NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

The recording industry in Togo

20 Oct 2016 - 17:23

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In Togo, the music industry is still in its infancy. Few Togolese artists have positioned themselves on the international music scene despite the numerous local talents. The new generation of music promoters is, however, active in boosting the professionalization of the industry.

Karlos Danklou in his studio/ Source: All That Production Facebook page

The Togolese music industry has been associated with the Disques Akue label since the 1960s. The label belongs to Gérard Akueson, former instrumentalist (drummer) who became a manager, then producer as well as the first African to open a record company in France in 1962.

His studio hosted the Togolese diva Bella Bellow and the famous Beninese GG Vikey. The label was renamed Bade Stars Music in1982 and Akueson Worldwide in 1994 and has been managed by Gérard Akueson's son since 2011.

Labels and promoters

There was a lack of professional producers for many years in Togo. The country does not have adequate structures to invest in the career of artists. Those that do invest are generally relatives or close friends without much knowledge of showbiz.

Poq Industrie

Poq Industrie is a media production label. Its team is made up of composers, directors, scenographers, film and art directors. Based in Adidogomé ( the southwest suburb of Lomé), the label is managed by Kareem Malaïka and launched several Togolese artists namely the young Papou from the Elinam band and Keeli. (1)

Armel Production

Armel Production is a top production house for hip-hop artists. Its very first experience in the industry was a real success. Prince Mo, who signed with the label in 2015, won Best Hip Hop Artist at the All Music Award, the most prestigious Togo award ceremony, in the same year. Armel Production also works with Fuga Boy and Cyntish, two rising stars of Togolese rap. (2)

Fanga Music

Fanga Music is one of the rare Togolese production houses which propel Togolese artists on the international market. Almok, the top female artist of Togo is one of the most successful achievements of the production house, established in 2004 by Tamandja Akim Toutou.

Fanga Music manages almost all the stages of music production (production/coproduction, management, booking, partnerships and concerts, festivals, tours, promotion, shows, planning and career management, press attaché, edition and distribution, studio/live recording and programming, merchandising, legal advice, audio creation: music composition, video and advertising, corporate films, background music for websites...).The label also accompanies stand-up comedians and urban music singers. Omar B, 109 Connexion, Almok, Dub N Flezz, Kanoman, Gbadagog, Folo, Blaise and Daouda le sentimental have all worked with Fanga Music. (3)

All That Production

All That production is a media house and sound engineering training centre. The label, based in Adigome, has composed, arranged and produced several songs of famous Togolese artists like Toto Patrick and Mirlinda, the faces of zouk dance in Togo.

Senza, the former member of The Seed band who began a promising solo career, and Naida Sambo, winner of the first edition of 228 T factor, the biggest TV musical event of Togo. (4)

Malick Ayeva

Malick Ayeva, a cultural promoter, prefers to be called ‘a talent digger’. His agency Cap 2000 was awarded best music promotion label in 2000 at the first edition of the Togo Music Awards.

Behind the scenes, the business and marketing graduate helped several Togolese artists such as the lateJulie Akofa Akoussah, Monia Tchangai, Ali Bawa, Renya, Mirlinda, Charl’ozzo, Toto Patrick, Yawo Attivor and Samuel Zimba Junior. Today, Ayeva manages Vivamalix, providing support to young entrepreneurs.

Recording studios

In Togo, the popularity of recording studios generally depends on the reputation of its arrangers. Rovers Record is a popular studio managed by the arranger Joël Wandène Kombate nicknamed Joël Azetor (Joël the wizard). He has collaborated with many prestigious Togolese artists like King Mensah, Adjo' a Sika, Bibish Mola, Jey Liba band and Shalom Voice among others. (5)

All That Production is also known for its mastering of live and studio recording. Equipped with the latest technology, the studio owned by the young talented arranger and sound engineer Karlos Danklou hostedToto Patrick, Senza, Mirlinda, Naida Sambo and KRM.

Several studios specialize in specific music genres. Filozofik Music managed by the arranger and beat maker Parfait Avossé, works exclusively with rappers. The kings of Togolese hip-hop music, Mic Flammez and Prince Mo, both signed with the studio.

Koreg Recordsspecializes in the recording of religious songs. The studio team collaborates with many Togolese gospel artists like GuiRodrigue, Precious, Vaida and Erno(Horn of Praise).

Tubland Record,created by Toofan, focuses on Afropop music. Its arranger Master Just worked on several songs of the band and those of the female artist Almok. Tubland Record is based in the heart of Lomé in the district of Tokoin.

Other noteworthy studios include Lumumba Studio, Blaxound, Everlast Musik and Colibri.

Despite the determination, the Togolese music industry faces many challenges.Piracy, increased by the development ofICT is far from being policed by the Togolese authorities. The lack of a proper distribution channel is another issue. The environment discouragesinvestments into the industry.
________________________________________
(1) poqindustrie.com
(2) https://www.facebook.com/Armel-Production-642366842532996/?fref=ts)
(3) Fanga-Music-Officiel-252818068137255/?fref=ts )
(4) www.facebook.com/allthatprod/?fref=ts )
(5) https://www.facebook.com/allthatprod/?fref=ts

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