NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Jonathan Butler opens up about new album Ubuntu

28 Apr 2023 - 07:53

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Musician extraordinaire Jonathan Butler boasts a music career that spans more than four decades, including 28 album releases and countless collaborations with some of music’s biggest names.

Jonathan Butler.

Ahead of the release of his upcoming album Ubuntu on 28 April, I sat down with the jazz singer and guitarist over a video call to talk about the offering – a body of work that he says was inspired by his South African roots and the connectedness of humanity.

The conversation starts almost immediately as he tells me how the record came to be. “The album happened when I was on one of my annual trips to South Africa to celebrate my birthday,” the US-based musician says. “This was pre-COVID. I was lucky to have gone on safari with Marcus Miller and that’s when I spoke to him about wanting to put out new work and that I needed him to produce it.”

Miller, the famous bassist and Miles Davis collaborator, graciously agreed and the two spent the rest of trip recording the album between Cape Town and Johannesburg with a host of local musicians. Butler admits that before the production of Ubuntu, he was unsure of what he wanted to say or if he had it in him to do another record at all.

“Prior to making the record, I was in a very negative space musically. I didn’t know what I was going to do. In hindsight, I was in South Africa searching for me, searching for Jonathan Butler.”

There’s a vulnerability and honesty about how Butler communicates personal aspects of his life, even as someone who has amassed success during a long career in a capricious industry that is quick to move on to the next hot thing.

When I ask him about the themes on the new offering, Butler starts with ‘When Love Comes In’, which he says talks about the COVID-19 pandemic and the loss of life. ‘Our Voices Matter’ speaks about the George Floyd police killing, which gave birth to BLM movement. But it is mainly when he elaborates on the song ‘Coming Home’ that you get a sense of where Butler’s heart is as an artist. “I’m always just a boy who is coming home,” he says.

Ubuntu also features a remake of Stevie Wonders classic ‘Superwoman’, on which the legendary American musician plays harmonica. If you listen carefully to the female vocals on the track, you’ll hear the voice of South African gospel powerhouse Ntokozo Mbambo, whose inclusion on the album happened by chance.

“We were in a Johannesburg studio and she was recording at another studio on the same premises,” Butler says. “She came over to where we were and Marcus Miller asked her to jump in the booth to record a chant-like phrase on the song.” An initially reluctant Mbambo eventually relented and her contribution is something that Butlers says brought a “signature African magic” to ‘Superwoman’.

What has always intrigued me about Butler is his ability to effortlessly straddle between genres like jazz, pop, gospel and R&B without being boxed in. When I ask him if this is intentional, he says, “I look at my whole creative life as a well and so whatever music I’m making comes from the same well.”

Butler also speaks about putting himself first in the creative process. “As an artist, you must enjoy the music you’re making before you offer it to an audience. Just like if I’m cooking a dish, I have to love the dish before I serve it to you. You cannot be an artist and only think about what the market needs.”

He cautions that Ubuntu is not an album that was made with commercial appeal in mind (although it does tick that box, regardless of the intention). He says it was the album’s recording process that rekindled his love for music making. “I was like a kid again, I was enjoying playing guitar again,” he says with discernible joy in his voice, making one believe that this album is truly a labour of love.

As we wrap up the interview, I take the opportunity to ask what Butler is listening to at the moment, and he gives me a long list of local and international favourites, showing me that even great artists are always music fans first.

“I love Roberta Flack, Luther Vandross, Herbie Hancock, Moonchild and Afrotraction. I am always downloading music.” When I ask Butler what keeps him going, it is this response that resonates with me the most: “The world needs messengers, prophets and teachers, and music has the power to carry many messages. What keeps me going is the fact that every day I hear a word and I want to share that word with people. It is my responsibility.”

It dawns on me how fortunate we are that Butler continues to listen to those messages and brings them to pass through song.

Listen to and buy Ubuntu here.

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