NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

ONGEA! summit: Festival bookers come scouting for Eastern African talent

01 Feb 2017 - 09:04

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With 15 days left to the second edition of ONGEA! Eastern Africa’s music summit to be held at the Sarit Centre Expo Hall in Westlands, Nairobi, organizers are putting plans in place to fly in international festival bookers and owners in a bid to uplift the music industry in the region by exporting local talent.  

Sonya Mazumdar runs the annual music and film trade event, IndiEarth XChange. Photo:http: indulge.newindianexpress.com

Confident that musicians from Eastern Africa are ready for the global circuit of festivals, Mike Strano, Founder and Executive Director of PHAT! Music & Entertainment Limited, which is behind the event, says the region’s artists need to earn from these performances, market their music to new audiences, generate revenue from digital distribution, and market themselves to record labels and booking agents around the world.

“While many bookers have programmed acts from Northern, Central, Southern and Western Africa, they may not be aware of acts from Eastern Africa to book. One of the Objectives of ONGEA! is to spotlight this region,” said Strano.

To achieve this, ONGEA! flies in four festival owners or bookers each year for a deal in which they commit to taking at least one of the 32 showcase acts from the summit for a festival. Four Eastern African acts will therefore tour four different continents. This should be an all-expenses-paid trip with tickets, visas, accommodation, insurance, meals, per diems and performance fees taken care of. In return, the booker gets an all-expenses-paid working holiday to Kenya, complete with a safari.

Last year’s ONGEA! Deal involved Brahim El Mazned (Timitar Festival and Visa for Music); Faisal Kiwewa (Bayimba Festival and DOADOA); Isabelle Messer (Georg Leitner Productions (GLP))

Notable achievements were the signing of H_Art the Band and Mswazzi Masauti to Austrian-based booking Agent, GLP; as well as Sauti Sol being booked to perform at the largest festival in Africa – Timitar, of Morocco – in July this year.

For ONGEA! 2017, the organizers have confirmed Jess White of AKUM Agency from Mozambique, who is the coordinator for the AZGO Festival in Maputo and who has been instrumental in developing Igoda, an innovative circuit of music festivals in Southern Africa.

Also confirmed is Sonya Mazumdar, the Founder and CEO of EarthSync, a music production house and award-winning documentary film and festivals producer.

Well versed with cross-cultural artistic collaborations in music and film, EarthSync runs the annual IndiEarth XChange in Chennai, South India. It is India’s definitive trade event for independent music, film and media with a specific focus on linking India, Europe, Africa, Asia and the Indian Ocean region.

An avid traveller and writer, Sonya has over 20 years experience in project management in the infrastructure and content industries in India, West Africa and Asia.

The organizers are still in talks with festival bookers from the Americas and Europe, and details of these will be communicated here shortly.

Formerly the Kenya Music Week, the summit was rebranded after 10 years. While the scope of the event is broader, its three pillars still remain: Trade, Learn and Showcase. There will be 58 exhibition stands, eight panel discussions and 32 performances, with participants drawn from local, regional and international practitioners.

The participating countries include Kenya, Uganda, Tanzania, Zanzibar, Rwanda, Burundi, Comoros, Eritrea, Reunion, Seychelles, Djibouti, Ethiopia, Madagascar, Mauritius, South Sudan and Somalia.

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