NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Singing Wells Project: Making Tanzania’s folk music great again

25 Jan 2017 - 10:14

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The Singing Wells Project (SWP), a collaboration between a London-based record label, Abubilla Music and Kenya's Ketebul Music has pitched camp in Tanzania this year, seeking to identify, preserve and promote traditional music. Just back from a reconnaissance trip in Dar es Salaam, Bagamoyo, Chalinze and Msoga, the Singing Wells team is now preparing to return for a field recording visit from 18 to 24 February.

Kusini Umoja group from Dar es Salaam will be recorded under the Singing Wells project.

They have identified 11 music groups and solo artists from three communities, the Kwere, Zaramo and Gogo. The recordings will cover a range of folk music genres, from vanga to mdundiko, godo, shiranga, mdomole and bingilia. They also intend to revive the memory of the famous Ngoni drummer, the late Mzee Morris Nyunyusa, who, despite being blind, made memorable compositions, some still played by Tanzania Broadcasting Corporation as their signature tunes.

SWP was started in 2011 with the aim of preserving the rich music heritage of East Africa. The project has since documented and shared music from Kenya and Uganda. The field recordings are carried out by a group of sound and video engineers, producers and musicians. The next three years are dedicated to music from Tanzania, with two recording trips scheduled for 2017. The recordings take place not in a studio but in the villages, to keep the authenticity of the music and culture.

But the project seeks not just to identify folk music and leave it in the past, but to also make it relevant to today's audiences.

“Through our Influences project, we link young artists to the village musicians and offer them an opportunity to exchange ideas, fuse their music and record in a studio. We would like to see East Africa's traditional music become an inspiration for new musicians. It’s the only way we will develop music with a strong identity,” said Tabu Osusa, Founding Director of Ketebul Music.

Steve Kivutia, Projects Manager and Audio Engineer at Ketebul Music explained that despite the South of Tanzania having a rich folk music heritage, thanks to the Yao, Makonde and Makua communities, the region has received a lot of coverage, and they opted to start with the uncharted Coastal region.

“With the guidance of Yusuf Mahmoud, festival founder of Sauti za Busara, Mandolini Kahindi, a researcher and Leo Mkanyia, a Tanzanian artist, we scoped out Tanzania's cultural music scene, seeking to discover and expose obscure and forgotten music, artists and traditional instruments,” he said.

He clarified that they tend to avoid music groups that play for tourists because often their performance is embellished to make it more entertaining.

“For Africans, music has always served a purpose bigger than entertainment only. It's also about communicating certain messages, chronicling history, enriching communal activities and as a form of social responsibility. In the Kenyan Coast, for example, we found that music plays a huge role in healing, funerals and exorcisms. In the Turkana region, every boy who comes of age must compose a song in praise of his father. It is this kind of music that usually goes undocumented. Some of these musicians don't even relate to themselves as artists, yet they are,” he explained.

The project organizers compensate the musicians, but more importantly, build networks around these village communities that ensure their continued sustenance. For example, in Uganda, they funded a group of drummers to revive the lost art of playing the royal drums of the Buganda Kingdom, and the group now organizes its own shows. With the marginalized pygmy community – the Batwa – of the Kisoro Hills at the border of Uganda and Congo, Singing Wells made a documentary about their music and culture, and had a local tourist hotel buy the documentary in bulk to distribute to the tourists, with proceeds going back to the community.

SWP is fully documented on the website http://www.singingwells.org/. It is intended to be a formidable archive of East African music.

Watch The Singing Wells Project video of the Kika Boys playing the Kankasa Drums in Kidinda Village, Uganda.

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