greta Van Fleet
  • H.E.R.
  • Dua Lipa
  • Margo Price
  • Bebe Rexha
  • Jorja Smith

Best Pop Solo Performance

  • Beck – ‘Colors’
  • Camila Cabello – ‘Havana (Live)’
  • Ariana Grande – ‘God Is a Woman’
  • Lady Gaga – ‘Joanne (Where Do You Think You’re Goin’?)’
  • Post Malone – ‘Better Now’

Best Pop Duo/Group Performance

  • Christina Aguilera and Demi Lovato – ‘Fall In Line’
  • Backstreet Boys – ‘Don’t Go Breaking My Heart’
  • Lady Gaga and Bradley Cooper – ‘Shallow’
  • Maroon 5 and Cardi B – ‘Girls Like You’
  • Justin Timberlake and Chris Stapleton – ‘Say Something’
  • Zedd, Maren Morris, and Grey – ‘The Middle’

Best Pop Vocal Album

  • Camila Cabello – Camila
  • Kelly Clarkson – Meaning of Life
  • Ariana Grande – Sweetener
  • Shawn Mendes – Shawn Mendes
  • Pink – Beautiful Trauma
  • Taylor Swift – Reputation

Best Traditional Pop Vocal Album

  • Tony Bennett & Diana Krall – Love Is Here to Stay
  • Willie Nelson – My Way
  • Gregory Porter – Nat "King" Cole & Me
  • Seal – Standards (Deluxe)
  • Barbra Streisand – The Music... The Mem'ries... The Magic!

Best Rap Performance

  • Cardi B – ‘Be Careful’
  • Drake – ‘Nice for What’
  • Kendrick Lamar, Jay Rock, Future, & James Blake – ‘King’s Dead’
  • Anderson .Paak – ‘Bubblin’
  • Travis Scott, Drake, Big Hawk, & Swae Lee – ‘Sicko Mode’

Best Rap/Sung Collaboration

  • Christina Aguilera ft. Goldlink – ‘Like I Do’
  • 6LACK ft. J. Cole – ‘Pretty Little Fears’
  • Childish Gambino – ‘This Is America’
  • Kendrick Lamar & SZA – ‘All the Stars’
  • Post Malone ft. 21 Savage – ‘Rockstar’

Best Rap Song

  • Drake – ‘God’s Plan’
  • Kendrick Lamar, Jay Rock, Future, & James Blake – ‘King’s Dead’
  • Eminem – ‘Lucky You’
  • Travis Scott, Drake, Big Hawk, & Swae Lee – ‘Sicko Mode’
  • Jay Rock ft. Kendrick Lamar – ‘Win’

Best Rap Album

  • Cardi B – Invasion of Privacy
  • Mac Miller – Swimming
  • Nipsey Hussle – Victory Lap
  • Pusha-T – Daytona
  • Travis Scott – Astroworld

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