NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Lesley Aldro — Godnificent

25 Nov 2016 - 07:31

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Artist: Lesley Aldro

Album Title: Godnificent

Label, Year: TMG Rekodz and Aldrofusion Music, 2016.

Lesley Aldro

Some days ago, I received word that Zimbabwe has found some amazing new voices on the gospel music scene and I thought to myself: this is just a way to try and divert my attention from the real issues we are facing as a country. I ignored the call to listen to the new music. But that only lasted till I encountered very personal problems and knew that I needed to converse with the Lord. I decided that I would not kneel to pray but find music to speak for me. I did not have any artist in mind but the choice had to be a gospel musician. Through God’s ways, I landed on Lesly Aldro’s album, which I had ignored. Lesly Aldro is an up and coming gospel artist from Harare, who has just released his debut album titled Godnificent. He is currently finishing his engineering degree at Chinhoyi University of Technology.

I had made a terrible blunder in ignoring this brilliant effort. ‘Zvinoda kutendwa’ (We need to be grateful), the first track on the album, immediately struck a chord. ‘Zvinoda kutendwa’ reminded me that some years ago, this boy from Mkoba in Gweru wore a worn-out and oversized safety shoe to school. I won’t say what I do right now but I am nowhere near where I was and I am really grateful to the Lord. Every other person who is not an ingrate will love this song, primarily for its message. Added to that, the song is laced with a feel-good Afro-pop sound. Before, I knew it I was already nodding and singing along to the hook.

‘I am winner’ follows and buttresses the message of the first track. It has a slow paced RnB feel. This genre is not Lesley’s forte. He struggled to sit in well. But what he fails to achieve with the voice, he covers up with the message. As the title of the song, ‘I am a winner’, suggests, he eventually wins. The message here is simple: we are in this life not to race but to live God’s purpose and if we live in his ways we are already winners for we will fulfill all that we are meant to do. While we are at it, we surprise ourselves with what we can actually do through God’s grace.

Wangu Mwari (My God), is another Afro-beat song which will proverbially split the sanctuary curtains. It is a dance-along praise song that speaks to the miracles that God does. Well, a song about miracles could never come at any better time than now when social media is abuzz with the DOOM PROPHET. Perhaps, after dancing wildly to this song the take home message is: it’s God who does miracles, not many. Langcy and GGB feature to add colour to an already beautiful song with some beautiful singing and rap respectively.

In future when you hear of a strange word ‘Godnificent’ know the originator is not any famed lexicographer, it’s Aldro. It is derived from Psalms 145:3-5 which reads, “Great is the Lord, and greatly to be praised; and his greatness is unsearchable. One generation shall praise thy works to another, and shall declare thy mighty acts. I will speak of the glorious honor of thy majesty, and of thy wondrous works”. This song is a summation of the issues in the other songs. It’s a Psalm about a Magnificent God, how wonderful and awesome and mighty our God is, thus he’s Godnificent. The title track is currently at number 5 on ZBC Power FM Breakfast Inspiration Chart, while ‘Zvinoda Kutendwa’ is on Star FM Gospel Greats Future Sounds.

Other equally brilliant songs on the album include ‘Zvaita Mwari feat Flame B’, ‘Yahweh feat Decent Paul’, ‘Ndiye Ega’ and ‘Wangu Mwari remix feat. Mr Noxa’. Aldro features a number of artists on this album and my fear was that I might fail to appreciate him for who he is, but that should be the least of any listeners’ worry. The featured artists rather strengthen the purpose of this lively album. I should add that ‘Siyakudumisa’ (We praise you) which features Tyfah is my favourite of all the tracks. The two effortlessly and beautifully sing about what I always want to say to the Lord every day, albeit failing. Now I know what to do. This is a song to start my day and end my day. Why not? A song is a prayer doubled.

The album can be purchased online on CD Baby.

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