NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

NyegeNyege International Music Festival takes over Jinja town in Uganda

12 Nov 2015 - 08:19

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The Boutique Foundation of Kampala successfully held the first ever Nyege Nyege International Music Festival at Nile Discovery Beach, Uganda between 16 and 18 October 2015.

Performances at NyegeNyege Festival. Photo: By Nekane Ozamiz

Featuring over 40 international, regional and local music acts, Kuduro pioneer DJ Marfox, of Portugal made his African debut one to remember. It was also the first visit to Uganda for many of the international acts including the satirical rappers from Ghana FOKN Bois, Scottish sound system Mungo’s HiFi, Mexico’s Afterodon, Belgian DJ/producer Max le Daron and West Africa’s Stevo Atambire and Art Melody.

Visitors to Nile Discovery Beach, Jinja were treated to the stunning location close to the source of the Nile. Eco-Artists Mark Pirani and Reagan Kandole created a unique decor that reminded attendees of their impact on the environment. Food vendors Yujo, QuePasa, Holy Crepe, The Dog Pound, Blood, Black Lantern and Hollywood served a variety of international and local snacks and meals, at very affordable prices. Gourmet Rolexes and Ethiopian coffee kept the revelers going until the hours of the morning.

With two soundstages and so many critically acclaimed instrumentalists, bands, and DJs; the music did not stop until after sunrise for all three days of the festival. While the merrymakers retired to their tents, the team from Ramon Film Productions (of cult hit Who Killed Captain Alex) filmed scenes for their latest epic, and recruited festival goers to be a part of the action.

Ugandan acts were well represented on the line up. DJ Rachael, Uganda’s first female DJ showed the growth of her career by paying tribute to her Busoga roots for the opening of the festival. West Nile Fusion Band and Nilotika Cultural Ensemble expertly blended local Ugandan rhythms with modern jams. Lady Slyke and the band Jahliya showed why they are a mainstay of the Ugandan live music scene. R.P.V the Dons were proof that roots reggae is alive and thriving locally.

The large contingent from Nairobi who crossed the border for the party had plenty of hometown acts to support. Blinky Bill of Afro-Electro-Funk outfit Just A Band performed for the first time in Uganda as a solo act, thrilling the audience with deep cuts from early 2000’s R&B. Shoeshine Bwoy and his TuneDem Band proved why they are in demand for regional tours , performing a set that made first time listeners sit up and pay attention. Afro-fusion artist Makadem performed alongside self-taught ethnomusicologist and Berliner DJ Zhao.

The festival climaxed on Sunday with a performance by headliners FOKN Bois which became an intimate, acoustic set when the power on the main stage temporarily went out. Wanlov the Kubolor sang his song ‘Never Go Change’ reminding the audience ‘we are not singing about pads and diapers, but about politicians’.

Kenyan songstress Binti Afrika who performed at the event had nothing but praise for the festival. ‘The best festival I have been to so far in East Africa in terms of music, vibe, energy and excitement. I thoroughly enjoyed it and am looking forward to next year’.

NyegeNyege which has now taken live music to the Eastern region of Uganda was highly welcomed with Tom Dumba a reveler noting that Jinja can be a festive town. NyegeNyege Festival can bring the glory back to towns like Jinja’.

With the festival taking the live music to regions where live performances are few and far apart, the first edition of the NyegeNyege festival is a great milestone for Eastern Uganda. The festival which seeks to showcase underground cutting edge talent from East Africa is set to hold the second edition of the festival in July 2016. Find out more about the Boutique Foundation and NyegeNyege International Music Festival website.

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