NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Chaos at Global Citizen Fest as fans get mugged, robbed

03 Dec 2018 - 17:24

cc-img flag-img

A number of music fans who attended the Global Citizen Festival at FNB Stadium in Johannesburg on Sunday were mugged and robbed of their valuables after the event.

Jay-Z and Beyoncé's performance at Global Citizen Festival has been eclipsed by a series of violent incidents that occurred outside FNB Stadium in Johannesburg in the early hours of Monday morning.

According to South African media and numerous social media reports, the event was marred by the presence of juvenile gangs who stabbed and robbed concertgoers of their cellphones and handbags.

Many of the incidents took place at a nearby petrol station after the successfully concluded concert where superstars such as Jay-Z, Beyoncé, Wizkid, D’banj, Usher, Sho Madjoz, Tiwa Savage, Cassper Nyovest, Eddie Vedder and Ed Sheeran performed to tens of thousands of fans.

The spate of attacks on concertgoers consumed news bulletins and talk radio discussions on Monday, with commentators pointing fingers at South Africa's ineffective police services, which are also blamed for failing to deal with the country's high murder and armed robbery rates.

Crime in South Africa makes a regular appearance at mass gathering such as concerts, festivals, football games and street parties. In August, one of South Africa's best-known festivals, Oppikoppi, was reported to have experienced high levels of crime, with revellers pickpocketed and robbed of their camping gear.

"There was no SAPS [South African Police Service] present,” Miss Earth SA director Catherine Constantinides tweeted after Sunday's Global Citizen Fest. “Nothing. The screaming of girls and people everywhere still rings in my head. People running away holding bricks because they feared for their safety. They knifed people, burning people. It was horrifying."

Music publicists and JT Communication Solutions managing director Vanessa Perumal told News 24 of the pandemonium that had ensued after the concert.

"I can’t tell you how shocking it was. We were walking with thousands of people past the buses towards the Sasol garage to get an Uber. Then we heard people screaming. It was the weirdest thing possible. Youngsters, boys, were running towards us and stealing phones and pulling bags off people. It was chaos, it was so unreal. How was this even possible?" Perumal said.

Singer Danny K challenged South African President Cyril Ramaphosa to ameliorate crime levels in the country. “So sad and disappointed to hear about the terrible incidents of crime at the Sasol garage post Global Citizen Festival. A stark reminder that we are unable to change the world if we are not safe in our own streets. Cyril Ramaphosa, are you listening?”

Global Citizen Festival said on Twitter: "The safety of our guests is always of paramount importance to us and we understand and empathise with their hurt and anger. In the spirit of the global citizen movement, we believe in holding power to account and therefore we urge the South African Police Services to act swiftly and efficiently.”

In another post, the organisers said: “SAPS has issued a statement requesting all victims of wrongdoing file a police report, which we strongly encourage.”

The SAPS said one man had been arrested in connection with the muggings and that only one case had been opened. But numerous callers voicing their opinions on talk radio station 702 said most South Africans has lost trust in the police and would often not bother reporting serious crimes at police stations due to gross negligence.

EWN reporter Lebogang Moeketsi said there were no police in sight when concertgoers exited FNB Stadium about midnight. "In a nutshell, all systems around us completely failed us. I'm talking about traffic control, crowd management, safety and security. It was just a logistical nightmare."

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media