NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

MASA brings African stars to Abidjan

01 Mar 2016 - 13:54

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The ninth edition of the Market for African Performing Arts (MASA) kicks off in Abidjan, Ivory Coast on Saturday 5 March and continues until the following Saturday 12 March.

Manu Dibango will perform at MASA in Abidjan. Photo: www.masa.ci

Themed ‘re-invigorating the performing arts’, MASA's 2016 edition will see over 400 artist representing 68 countries across Africa and the Diaspora in music, theatre, comedy, dance and storytelling performing at the event.

The musicians selected to perform at MASA this year include talent from every corner of the continent, including: Marema (Senegal), Djmawi Africa (Algeria), Bantu (Nigeria), Eddy Kenzo (Uganda), special guest Ray Lema (DRC), Gaël Manangou (Congo-Brazzaville), Msafiri Zawose (Tanzania), Kunde Blues (Burkina Faso), Jenifer Solidade (Cape Verde), Kyekyeku (Ghana), African Groove (Guinea), Balla Moussa (Guinea), Naba TT (Mali), Amanar (Mali), Laetitia Zonzonbe (Central African Republic), Nteko (Congo-Brazzaville), Nelida Karr (Equatorial Guinea), Mawndoe (Chad), MadoJazz (South Africa), Mingas (Mozambique), African United (Morocco) and Zeynab (Bénin).

Manu Dibango (Cameroon), Bassékou Kouyaté (Mali) and Josey (Ivory Coast) performed at a special preview concert in Abidjan in late January and are also set to perform at the main event.

Cameroon will be particularly well represented at MASA this year. Besides Dibango, Macase, Krotal, and Danielle Eog Makedah (who a few days earlier will perform in Yaoundé at an event co-hosted by Music In Africa, ahead of their upcoming trip to Germany in April) are also expected at MASA, along with Sultan Hoshiminh, Sanzy Viany, Collectif HHD and Charlotte Dipanda.

Artists from the Diapora include G’ny (Guadeloupe), Thaïs Diarra (Switerland), Senaya (Canada), Ballou Canta (France), Awa Sangho (USA) and Capitaine Alexandre (France), as well as Saulo Fernandes and Ilê Aiyê from Salvador de Bahia in Brazil, the ‘guest city’ of this edition of MASA.

Local Ivorian acts on show will be Les Garagistes, Côrô Ouatt, Spyrow, Ba Banga Nyeck and Room Services.

Most of the showcases will be held at the Palace of Culture (Palais de la Culture) in the Niangoran Porquet Room from 7 to 9 March between 3pm to 6pm.

Beyond the music and other performances, MASA will also offer thought-provoking panel discussions. For example, ACPCultures+ will host a talk on regional cooperation and development for the performing arts on Monday 7 March from 10.30am to midday at the Palace of Culture. The discussion will explore the various tools, potential partners and communication strategies to develop a better regional cooperation.

“MASA is an unique platform to present the results, impact and best practices of the ACPCultures+ Programme,” said Léonard-Emile Ognimba, Assistant Secretary-General of ACPCultures+. “We are particularly happy of this cooperation that allows our organisation to develop closer links with the culture professionals.”

First conceptualized in the 1990s, MASA is the cultural platform for promoting African Performing Arts, supporting creativity and productions of excellence and facilitating the movement of artists and their works within Africa and throughout the world, while at the same time providing capacity building for artists and key professionals in the field of production.

This year’s MASA follows an impressive marketing campaign that saw the organisers host press conferences and promotional events as far afield as Brussels, Belgium in early December 2015 and in New York, USA in mid-January 2016.

MASA 2016 kicks off on 5 March with an opening ceremony at the Palace of Culture from 10am, following be an opening concert from 5pm featuring Ilê Aiyê, Adama Dramé, Doussou Bakayoko, Mylmo, Youglou Makers and Kedjevara.

For more information, visit the MASA website.

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