NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Review: Osibisa’s New Dawn

01 May 2021 - 08:24

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With a collection of 14 original songs, New Dawn, Osibisa’s first album in more than three decades, is undoubtedly the band’s strongest, most vibrant offering to date.

Osibisa.

Osibisa is an Afro-rock band founded in London in 1969 by four expatriate African and three Caribbean musicians. Their music is a fusion of African, Caribbean, jazz, funk, rock, Latin, R&B and highlife. They were originally signed to MCA Records and became the most successful of the African heritage bands in London, alongside such contemporaries as Assagai, Chris McGregor’s Brotherhood of Breath, Demon Fuzz and Noir, and were largely responsible for the establishment of world music as a marketable genre. Osibisa’s vibrant sound and ground-breaking live performances influenced some of the greatest musical icons, such as Stevie Wonder, Santana, Al Green, The Rolling Stones, Johnny Nash and Bob Marley.

The new project, released on Marquee Records and distributed by Universal, also arrives 45 years after their debut song ‘Sunshine Day’ stormed onto the UK Singles Chart. Written predominantly by Robert Bailey and Gregg Kofi Brown, New Dawn is Osibisa's first album distributed by a major label in more than 30 years. The original three Osibisa albums released by MCA/Universal were their eponymous debut in 1971, Woyaya in 1972 and Heads in 1973.

On New Dawn, founder Teddy Osei reunites Robert Bailey (keyboards) and Gregg Kofi Brown (guitar and vocals). The band also welcomes the first female talent in the previously male-dominated band. As the first-ever African band to play at the iconic Marquee Club, it’s fitting that Osibisa is now the first signing of Marquee Records. Promising an eclectic mix of Osibsia”s signature Afro-rock and contemporary popular dance-floor fillers, the LP is a much-needed offering of joy.

“Forty-five years since our first UK chart hit with ’Sunshine Day', it’s a privilege to see the Osibisa vibe still going strong today,” Osei said about the new album and line-up. “The band has always been a fluid collective of passionate musicians, which injects an ever-evolving freshness to our sound ... New Dawn is a diverse, dynamic collection of tracks, all underpinned by the original Osibisa Afrobeat vibe that I brought to the UK over half a century ago. I couldn’t be prouder to present this latest evolution of Osibisa.”

Among the highlights of New Dawn is ‘Doula’, which celebrates the life of the late Manu Dibango, a godfather of makossa music who died of COVID-19 in Paris, France, in April 2020.

Harking back to a retro ’80s rock vibe, New Dawn also boasts the gritty ‘Adjuwa Aye’, catapulting us into sheer happiness. There’s also ‘Yo Luv Is Betta’, the joyous ‘Boni Wo Yu A,’ and the James Brown-esque ‘Lift Your Head Up’, written by Brown and Kari Bannerman (guitar), who say they were inspired by ex-Osibisa bassist Jean-Karl Dikoto Mandengue. Douala in Cameroon was Mandengue’s home town and his vibrant humour and personality resonated strongly during the songwriting process for this track. Osibisa spotlight the incredible talent of the Cameroon Dance Academy in a video that accompanies this danceable track.

The collection also takes us on a dreamy melodic road with a jazz-led, Jessica Rabbit-style slice of seduction from the deep rich vocals of Faye Brown on ‘Dark Matter’, the gentle soulful ballad of ‘Yen Kita’ and the endearing smoothness of ‘Wake Up’.

Guest performers on the album include Seal guitarist and songwriter Gus Isidore, Ashley Slater, the frontman from ‘90s band Freak Power (co-founded with Fatboy Slim), percussionist Pandit Dinesh (Blancmange, Michael Jackson, Dire Straits), drummer Richard Bailey (Jeff Beck, Stevie Winwood, Incognito) and jazz singer and composer Ola Onabule.

Reformed, revamped and reinvigorated, Osibisa of 2021 takes flight from their pioneering Afro-rock ties of old, leaping into genres like reggae, jazz, calypso, pop and soul – while weaving their signature African vibes into every melodic fibre: big band instrumentation fused with the utter joy that naturally gushes from the cumulative work of the many band members.

Listen to New Dawn here.

Artist: Osibisa
Album: New Dawn
Year: 2021
Label: Marquee Records

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