NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Here are the artists you can see live at ACCES 2022

22 Jul 2022 - 08:34

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ACCES is finally going to Tanzania this year after it was cancelled in 2020 due to the COVID-19 pandemic and moved to South Africa in 2021. Since its inception five years ago, the Music In Africa Foundation-organised music conference, which gathers leading industry pros in different African cities with every edition, continues to emphasise its pan-African vision and appeal.

SinaUbi Zawose, Joyce Babatunde, Tankiso Mamabolo and Oumar Konaté.

The forthcoming edition will place special emphasis on showcasing Tanzanian music to music buyers, international label execs and festival organisers, among other stakeholders. Over the years, a key highlight at ACCES has been its eclectic showcase programme, which features exciting artists from across the continent with enthralling live performances.

This year’s ACCES will see Tanzanian acts like TaraJazz Zanzibar, Tofa Jaxx, SinaUbi Zawose & Watupa Mawe and Vitali Maembe in action. The line-up also includes Flying Bantu (Zimbabwe), Joyce Babatunde (Cameroon), Naïnako (Madagascar), Oumar Konaté (Mali), Tankiso Mamabolo (South Africa) and Kalam (Burkina Faso). More acts will be announced in September.

Ahead of the conference, which takes place at the National Museum & House of Culture in Dar es Salaam, Tanzania, on 24, 25 and 26 November, Music In Africa brings you a playlist featuring our diverse selection of showcasing artists.

TaraJazz Zanzibar (Tanzania)

The innovative seven-piece band draws from an array of Tanzanian musical traditions, fusing them with taarab and its Arabic, African and Eastern influences. The result? Immersive soundscapes that preach cultural harmony.

Oumar Konaté (Mali)

Oumar Konaté’s music is both vibrant and majestic. The singer-songwriter, guitarist and vocal powerhouse instantly captivates the listener. Having played with multiple bands and toured extensively, Konaté, whose music also preserves golden traditional Malian sounds, has mastered the art of blowing festival audiences away with his original take on the desert blues. At ACCES 2022, Konaté is expected to perform music from his extensive catalogue, which dates back to his self-recorded 2008 debut offering Lahidou (The Oath).

Flying Bantu (Zimbabwe)

The five-man band is famous for its unique approach and marriage of Afro-rock, reggae, funk and jazz – accentuated by a traditional Zimbabwean musical signature. The band’s dashing sound and rich takes have made them de facto ambassadors of Zimbabwean music. At ACCES 2022, the group will bring its global message of truth, peace, unity and harmony to a diverse audience.

Tofa Jaxx (Tanzania)

Emerging singer-songwriter Tofa Jaxx boasts a mature and soothing vocal style that caters to various themes. His music is delivered in English and Swahili, and his work crisscrosses everything from rich jazz to nostalgic electro pop, R&B and blues.

Kalam (Burkina Faso)

Kalam, whose story is a breathing resistance to oppressive traditions, summons ancestral spirits, channelling them through her captivating vocals and her manipulation of the kundé, a traditional stringed instrument that women were traditionally banned from playing. Daring and defiant, Kalam has grown to become the queen of the instrument. She released her debut album Education in 2018, but music has lived with the artist since childhood.

Naïnako (Madagascar)

Founded in 2006, the charismatic Naïnako is an acoustic band that explores secular themes as much as it does religious subjects. The group’s incredible a cappella harmonies and traditional southern Madagascar influences make for a unique listening experience.

SinaUbi Zawose & Watupa Mawe (Tanzania)

SinaUbi Zawose hails from the famed Zawose family identified by the traditional Gogo sound. Considered a virtuoso of the zeze, a traditional stringed instrument, the artist, who is behind 2008’s Wichemaje album, is credited with modernising the Gogo tradition. At ACCES 2022, he will be joined by Watupa Mawe, who will co-steer this musical time capsule.

Joyce Babatunde (Cameroon)

Joyce Babatunde’s craft begins with Afro-soul and spoken word, but expands into other channels like neo-soul, rap and jazz with underpinnings of African chants and rhythmic motifs. These unique characteristics reveal themselves upon first listen, and then, with more plays, unfold to expand into boundless narratives. It is part of the reason that her debut LP is being widely and feverishly anticipated by her fans.

Tankiso Mamabolo (South Africa)

Tankiso Mamabolo’s exquisite voice and music can be heard in the Sotho, Xhosa and in English languages. Bold, vivid and majestic, the singer and poet, who has been performing her own compositions since 2018, tackles questions of identity, love, loss and memory with charming storytelling. Her debut album Freedom Hurts Sometimes was released in 2020.

Vitali Maembe (Tanzania)

Vitali Maembe is a conscious and fearless singer-songwriter, guitarist and activist who seeks to awaken society with his work. His sound, while it honours his Tanzanian roots, also has a uniquely global appeal that has seen him playing events all over the world. Thematically, Vitali Maembe tackles everything from mental health to criticising corrupt political regimes, which got him arrested last year.

ACCES is a pan-African trade show for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe. ACCES is organised by the Music In Africa Foundation, a non-profit pan-African organisation, in partnership with Siemens Stiftung, Goethe-Institut, the Tanzanian Ministry of Culture, Arts and Sports and Alliance Française.

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