NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Tech

New streaming service ORIN launched in Nigeria

29 May 2015 - 12:37

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Online entertainment magazine Nigerian Entertainment Today (NET) has launched ORIN, a music streaming service designed to allow users access to exclusive Nigerian and African music content faster and to help artists and labels reach new audiences. It aims to provide uninterrupted entertainment to the millions of young people around the world who are passionate about Nigerian music.

Photo: techpoint.ng

The new music service was announced by its founder, Ayeni Adekunle, at the Nigerian Entertainment Conference in Lagos on Wednesday 22 April.

With plans to revolutionize the audio-visual streaming experience and business model for the growing African music market, ORIN merges the best features of established streaming service providers with social functionality and data gathering and analytics functions.

Boasting a library made up of 100% African content, ORIN is targeted at the African music listener, with over 5000 audio tracks and 1000 videos already present on this rapidly expanding library. In the next 12 months, the audio library is expected to surpass 100 000 tracks as new content and older content in non-digital formats are added. Available on PC, Android, iOS and Windows Phone platforms, ORIN is making a deliberate play to capture the rapidly-expanding market of Africans with a smartphone or personal computer with internet access.

Combining the functionality of established streaming services like Spotify, ORIN incorporates social media functionality into its unique experience, resulting in a three-way merger of content streaming, social connections and conversations, and data analytics and content marketing tools. All this useful and wide-ranging functionality is brought together under a simple user interface reminiscent of a typical social networking site. At the heart of ORIN is user customization. Rather than algorithm-generated playlists or paid music curators, users organize and structure their own playlists making use of the vast music and video library. This service is 100% free to use as ORIN is backed by advertising revenue - and it even pays royalties to artists. The result of this is a deceptively simple-looking website and app with numerous possibilities.

No doubt taking into account the high cost of mobile data packages and often-sluggish connection speeds in Africa, ORIN incorporates online as well as offline streaming modes that permit users to listen to their playlists offline without downloading mp3 files that deprive artists of royalties. It also incorporates automatic detection of connection speed and assigns streaming bandwidth accordingly, with special formatting to avoid loss of audio quality. A useful geo-location feature is embedded in ORIN to give artists, labels and brands a picture of the geographical spread of content, which helps in decisions regarding recording, touring and marketing communication. Even upcoming artists are able to make use of the social media functionality to popularize their music and earn some money in the process.

ORIN is an exciting new development in the African music industry. If successful, it will not only deliver the best streaming experience available to the African market, but will also change the definition of social media and blur the lines between social networking and multimedia content use. Users can sign up at orin.ng.

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