NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

Live music in Gabon

26 Apr 2017 - 14:30

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By Brian Booth

Live music is still popular in Gabon and has been since the 1960s. Lip-syncing became popular in the 1990s with the arrival of hip hop. Very few local artists perform live with the exception of major artists like Pierre AkendenguéAnnie-Flore Batchiellilys, Didier Deckokaye, Patience Dabany and Arielle T.

The Baponga rap singers and Kapital K.  Photo: Urban FM

Live music venues

There are very few live venues in Gabon. Bistros, or ‘troquet’, snack bars and nightclubs are usually where hip hop music is played.

The Cabaret des Artistes and Évasion 2000, located in the Ozangué and Pk8 neighbourhoods in Libreville, offer live music. There are also a few bars in the cities of Franceville, Moanda, Port-Gentil where live music is played on weekends.

The major drawback is undoubtedly the fact that young people are not drawn to live music. Gabon, especially the city of Libreville, has only one live music venue proper at the French Institute of Gabon (IFG). Other concerts are held in remote areas.

In Libreville, concerts are held at the 800-seater Komo Cinema Hall and at the IFG, which can seat 400 people indoors and 3 000 people at its outdoor space.

The Angondjéou stadium can accommodate 40 000 people while the Nzeng-Ayong stadium as well as the grounds of N'Tchoréré College can accommodate about 4 000 people. This latter is where French rapper Booba performed his last concert in Gabon. Makiavel, Singuila and Petit Pays also performed there.

Until a few years ago, major concerts were held at the Gabon Expo, which is known for hosting cultural activities. Private gigs were held in the conference room at the Cité de la Démocratie in Libreville. Promoters struggle to find affordable and safe venues.

In addition to the Casino Croisette, bistros, major hotels in Libreville and public concert venues, live music is played in all churches in Gabon. Several local artists such as Mami MAF, Bussine and Nova Carlotha began their careers in choirs.

Festivals

Several festivals take place in Gabon. Festival Gabao, organised by the promoter Jules Kandem Tanguiawa, and Grand Nord en Concert, organised by the journalist and promoter Harlet Boris Ekoghat, are the most notable. They attract thousands of people.

Every year, Festival Gabao hosts several local and international artists over three days. This event has given a boost to the careers of several Gabonese artists including Franck Ba'Ponga, B Good le Rasta, hip hop band 241 and many others.

Founded 13 years ago by Afrik’Aktion, Festival Gabao has hosted international artists such as Tiken Jah Fakoli (Ivory Coast), Zaho (France), Bana C4 (DRC) and Toofan (Togo).

The Grand Nord en Concert, hosted on the grounds of N'Tchoréré College, is a festival that brings together more than 5 000 people from the Fang ethnic group every year. In Gabon, the Fang ethnic group, from the north, is a majority. Over time, the festival has opened up to other ethnic groups.

The last four festivals held (until 2016) have included several traditional modern artists from various ethnic groups (Punu, Nzebi and Miéné) to promote their cultures. International artists such as Coco Argentée and Lady Ponce, two icons from Cameroon, have participated more than once.

In addition to Gabao Festival and Grand Nord, several structures such as AFJ Productions, Yoka, Mayena Productions, Urban FM and Sykon Industrie organise ad hoc festivals with the participation of several renowned international artists.

Sponsors and art patrons

Several event promoters have suspended their activities due to a lack of sponsors, art patrons or support from local authorities. Finding a sponsor is a exceptionally difficult task.

Nevertheless, mobile phone companies (Airtel Gabon, Moov Gabon, Libertis and Azur Gabon) are major sponsors of cultural events. Brewing companies such as Sobraga (Société des brasseries du Gabon) also contribute.

Art patrons in Gabon are generally politicians from the ruling party. Businessmen and people acting in good faith are rare. The only businessman currently supporting cultural events is Seydou Kane.

Nevertheless, Gabon is a country where the music sector has potential and a bright future.


References:

French Institute of Gabon: http://www.institutfrancais-gabon.com/

Gabao Festival: https://www.facebook.com/festivalGabao11eme/

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