NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Tanzania lifts ban on two musicians

05 Apr 2018 - 10:23

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A Tanzanian government ban on songs was partially lifted by Minister for Information, Culture, Arts and Sports Harrison Mwakyembe last week.

Roma Mkatoliki's song 'Kibamia' is still in the Tanzanian government's bad books. Photo: Twitter

Tanzanian radio stations and TV channels can now resume playing Diamond Platnumz’s ‘Hallelujah’ and ‘Waka Waka’ as well as all of Roma Mkatoliki’s songs with the exception of ‘Kibamia’, which still requires clearance from the National Arts Council of Tanzania (BASATA). Mkatoliki’s six-month ban on performing in Tanzania was also reversed.

Mwakyembe relented last week after meeting with the two musicians on separate occasions at his office in Dar es Salaam. Also in attendance was his assistant Juliana Shonza and officials from BASATA.

In a statement released by the ministry, Shonza emphasised the importance of artists presenting their work in advance to BASATA to avoid being blacklisted.

“The government is not fighting artists but rather concerned with the culture of its people,” Shonza said. “The time has come for the Tanzanian Film Board and the Tanzania Communications Regulatory Authority [TCRA] to complete the exercise on TV programming so that songs that don’t fit for consumption by the general public are placed under a watershed period, which is between midnight and 6am so that kids don’t watch them.”

However, the ministry upheld its previous decision to ban ‘Kibamia’, saying that the musician had to change the song's lyrics because they are not in accordance with Tanzanian culture.

On 22 November 2017, Mkatoliki was summoned by the ministry and given six months to change the song’s lyrics. The period elapses in May 2018.

Mkatoliki, whose music is known for criticising the government, said during an online interview on Sunday that he would neither rectify ‘Kibamia’ nor present it to BASATA since the TCRA was yet to acknowledge that the song was unjustifiably suspended.

“My song is not allowed to be played on local radios and TV stations,” he said. “I don’t have time to rectify the lyrics as the council advised. I am cautioning the media not to play the song and whoever will dare do that, will have to face the music.”

In other developments, rapper Ney Wa Mitego, whose song ‘Pale Kati Patamu’ was among the 13 songs blacklisted in February, has submitted all his songs to BASATA for vetting.

But the rapper said he would not make changes to his music despite his submission.

“I am following the order issued by the minister to all musicians so this will be my first time interacting with BASATA,” he said.

“Those who love to hear the truth will appreciate my music. I am doing this because I do not want them to start blocking the rest of my songs. This move will not in any way make me change my music.”

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