NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

R2Bees up for 4Syte Awards

26 Oct 2015 - 14:24

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The 4Syte TV Music Video Awards in Ghana has released the nominees for its 2015 edition. Topping the list are R2Bees and dancehall stars Shatta Wale and Stonebwoy. The award ceremony began in 2009 and rewards the best music videos in Ghana.

R2Bees

This year Stonebwoy is nominated twice in the Collaboration Video category - proof that the singer has kept busy with associations within the music industry of the continent and in West Africa in particular, having featured Nigerian artist Patoranking in one such category. Perhaps more surprising is Patoranking’s two nominations in the same category. Like Stonebwoy, Patoranking has been involved a number collaborations. His countrymen Iyanya (aka Mr Oreo), Wizkid, Kiss Daniel and Korede Bello are up for the Best African Act video. Cameroon's Stanley Enow and Oslo-based half-African duo Nico & Vinz make up the rest of this category.

Arguably the most contentious is the Dancehall category, where Stonebwoy, Samini and Shatta Wale go head to head. Episode, AK Songstress and Vybrant Faya make up the rest of category.

The full list of nominees is given below.

Best Collaboration Video

  • Edem ft. MI – Delilah

  • Stonebwoy ft. Mzvee – Come over

  • Shatta Wale ft. Patoranking – Romantic

  • Stonebwoy ft. Patoranking – Pull Up Rmx
  • Pappy kojo ft. Joey B – Realer no
  • R2Bees ft. Davido – Gboza

  • Sarkodie ft. AKA & Burna Boy – Special Someone

Best Directed Video

  • D Black – Setewa
  • EL- Shelele

  • Stonebwoy – Pull Up Rmx

  • 4X4 – Roses

  • Edem – Delilah

  • C-Real – Shine

  • Fuse ODG – Only

  • Sarkodie – Special Someone

Best Male Video

  • Edem ft Raquel – Girlfriend
  • EL – Shelele

  • KK Fosu – Panin De Panin
  • M.anifest – Forget them Guru – Pooley Swag

  • Omar Sterling – Nineteen ninety

  • Flowking Stone – Too Strong
  • Samini – Money Biz
  • Bisa Kdei – Mansa

Best Female Video

  • Tiffany – Forgive

  • Mzvee ft. Efya – Abofra

  • Efya – Forgetting Me
Becca – Steady

  • AK Songstress – Holiday

  • Kaakie – Kumcha

  • Mzbel – Legelege
  • Sister Debby – Borla

  • Eazzy – Burning Love

Best Group Video

  • VVIP – Skolom

  • R2Bees – Makoma

  • Kwamz & Flava – Wo onane no
  • Keche – Diabetes
  • Gallaxy – Holla at me
4X4 – Kpagam
  • Ruff’N’Smooth – Liberian Girl

Best Choreography video

  • 4X4 – Kpagam
VVIP – Skolom
  • EL – Shelele
Kwamz and Flava – Wo onane no

  • Fuse ODG – Only

  • Okyeame Kwame – Mere Twen wo

  • Ruff’N’Smooth – Liberian Girl

Best Special Effect video

  • Dee Money – Enigma Chase – Fire

  • Episode – Avatar

  • EL – K.W.A.C

  • C-Real – Shine
  • Sarkodie – Mewu

Best Hiphop Video

  • Omar Sterling – Nineteen Ninety

  • Manifest – Forget Them
C-Real – Shine

  • Criss Waddle – Forgetti Obia

  • Eno – The Best
  • Sarkodie – New Guy
EL – K.W.A.C
  • Kwaw Kese – Yakubu

  • Edem ft. MI – Delilah
  • Pappy kojo ft Joey B – Realer no

Best Reggae/Dancehall Video

  • Shatta Wale – Romantic Jupitar – Enemies

  • Episode – Avatar

  • AK Songstress – Holiday

  • Stonebwoy – Pull up rmx

  • Samini – Money biz

  • Vybrant Faya – Mampi

Best Hiplife Video

  • 4X4 – Kpagam
  • VVIP – Skolom
  • Kwaw Kese – Swerdru

  • Guru – Pooley Swagg

  • Obrafour – Pimpinaa
  • Tic Tac – Don’t let your baby go

  • Tinny – Tiokor

  • Yaa Pono – Like That
  • Keche – Diabetes

Best Discovery Video

  • Kwamz & Flava – Wo onane no

  • Vybrant Faya – Mampi

  • Kells – Pokyii

  • Jeed Rogers – Relate

  • Pappy Kojo – Realer no
  • Church why – Jah Jah
  • Abena
Akuaba – Libilibi

Best African Act Video

  • Iyanya – Oreo
  • Wizkid – Ojuealegba

  • Patoranking – My Woman

  • Kiss Daniel –Woju rmx

  • Stanley Enow – Johnny

  • Korede Bello – Godwin
  • Nico & Vinz – Am I wrong

Best Storyline Video

  • Tic Tac – Don’t let your baby go

  • Episode – Avatar

  • Criss Waddle – P3p33p3
  • Edem ft. Raquel – Girlfriend

  • Jupitar – Enemies

  • Okyeame Kwame – Mere Twen Wo

  • D Black – Setewaa

  • C-Real – Shine

Best Edited Video

  • Sarkodie – New Guy

  • EL – K.W.A.C
  • R2Bees – Makoma

  • VVIP – Skolom

  • Stonebwoy ft. Mzvee – Come Over
  • C-Real – Shine
  • Episode – Avatar

Best Gospel video

  • Kings Kid – Halleluyah

  • John Winner – Call Him

  • Minister Rapture – Baba

  • Joyce Blessing – Heavy Price
  • Obaa Christy – Hye Bre Sisafo

  • Francis Amo – Ngooba
  • Preachers

Best Hi-Life Video

  • Bisa Kdei – Mansa
  • Ephraim – Lom nava
  • KK Fosu – Panin De panin

  • Criss Waddle – P3p33p3
  • R2bees – Lobi
  • Cartel Big J – Mafiwo
  • Choir Master – Obsession

Most Popular Video

  • Sarkodie – New Guy
  • 4X4 – Roses
  • R2Bees – Makoma

  • VVIP – Skolom

  • EL – Shelele
  • Criss Waddle – Forgetti Obia

  • Gasmilla – Telemo

  • Vybrant Faya – Mampi

  • Stonebwoy – Pull Up rmx

  • Jupitar – Enemies

  • Pappy Kojo – Ay3 Late

  • Kwaw Kese – Yakubu

  • Guru – Pooley Swag

Best Photography Video

  • R2bees – Lobi

  • EL – K.W.A.C

  • Shatta Wale ft. Patoranking – Romantic
  • Stonebwoy ft Mzvee – Come Over
  • D Black – Setewa

  • Sarkodie ft. Aka – Special Someone
  • Fuse ODG – Only
  • M.anifest – Forget them

Most Influential Artiste

  • EL
  • Guru
  • Vvip
  • Sarkodie
  • Shatta Wale

  • R2Bees

  • Stonebwoy
  • Fuse ODG

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