NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

J Slught

Interview: J Slught Liberia’s Hip-Hop revelation

11 Mar 2020 - 13:02

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J Slught, the Liberian hip-hop sensation has been winning big and gaining recognition for his musical talent. Recently, he won the Best RnB/Soul Artist of the Year and Best Collaboration awards at the last edition of TunesLiberia Music Awards, thereby confirming his status as one of Liberia's top artists. He was also nominated in the 2019 MTN Liberia Music Award for Best New Artist and Producer of the Year.  

J Slught sees his fans as family

The recording artist, performer and entertainer, best known for his chart-topping single 'Don’t Jeck', originally with the group Dreams Come True (DCT) boys. He started his professional career in 2016 with his single 'True Love.'

Real name, Joseph Wessah Tah III, J Slught gained recognition with his 2018 song 'Sweet Love' released on BeeVonne Recordz label, the single brought him to the spotlight in the Liberian music industry. He has collaborated with Liberian stars that include Cjay, TFloyd, Nuchie Meek, Pascal and others, also featured in a joint performance organised by UK singer Joss Stone. His upcoming project The Home And Beyond EP is billed to be released towards the end of April.

The Liberian star from Bassa County discussed winning the awards, his music his plans in an exclusive interview with Music In Africa;

What does winning the award of the best RnB soul vocalist at the Tunesliberia awards mean to you?

J Slught: It means the world to me, in the sense that it showed me or made me understand and realize that the journey of success has just begun.

How would you rate the Liberian Afrobeats scene

The journey to success, the Liberian Afrobeats scene for me is rated 100% because I believe we have the best sounds, the talent, our sounds have all of the African culture or the original African culture within them. It’s just a matter of time to be exposed to the world.

You won two awards, were you expecting to win?

Yea I was expecting to win the two, my Team and I Beevonne Recordz put in a lot of work, we knew we would bring home the two awards. The two awards are awards that I had in mind to win this year. So I have always believed I was a winner and my dreams came to reality.

What should fans be expecting from you next?

The best ever EP on the planet, The Home And Beyond Ep to be released on 24 April worldwide, It’s my first ever EP

Who are the artists that inspire you?

The late Quincy B (from here, Liberia), Patoranking, Davido, Fireboy DML.

How did you start music?

I started music from Grade school, at a very young age singing with my school's male chorus choir, till my friends and I formed our own group. After a while, I was introduced to a producer called Jackie Russ. I did my first song with him titled 'Can’t believe' ft my team at that time the DCT(Dreams Come True). From the day we released that song on Campus, my career started

What do you think can make Liberian music stand out in the crowded Afrobeats scene?

Our originality, style and culture blended with our sound to bring out the Liberian in the music. For the style, it has to do with the swag, the language or slangs.

Who are the artists you have worked with?

I have worked with Cjay, TFloyd, Nuchie Meek, Pascal (all Liberian artists) and a pending collaboration with Jizzle (Gambia).

How can you explain your style of music?

My style of music is unique, it speaks to individuals in different ways, It is a mix sound wherein I blend afrobeats, RnB, soul, Gbema, highlife, solo, rap all in one to bring out the best and to show the diversity

Who are the artists you are looking forward to working with?

Davido and patoranking

What is a day like for J Slught?

Wake in the morning say my prayers, freshen up, look for something to eat, go to the studio, by afternoon take a break for lunch and back to the studio, the rest of the day is Studio and internet.

How many singles do you have out there?

Apart from features with other artists, I have 11 singles out; 'Don’t Jeck', 'Sweet Love', 'Keeper', '4oi dei boi', 'Amazing', 'No Money', 'Forgive me', 'Tempting', 'Sarafina' and 'I Do.'

Any message to your fans?

To all of my family out there, because I don’t refer to you guys as fans, thanks for your support, I appreciate you a lot, keep following me, keep following Liberian music(African Music) and watch out for the HomeAndBeyond EP out in April. I love you all.

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