NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Metro FM Awards fire up musicians, politicians

27 Feb 2017 - 15:58

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The 16th edition of the Metro FM Music Awards saw local rapper Nasty C bag four awards while Amanda Black walked away with two gongs. Held at the Inkosi Albert Luthuli International Convention Centre (ICC) in Durban on Saturday, the event also sparked controversy with some artists and politicians questioning the authenticity of the winners.

Nasty C and Amanda Black.

The awards were dominated by artists signed to Mabala Noise, a record label owned by ANC Youth League national treasurer Reggie Nkabinde and DJ Bongz. Metro FM, in turn, is owned by state broadcaster the South African Broadcasting Corporation (SABC) and there is speculation that political ties are behind Mabala Noise’s success at the awards. Nkabinde is also on record throwing his weight behind former SABC chief operating officer Hlaudi Motsoeneng’s 90% local music quota.

SA media is reporting rumours that the record label also paid 10 million rand ($770 000) to Metro FM so its artists could dominate the awards. Besides Nasty C, other artists signed to Mabala who won awards on Saturday include Riky Rick (Best Hit Single), L’vovo (Best Kwaito Single), Kelly Khumalo (Best Female Album), Du Boiz (Best Music Video) and Musa Sukwene (Best African Pop Album).

Nasty C won in the Best Hit Single, Best Male, Best Hip Hop and Song of the Year categories. Afro-soul songstress Amanda Black, who led the list of nominees with five nominations, won the Listener’s Choice Award and Best R&B Single. Babes Wodumo, who together with Nasty C was in second place with four nominations each, left the ceremony without a statuette.

Riky Rick sparked the controversy when he used his acceptance speech as a platform to criticise the awards, saying viewers were aware that the awards were rigged.

“I thought I would be more excited to get this. If you know my raps, you know what I’m talking about,” he said on stage. “Shout out to all the kids that never get on radio, that can’t get their song played on radio because they don’t have enough money. Shout out to all the kids who put out music videos that never get their music videos played on TV because they don’t have the money.”

And as if to directly contradict Nkabinde’s praise for Motsoeneng’s local music quota, Rick said, “Ninety percent of the sh*t I hear on radio is garbage.” He then implored young musicians to bypass radio stations and make their songs popular on the internet.

After the awards ceremony, the rapper went to Twitter. “If n*gg*z can pay for these f*ck*ng awards, then my n*gg*, I don’t want them,” his first tweet read. This was followed with another: “Stop playing with the people, we are not stupid.”

Other well-known artists added their voices with Black Coffee writing on Twitter, “I guess we've been quiet for too long, respects to @rikyrickworld for speaking the truth. This is definitely not helping the culture. Most artists before us died poor, we are trying to fix our industry. Help us instead.”

Khuli Chana also showed support for Rick’s sentiments. “Thank you 2 the fans 4 SH*TT*N on the industry 4 what happened at the MMA's, I’ll keep raising the BAR until u Put Flowers on me,” he wrote on Twitter. The rapper was nominated in the Best Music Video category for his single ‘One Source’ but lost to Mabala Noise artist Du Boiz.

Controversial politician and Economic Freedom Fighters (EFF) leader Julius Malema added his voice on Twitter saying that the Metros were not the right platform to honour legendary musicians.

“We love Caiphus Semenya & Letta Mbulu, we need a proper event to honor them. Not this Mom Rubby's shebben called #MMA16 [sic] corrupted by Mabala noise,” he wrote.

EFF spokesperson Mbuyiseni Ndlozi also condemned the Metros. “So in short Riky Rick is saying he got the award because Mabala Noise's money gave to him,” he wrote on Twitter.

In what appears to be a response to the EFF, South African Minister of Sport Fikile Mbalula wrote on Twitter, “I hate it when people play politics over music industry awards. We ANC we don't own record labels our members own record labels.”

In another tweet he said, “I fully agree with Ricky Rick, he is a conscious rapper that's what activists do choose a platform and make a statement.”

Meanwhile, Joyous Celebration withdrew its nomination ahead the awards last week, saying the gospel group was accidentally nominated and it apparently wanted to give upcoming artists a platform to showcase their talent.

Here is the full list of winners and nominees at the Metro FM Awards:

Best New Artist

  • Nasty C: Bad Hair Extensions
  • Babes Wodumo – ‘Gqom Queen’
  • Amanda Black – ‘Amazulu’
  • Sjava – ‘Isina Muva’
  • Soul Kulture – ‘Ngeliny’langa'

Best Compilation Album

  • DJ Qness: Essential Selections
  • DJ Tokzen – ‘Nnthi's Essential Selections 7’
  • DJ Fresh – ‘Fresh House Flava Vol 9’

Best Collaboration

  • Ms Pru ‘Ameni’
  • Bucie – ‘Rejoice’
  • DJ Speesta – ‘Mayo’
  • Kwesta – ‘Mayibabo’

Best Urban Dance Album

  • Henry Philemon Man of Definition
  • Babes Wodumo – Gqom Queen Vol 1
  • Dr Malinga – Goodwill
  • Mobi Dixon – Live The Music
  • Mpumi – The Birth Of Mpumi
  • DJ Merlon – Original Copy

Best Urban Gospel Album

  • Dr Tumi Love & Grace
  • Lebo Sekgobela – Restored
  • Joyous CelebrationJoyous Celebration 20
  • We Will Worship – Mmuso
  • Khaya Mthethwa – The Dawn

Best Produced Album

  • Sjava Isina Muva
  • Musa – Mr Serious
  • Amanda Black – Amazulu
  • Vusi Nova – Naninina
  • Soul Kulture – Ngeliny'langa

Best Music Video

  • Du Boiz ‘Dope Dreams’
  • Benchmarq – ‘All On Me’
  • Khuli Chana – ‘One Source’
  • Mafikizolo – ‘Kucheza’
  • Anatii – ‘Jump’

Best R&B Single

  • Amanda Black ‘Separate’
  • Floda – ‘Decapitate Me’
  • Charlie Mindgames – ‘As Long As You’
  • Zonke – ‘Funky Lovin’
  • Joocy – ‘Thathinhliziyo’

Best African Pop Album

  • Musa Kweme Mr Serious
  • Amanda Black – Amazulu
  • Vusi Nova – Naninina
  • Soul Kulture – Ngeliny'langa
  • Sjava – Isina Muva

Best Dance Album

  • Mobi Dixon Live The Music
  • Babes Wodumo – Gqom Queen Vol 1
  • Dr Malinga – Goodwill
  • Mobi Dixon – Live The Music
  • Mphumi – The Birth of Mpumi
  • DJ Merlon – Original Copy

Best Styled Artist or Group

  • Mafikizolo

Best Female Album

  • Kelly Khumalo My Truth
  • Amanda Black – Amazlu
  • Babes Wodumo – Gqom Queen Vol 1
  • Lebo Sekgobela – Restored
  • Brenda Mntambo – So Much Love

Best Male Album

  • Nasty C Bad Hair Extensions
  • Kwesta – Dakar
  • Sjava – Isina Muva
  • Mobi Dixon – Live The Music
  • A Reece – Paradise

Best Kwaito Single

  • L'Vovo ‘Amatin Tin’
  • Mshoza – ‘Abantu Bam’
  • Vetkoek & Mahoota – ‘Sohamba Ngo 7’
  • Sosha – ‘Good Times’

Best Hip Hop Album

  • Nasty C Bad Hair Extensions
  • Kwesta – Dakar
  • A Reece – Paradise
  • Anatii – Artifact
  • DJ Slique – Inayam Vol 1

Best Duo/Group Album

  • Durban's Finest: Reloaded
  • Jaziel Brothers – Out Of The Box
  • The Soil – Echoes of Kofifi
  • Soul Kulture – Ngeliny’langa
  • Encore – Encore

Best Remix

  • Prince Kaybee ‘Don't Give Up’
  • DJ Ganyani – ‘Talk To Me’
  • Thee Legacy – Wena Wedwa’ (Remix)
  • Bob’ezy – ‘Close To You’
  • Thee Legacy – ‘S’thandwa Sami Remix’

Best Hit Single

  • Riky Rick ‘Sidlukotini’
  • City Lyts – 'Vura'
  • AKA – 'One Time'
  • Ms Pru – 'Ameni'
  • DJ Speedsta – 'Mayo'

One Africa Award

  • Vee Mampeezy ‘I Do’
  • Tekno – ‘Pana’ (Nigeria)
  • Tiwa Savage – ‘If I Start To Talk’ (Nigeria)
  • Kommanda Obbs – ‘Ke Tauwa’ (Lesotho)
  • Patoranking – ‘Kissing’ (Nigeria)

Listeners Choice Award

  • Amanda Black

Song of the Year

  • Nasty C Hell Naw
  • Babes Wodumo – ‘Wololo’
  • Kwesta – 'Ngudu'
  • Amanda Black – 'Amazulu'
  • Dr Malinga – 'Akulaleki'
  • Durban’s Finest ft Professor – 'Unsindo'
  • King Monada – 'Ska Bhora Moreki'
  • Lebo Sekhobela – 'Lion of Juda'
  • Black Motion – 'Imali'

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