NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Moshito plans action-packed 2019 music conference

16 Aug 2019 - 11:51

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The 16th edition of Moshito Music Conference and Exhibition will be held on Constitution Hill in Johannesburg, South Africa, from 4 to 7 September.

PJ Powers and Berita are Moshito 2019 ambassadors. Photo: Music In Africa

The event, which will run under the theme Inzalabantu Unchained, is dedicated to women in the music industry, with veteran South African musician PJ Powers and South Africa-based Zimbabwean artist Berita confirmed as the conference's ambassadors. Loosely translated, 'Inzalabantu Unchained' means 'the birth of new ideas'.

PJ Powers and Berita will also perform at the conference alongside bassist Tebza & Her Artistry band. Other confirmed artists include Ziskakan (Mauritius), Ziia (Reunion), Elijah and the Otentik Groove (Seychelles), Siti and the Band (Zanzibar), Lady Donli (Nigeria) and Salatiel (Cameroon).

They will be joined by locals Sjava, Zoë Modiga, Kelly Khumalo, Nathan Blur, Nothembi Mkhwebane, Jessica Mbangeni, Jack Leroi, MoAfrica, Vincent Zimu, Khokho, Buhlebendalo, MbuSoul, Terrence Mckay, Moozlie, Shelton Forbes, Cruz Afrika, J Music, Zethe and Ihhashi Elimhlophe.

“I am very excited, particularly because of the theme of this 16th anniversary of Moshito,” PJ Powers told Music In Africa. “I think it’s the perfect Moshito conference for me to be an ambassador and to spearhead this together with Berita, who is a fine young artist. I am excited and I am really looking forward to this conference.”

Asked what conference delegates should expect from her performance, PJ Powers said: “I am glad you asked that question, because I am so chuffed that I will be performing with Tebza and her band. They will join me onstage. I have known Tebza all my life and what a great bass player she is. I will perform some of my old songs like ‘Jabulani’ and some new songs that I am about to release in September.

“I think music generally is and has always been an instrument used to break social divides, and what I have spent my life doing is making music that portrays social equality. It's amazing to see where women were and are now since Moshito started in 2004. When I hear a young artist like Berita get up and talk about her own record company, that’s incredible because I didn’t have that opportunity; we were just grateful to be a part of anything.”

Berita said Moshito is the ideal conference where upcoming musicians could network and learn about the inner workings of the music industry.

“I have been in the music industry for seven years and Moshito is one of the first platforms that I knew about where as an upcoming artist you could submit your music to showcase," she said. "You could also listen to many conversations about the music industry. I used the platform to learn more and as an opportunity to approach managers and record labels to ask pertinent questions about the music industry. That was the first platform of that nature for me and I think it’s a very valuable space not just for upcoming artists but for developed ones as well.

“Fans should expect fireworks. I am looking forward to not just the performance but the conference as a whole. I think there are so many important issues to talk about, like the Copyright Amendment Bill and I also think that even the theme of the event, Inzalabantu Unchained, is very important, especially in this day and age where a big platform like Moshito opens up opportunities for women.”

Conference sessions

The event programme will include four plenary and seven breakaway sessions, where musicians, festival promoters, booking agents, music managers and exhibitors will be present to discuss various topics. The plenary sessions will include The Copyright and Performer’s Protection Amendment Bill, if Signed… , Unchained with PJ Powers, The Art of Funding: Keeping the Arts Alive and Hot Seat with Kelly Khumalo.

The breakaway sessions will feature Surviving Hip Hop, A View from the Other Side, Culture Culture: The Rise of Trends, Surviving the Airwaves: Meet the Queens of Jazz & Defiance, Recording Masterclass and The Political Power of Music.

Moshito 2019 will kick off with the Afro World Night Concert on 5 September at the Market Theatre, which willbe followed by the MTV Base Showcase youth concert on 6 September. It will conclude with the Free Street Festival at Newtown Junction on 7 September.

The conference will also host the annual Demo Presentation Competition on 6 September, where amateur and professional musicians are invited to participate.

“The objective of the competition is to provide the opportunity for both aspiring and established musicians to present their songs to a panel of music industry experts and be in a room full of the most influential decision makers in the music industry,” Moshito said.

The conference will host delegates from Botswana, Canada, Cameroon, France, Germany, Jamaica, Mauritius, Mozambique, Reunion, Nigeria, eSwatini, South Korea, Seychelles, Spain, the UK, US and Zanzibar.

Tickets to Moshito are available here. For more information, visit the Moshito official website.

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