NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

Music and media in Mauritius

24 Jan 2017 - 18:26

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Music doesn’t always make headlines in Mauritius, but it occupies a predominant place in Mauritian media. Newspapers, radios and TV channels cover topics dedicated to artists and guarantee their visibility.

The Mauritian artist, Maista, in Radio One studios. Photo: Maurice-info.mu

Mauritian media covers music and music news. More emphasis is now placed on local music and events, but until the mid-1990s, media covered mainly international music. Mauritian music is now well covered by magazines, newspapers, on the radio waves and TV as well as on online media.

Although local music does not systematically make the headlines, whole pages and broadcast time is allocated to local music.

Until the liberalization of airwaves in Mauritius, the national TV channel, the Mauritius Broadcasting Corporation (MBC), offered musical programming. Different shows enabled artists and groups to showcase their talents. It was also one of the main reasons that motivated them to produce videoclips that were regularly broadcasted on the MBC channels. Today, local music is fundamental to the creole channel Senn Kreol.

Singers & radio hosts

It is a tradition for the MBC to receive local artists in its studios in Réduit, showcasing old and new talents for recorded sessions. Known artists are also interviewed at home and invited to talk-shows. The oriental channels of the MBC remain as active with shows carried out in collaboration with musicians and singers.

The MBC radio stations as well as the three private radio stations, namely Radio Plus, Radio One and Top FM, also have slots devoted exclusively to local music. These programs focus exclusively on local music and news related to music. Broadcasted on weekends or in the evenings, several of these shows are hosted by artists themselves, such as Bruno Raya, Ludovic Lamarque known as Mr Love, Mary Jane Gaspard and Sandra Mayotte.

Scope magazine

Scope is the leading music magazine in Mauritius. Created in 1988, the weekly magazine of Le Mauricien Limitée press group, has been providing a platform to promote arts and culture in Mauritius for nearly 30 years. The magazine has featured most of the local artists and groups.

To make the cover of this magazine, which is distributed across the country, gives a serious boost to artists. Some of the local artists featured on the cover of Scope in 2016 were the blues man Tritonik, the ragga singers Otentikk Street Brothers, the jazz band Clarisse Sisters, the world music singers Hans Nayna and band Patyatann, the sega singer Désiré François, the seggae band Otentik Groove, amongst others.

Scope focuses on famous artists like Linzy Bacbotte-Raya and Désiré François, as well as emerging artists like Flashback and Patyatann. It launched the careers of Cassiya, Otentikk Street Brothers, Kaya, Mr Love & System R, Alain Ramanisum, Caroline Jodun to name but a few. In the late 1980s, it helped Ti Frère, father of the sega, record his CD with the collaboration of Radio France International.

Print media

Other newspapers devote their first pages to general news, politics, economy, etc., but music remains present in the inside pages.

Concerts, shows, album releases and other events are covered by the main daily newspapers: Le Mauricien, L’Express and le Défi. Almost all of these publications systematically advertise small and big concerts for free. The same principle is observed by the weekend newspapers Week End, 5-Plus, and Le Défi Samedi, which are among the most distributed publications on the island.

Online media

Most of these publications are also present on the Web, taking local music beyond the borders of Mauritius. Recently launched online platforms like IONEWS also promote local music while 5-Plus regularly streams videos filmed in their studios.

In addition to offering free visibility to local artists and music, the Mauritian press also supports several projects as partners. Almost all the concerts and shows benefit from the sponsorship of Scope, 5-Plus, Le Défi or L’Express, in the form of advertising and promotion.

In Mauritius, the media participates actively in raising public awareness on intellectual property. Articles covering music piracy and calls for the intervention of the authorities are regularly published.


Source:

Le Mauricien: www.lemauricien.com

L’express : http://www.lexpress.mu/

Le Défi : http://defimedia.info/

MBC (Mauritius Broadcasting Corporation) : http://mbc.intnet.mu/

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