NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Tech

How African artists can make money on YouTube

02 Jun 2017 - 10:17

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Over the past couple of years, YouTube has undeniably become a growing force in Africa. Indeed, YouTube reported in a company blog post that “the number of hours of video content in Africa being uploaded has doubled year over year for the past two years” and that “the audience has grown with it with watch time on mobile phones growing 120% year over year”.

TuneCore is running a promotion where artists get a 30% discount on their first release.

In an effort to better adjust to that growing demand, YouTube has been hard at work for the past year on an offline feature for viewers in Nigeria, Kenya, Ghana and South Africa. This feature should help Internet users get around the issue of costly and slow mobile data connections.

A growing viewership means a growing opportunity for you, as an independent musician, to gain more fans and make more money on YouTube. But how?

Turn views into money

Whether you are posting videos on your channel yourself or your fans are uploading your music as the soundtrack to their videos, there are a number of ways you can collect earnings from those videos. In this article, we’ll tackle some of the basics of how you can get that revenue too.

Where does the money come from?

Advertisers pay money to YouTube in order to show their ads next to videos. The person who owns the content in a video that displays an ad is entitled to a share of that money, and that person can be you. Whether you created a video yourself or your music is on another person’s video, you might be owed some ad revenue if the video featured an ad paid for by an advertiser.

Ads can be seen from a variety of countries, which YouTube refers to as 'monetised markets'. In Africa, these monetised markets include Algeria, Egypt, Ghana, Kenya, Libya, Morocco, Nigeria, Senegal, South Africa, Tanzania, Uganda and Zimbabwe. For you, this means that when your fans are located in these countries and they are watching your videos on YouTube, the views they generate can be turned into earnings.

How do I collect my money?

There are a couple of ways to collect the money that your music generates on YouTube.

If you have your own YouTube channel, you can link your channel to a Google AdSense account, which collects money earned from YouTube ads on your channel and deposits it into your bank account.

The first challenge of this method is that it requires an active bank account or the use of a credit card. In addition, you might need to already have a minimum number of views on your channel to be accepted into the programme. This method also misses out on the earnings you might make if other people are using your music on their channel.

An easier and faster way to collect your money from across all YouTube channels would be to sign up with a music distributor like TuneCore, which enables you to make money from your music wherever it appears on YouTube. TuneCore will then do the work of sending your tracks to YouTube and collect the money generated by advertisements on videos that feature your music. The money they collect for you will then be sent directly to your TuneCore account. TuneCore takes a 20% commission.

If you think YouTube might be a good platform for your music, it’s important to set up a way to collect the money you’re owed ahead of time, because these services can’t collect money from past video views, and you never know when your music might go viral. A great example of instant YouTube success is US rapper Silento and his viral hit ‘Watch Me’. Within days of its release, hundreds of thousands of fans were uploading their own renditions of the song on Vine and YouTube. Silento and his producer, Bolo Da Producer, worked with TuneCore to collect all their eligible revenue from multiple channels from view one.

TuneCore is currently running a 30% discount that applies to an artist’s first release. Part of the promotion also gives artists free access to TuneCore’s YouTube Sound Collection Service (normally $10) after they distribute. The promotion runs until 30 August 2017.

Follow this link to sign up and make use of the discount .

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Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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